Friday, October 11, 2013

Changes I’ve Seen in the Publishing Industry, by Marilyn Meredith

Hello, folks.

Please join me in welcoming the very prolific, multi-award-winning author, Marilyn Meredith to Murderby4 today. I've read Raging Waters, of Marilyn's Tempe Crabtree mystery series, and just loved it, having become particularly enamored with the great characterization and fascinating setting. 

As you'll see below, the person who comments the most on Marilyn's virtual book tour will be eligible to win a very cool prize - having a character named after them! Isn't that neat? I hope you comment like crazy and win. Be sure to let us all know if you do, so we can watch for you in Marilyn's next book. 

Aaron Paul Lazar
www.lazarbooks.com

copyright 2013, Marilyn Meredith



Aaron asked me to address this topic, and I’m a good one to do so since I started on this journey long, long ago.

When I began, the only hope one had of getting published was by one of the big New York publishers. Back in the day, it was possible to get an unsolicited or unagented. manuscript (we called it over the transom then) manuscript looked at and even accepted.

My first manuscript (and several others) were produced on a typewriter and the only copy was made with carbon paper. Each page had to be perfect, assembled into a box with return address and postage on it, then put into another box with the publisher’s address. If the manuscript was returned, it might be usable at the most four more times. Often the pages were returned smelling of cigarette smoke and with coffee or wine stains. Then the manuscript had to be retyped.

After nearly thirty rejections, many rewrites and retyping, my first book was finally accepted by a major publisher. The next one was not.

By this time, many co-op and publishers for pay cropped up and unfortunately, many of them were crooks. My second book was published by one of these. (Yes, he really was a crook and ended up in jail.)

Personal computers came on the scene. In my opinion, this was the best thing that ever happened for an author. I bought one of the first ones—much more complicated than what I use today. I had lots of help from the man I bought it from. I was still submitting on paper—but it was much easier to make corrections and copies.

Then the second best thing for authors came along, the Internet. Using the Writer’s Digest Marketplace book, I found a publisher who wanted police procedurals. I submitted the book via email and it was accepted. When I read the contract I found out it would be published electronically. At that time there was no such thing as an e-reader and though the book looked great, it was far too hard to purchase and no one wanted to read on a computer.

Along came the Rocket eReader and e-books began to gain some popularity and I had several e-books published by various e-publishers. The Rocket was bought by Sony who did nothing for too long a time.

Print on demand publishing came along and the e-publishers began producing paper books too. Some folks looked down their noses at POD publishing—but that has certainly changed as even the big name publishers use the same process for their trade paperbacks. Small independent publisher popped up all over the place.

Amazon started selling books and may or may not have put many independent books stores out of business. (Some say it was really the economy that did it.)

Other e-readers came on the market, with Kindle being the most popular. Then guess what, Amazon started publishing books, both trade paperbacks and e-books for the Kindle.

Those are just the highlights of what has been going on in the publishing world. There are so many ways for an author to get published today—and I have no doubt that we’ll keep seeing changes.

As for me, I’ve tried just about everything. At the moment, I’m quite happy with my two small publishers, Mundania, who does my Deputy Tempe Crabtree series, and Oak Tree Press, publisher of my Rocky Bluff P.D. series. I barely have time to write and promote two books a year, I don’t want to try to fit in all the chores of self-publishing too.

Blurb for Spirit Shapes: Ghost hunters stumble upon a murdered teen in a haunted house. Deputy Tempe Crabtree's investigation pulls her into a whirlwind of restless spirits, good and evil, intertwined with the past and the present, and demons and angels at war.

Bio: Marilyn Meredith is the author of over thirty published novels, including the award winning Deputy Tempe Crabtree mystery series. She borrows a lot from where she lives in the Southern Sierra for the town of Bear Creek and the surrounding area, including the nearby Tule River Indian Reservation. She does like to remind everyone that she is writing fiction. Marilyn is a member of EPIC, three chapters of Sisters in Crime, Mystery Writers of America, and on the board of the Public Safety Writers of America. Visit her at http://fictionforyou.com and follow her blog at http://marilymeredith.blogspot.com/

Contest:

The person who comments on the most blogs on this blog tour will have the opportunity to have a character named after him or her in the next Deputy Tempe Crabtree mystery.

Tomorrow I’ll be visiting at: http://gerrieferrisfinger.blogspot.com/

Thursday, October 10, 2013

Queries, anyone?

Whew. It's been a strange week. And it is stressful. And nerve-wracking. And...fill in the blank.

I am working on my query. Does anyone out there know how HARD that is??

So, I have one I am sort of happy with, and now the agent search begins.

I need to Murder something.

Happy Thursday, y'all.

Wednesday, October 9, 2013

Robin Waldrop, Crest of the Blood Moon Virtual Book Tour and GIVEAWAY!

Hi, folks!

Please help me welcome author Robin P. Waldrop today to Murderby4! We are honored to be part of Robin's Virtual Book Tour, and look forward to seeing your comments on her guest post, below! A random winner will be pulled from the comments to receive an eBook copy of Robin's new book, Crest of the Blood Moon. 

Robin is an obsessive coffee drinker, unicorn enthusiast, batman devotee, video rock band guitarist, softball fan, rockin' grandma, voracious reader, and award winning author of YA/urban fantasy and suspense/thriller novels and short stories.

A TYPICAL DAY IN ROBIN’S WRITING LIFE

I’m lounging on the upper deck of a large cruise ship, little umbrella drink in my hand. Wearing my bikini and sunglasses, a constant cool breeze keeping me cool as I do nothing, but relax.
I hear the sound of a horn honking and it continues to grow louder. My eyes fly open, and it’s my lab barking to go out for his morning constitutional. Argh!
I look at the clock hanging on the bedroom wall. Five a.m., the same as every other morning. I roll out of bed and stretch. I could probably stretch a mile, but don’t because I’d have to walk all the way back.
After I let the dogs out—yes, I have four—I grab a shower, then head straight to the kitchen where I know my husband has a fresh pot of coffee waiting. He loves me, what can I say? I tiptoe around because my youngest daughter and granddaughter are still sleeping.
I watch the early morning news, then at six a.m. when my hubby leaves for work, I grab my laptop and coffee, then head to the front porch where I have a small card table set up. I live in the country so it’s quiet and serene, until the neighbor’s rooster starts crowing. Some mornings he starts crowing long before daylight. Those are the mornings I lie in bed and think about knocking him off his roost.
I rake back my wet tangles, take a deep breath and open my laptop. After I pull up the file I think, okay where was Genevieve when I last saw her? Ah, yes, I remember. I scroll back up the page a few paragraphs and read just to refresh my memory and get back in my YA frame of mind.
I usually write until around eight when my granddaughter, Ryleigh wakes. Then, it’s put my writing on hold so I can change and feed her. If her mom is off work, I let her sleep. We play for a bit, she eats a few dried Fruit Loops with me, and it’s nap time.
I get another hour to write—the phone rings. “What’s up?” It’s my oldest daughter. All my kids know I do most of my writing during the day, but especially early in the morning. While I’m on the phone with her, I keep glancing at my time ticking away on my laptop.
When I finally convince her to let me call her later, I fix another cup of coffee and sit back down. Only this time nothing happens. Come on, Genevieve. She doesn’t say a word. Instead, she scowls at me, arms folded and tapping her foot. You know how teens are. They think the world revolves around them. She’s punishing me for making her put her story on hold.
I ignore her and attempt a light copy edit—the phone rings again. “Hey, Mom.” It’s my next to youngest daughter. After watching even more of my time tick away. I convince her to call my oldest daughter where they can chat with each other.
I reheat my coffee and sit back down. Again. Are you over being mad, Genevieve? When she turns her back and stomps off into the dark recesses of my mind, I take it as a sure sign she’s angry. Please come back. I’ll turn my ringer off. I promise, no more phone interruptions.
After several minutes of coaxing, I finally get her to come back. Just as we are ready to pick back up, I hear the muffled sounds of Ryleigh crying.
I jump up and stick my head in the door. “Erin,” I yell. “Wake up and get Ryleigh. I really need to write today.”
After two more times of opening the front door and yelling at my youngest daughter to wake up, she finally does and the crying stops.
I sigh as I sit back down. Sorry, Genevieve. She is seething. You know how teens and young adults are. After all, you are one. DUH! We argue a few minutes, then get back to work. I get lost in my writing, then the next thing I know it’s early afternoon. Time to grab a bite to eat, start the laundry and start supper before getting on with the rest of my day.




Myths. Legends. Fairytales. For most people they are stories, but for one girl they are her history. Genevieve finds herself in a world she never knew existed. And she's not sure if she wants to be a part of it.






Genevieve Labreck is back with a score to settle. Her mom has been kidnapped by Zane, hybrid and all-around monster. Rumors fly that Gen’s mom is holed away in Prague, a city recognized by humans for its serene beauty and intense culture, but Gen and Will know something humans don’t. Prague is haunted by dark, evil forces.


Can Gen and Will save her mom, or will they be too late?

Some will live, others will fall. At what price do you walk away from those you love?

Inside a castle tower high in the mountains Genevieve is being held against her will. Can she escape her gilded cage and find the answers she seeks? As Genevieve's birthday nears, time is running out. Who can she trust?  Peter?  Dahlia? Or maybe a dark stranger Laszlo is holding in the dungeon? Mistakes are made...  The race is on to reach Alaska. To gather the Adlet Wolves and find William. Is Genevieve's and William's love enough to save them? Save their friends?  Laszlo is close and on the night of the Blood Moon plans are made for the All Hallow's Eve Ball... The Ceremony. The Sacrifice.  When the blood moon crests will Genevieve die?
Author Bio:
Obsessive coffee drinker, unicorn enthusiast, batman devotee, video rock band guitarist, softball fan, rockin grandma, voracious reader, and award winning author of YA/urban fantasy and suspense/thriller novels and short stories.

Monday, October 7, 2013

What a Proofreader Can Do for You and Why OCD has a Role in the Profession by Dora Machado

An Interview with Proofreader Extraordinaire Linda Au

By
Dora Machado

Linda Au has the distinction of being one of the funniest proofreaders in the business. I mean it. She divides her time between her passions, advancing the cause of clean writing and spotless manuscripts while also writing hilarious fiction. Over the years, she and I have worked on many projects together. She has always impressed me with her eye for detail and her uncanny ability to find even the most cryptic of errors, mistakes that often evade authors altogether, despite our best efforts.

As the writing world changes and publishing gets both simpler and also more complicated, I wanted to get Linda’s take on the impact of her profession. Below is the first part of my two-part interview with Linda, where we talk about what she does and how she does it, the most common mistakes she finds when proofreading manuscripts, and why a touch of OCD might be a very desirable quality in a proofreader.

Enjoy!

Dora

Tell us a little bit about yourself. What’s your background and how did you get started in the business of proofreading?

Should I mention that I have in my office a spelling trophy I got in fifth grade? That should have been the first tip-off that I was doomed to this life forever.

I realized I was good at proofreading while working as a secretary in a small publishing office in 1987. The editor asked me to look over a printout of that month’s issue to see if I could find any mistakes, and I handed back pages full of red ink. I’m still proofreading that magazine every month, in addition to work I do for various publishers and independent authors. My philosophy, strangely enough, is more like a theology. I rely on the doctrine of Original Sin. That’s how I know I’ll always have work. When I get a manuscript or book layout, I already know there are errors because nobody’s perfect. My job is to find those errors.

A good healthy dose of “Question everything” goes a long way, too.


What exactly do you do when you get a hold of a manuscript?

I grab a hard copy of one of my job sheets (something I created in PageMaker years ago to keep track of my hours, back when everything was hard copy), and I scribble all the details of the job on it: deadlines, special instructions, etc. I also add the project to my gargantuan white board. Then I look it over to make sure I don’t have any questions for the author, such as, “Why won’t this file open?” or “Why did you send me a file set completely in Brush Script?” or “You want this when?”

I keep a style sheet on the back of each job sheet—it’s where I jot down any author preferences I pick up along the way: Are we formatting this as “OK” or “okay”? Does the author prefer “toward” or “towards”? Those are things that don’t have a set grammar or spelling rule. It’s not hard to remember them individually, but once I’m working on multiple projects, it’s essential to keep track of what each author prefers.

These days, “digging right in” means either digital scribbling on a PDF or using Track Changes on a Word document. I leave that choice up to the author. Track Changes can look strange if you’re not used to it, though it saves an author time because there are no individual changes to input. PDF scribbles look a lot like hard copy used to: red arrows everywhere, notes in the margins. I even use rainbow color-coding for ongoing issues.

One helpful tip for those who use white boards: If you’re having trouble erasing a project from your white board—and you definitely used the dry erase markers—that means you’re WAY past your deadline.

What are the most common mistakes you find when proofreading novels?

I’m constantly surprised at how few writers really know the basics of punctuation and formatting. Quotation marks and dialogue seem to be a real sticking point. Also, I still encounter authors who don’t seem to like fact-checking. For instance, one novel had a scene set in the 1970s where the main character played a song on a CD player, long before CD players were in use. I might have expected this from a young writer, but this man was a multi-published author who’d been around for decades.
Beyond that, the big errors are the typical ones: they’re/their/there and to/too/two, loose/lose, your/you’re…. And sadly, those sorts of casual errors are way more common than they used to be.

What do you like the most about your job?

Aside from being an introverted night owl who can set her own hours and doesn’t have to interact with people around a water cooler, I get a strange kick out of getting a manuscript from an author who assures me it’s “really pretty clean already,” and then finding a lot of things wrong. The author’s gratitude (after he or she gets over the shock) is great feedback for someone whose work is essentially solitary and can feel perpetually negative. Don’t get me wrong: A lot of the authors I work with do send me tidy manuscripts, especially if they’ve worked with me before. But no writer should hand anything to a proofreader and mention that there aren’t any mistakes. You’re asking for trouble—and a huge dose of snarkiness if you keep mentioning it.

And, because I find words so powerful, and so essential, I enjoy helping people polish their words so that they communicate as clearly as they can. There’s nothing quite like the frustration of being misunderstood because you haven’t expressed yourself well. I like to think I help people avoid some of that.

What are the most important qualities that a writer should look for in a proofreader?

A writer needs someone who is easy to communicate with, someone who can clearly explain the reasons for any suggested changes, someone who can roll with the punches (and there will be punches). Despite having definite opinions about what’s right and wrong in print, I also know that the author (or publisher/editor if I’m working with a company) has the final say. My corrections are sometimes just suggestions, and I have to let it go if they decide not to incorporate some of my scribbles.

It also helps if a proofreader knows as much as possible about the changing trends in publishing. There’s a big difference between someone who can eagle-eye a manuscript and someone who can also nitpick a complete book layout in final form or who can look for glitches in an e-book format.
Beyond that, a proofreader has to be a stickler about the language but yet flexible enough to change with the times. I’m still learning how to do this. I hate to admit it, but I’m still getting over the fact that “anymore” is now one word. But, at least buying new dictionaries is a tax deduction for me.

Now, tell us the truth: Are all proofreaders OCD?

OCD? Ha ha ha! You should see my house! I think I am word-OCD or print-OCD, but not generally OCD. I like tidying things up in print. I like knowing words are in a better order, are being used properly, or are in a position to make a difference now. I confess that some of this OCD spills over into my daily life. I rearrange the throw pillows on the sofa a lot more often than I used to. But, I still don’t wash the baseboards, so there’s hope for me yet.

Don’t miss part two of Dora's interview with Linda Au coming soon, where Linda talks about texting as the work of the devil and why proofreading your work matters now more than ever! 

***

Linda’s short humor essays have garnered numerous awards. Two books of her humor essays, Head in the Sand…and other unpopular positions and Fork in the Road … and other pointless discussions, are currently available on Amazon.com and BN.com.

Linda has worked behind the scenes in publishing as a proofreader, copy editor, and typesetter since the late 1980s. She has worked with many independent authors, as well as publishers such as Carroll & Graf, Shoemaker & Hoard, Crown & Covenant Publications, Christian Publications (now WingSpread/Zur), Pegasus Books, and F+W Publications.

Facebook: https://www.facebook.com/pages/Author-Linda-M-Au/119278508108217
Twitter: https://twitter.com/LindaMAu
Blog/Web site: The Other Side of the Desk
LinkedIn: http://www.linkedin.com/in/austruck/

FITR-frontfinal (1)HeadintheSandPRINTfinal-FRONT

***
Dora Machado is the award winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats.

To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at Dora@doramachado.com.

Subscribe to her blog at http://www.doramachado.com/blog/ and sign up for her at newsletter at http://doramachado.com/newsletter.php,

Facebook and Twitter.

For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.com/TheCurseGiver_ch1.html.
The Curse Giver from Amazon

Saturday, October 5, 2013

How to write a 5-minute Story by Sheila Deeth


Hi, folks.

Today I'd like to introduce author Sheila Deeth, a lovely lady who I've known from Gather.com from a long way back. I read her book, Divide by Zero, which I found very intriguing. Today Sheila shares with us her tips on how to write a five minute story! See what you think, and please comment below to start a discussion. ;o)

Aaron Paul Lazar
www.lazarbooks.com 






1.   First choose your topic. If you’re writing stories in a series this should be easy. The topic chooses you. Otherwise, empty that drawer filled with untold story ideas. If it’s a metaphorical drawer, empty your head instead. Toss ideas in the air and catch one. Failing that, toss a coin. Time: as long as you like, but if you’ve only got limited time, give yourself five minutes, then pick something at random.

2.     Next choose your approach. Five minute stories are short. You won’t have time to give backgrounds to all the characters. In fact, you may not even have space to include all the characters. Decide why you’re writing this story. Narrow it down to a single reason, or a single reader with a single reason to read, and you’re ready to go. Time: ten minutes, followed by five while you change your mind, ten more, then several car-rides, or… give yourself five minutes again and pick a reader at random.

3.     Now write. A five-minute story fills about one page, single spaced, 12-point font. If you’ve filled half the page and nothing’s happened yet, speed the story along. If you’ve filled the whole page and nothing’s happened yet, consider rewriting it or changing #2. Time: half an hour.

4.     Then edit. Sometimes the story’s too short. Knowing it had to be only a page, you ran through people and events and ended up with two minutes plus change. This is the stage where you put back a few descriptions, add some dialog, thread the most important concept, or key-phrase, back into all the scenes so the story hangs together. If instead you’ve written too much, here’s where you go back to #2. Did that scene have anything to do with the approach you were planning? Okay, so it’s great and it’s beautifully written, but it doesn’t belong. Cut it. Reuse it somewhere else. Time: half an hour to an hour.

5.     Next, you need to read your story, aloud. Five minutes isn’t long. You can afford five minutes to listen to yourself, and now you’ll spot where there’s too much repetition, where you can’t tell who’s speaking, where too many “the”s make the reader start to stutter, where the story ought to pause but the voice goes rambling on (or vice versa of course), and where the story itself goes off on a tangent, leaving you (or your reading voice) thoroughly bored. Time: You’re guessing five minutes aren’t you, to read a five-minute story? But it’s not. You’ll have stopped at every glitch and struggled to fix it before reading on. Allow another half hour.

6.     By now, all those fixes are bound to have created a wealth of new mistakes. You changed “walk” to “run” and forgot you had the word “run” in the previous line. You made Mom say “no” when she’d only just said “yes.” You had Peter reply when you’d actually edited him out. Repeat step 5 silently, then repeat it aloud, until you finally manage a whole read-through with no stops to change things around. Time: about an hour

7.     Then rest, and let the story rest too. Time: a day, at least.

8.     After which, you read it again. If it still sounds okay, you’re done. If not, repeat steps 5 and 6, or reconsider #2.

 

How to write a book of five-minute stories


Make a list of story ideas. Order them. Decide who your audience is. Then start from step 2 above with each story in turn. This time your approach has to stay consistent but mustn’t stay the same. Forty stories, all illustrating “more haste less speed,” will get really boring really quickly. But forty stories illustrating forty different proverbs—that might work.

While one story rests you can work on another. While one set of characters refuse to recite their lines, you can tell a different subject what to do. And when your voice is tired of trying to read aloud, you can write some more instead.

When you’re finished, you might need reordering the stories again, so similar ones don’t merge in amorphous blobbiness. Check you haven’t called every bad guy Alan too, or Alans who read it might decide they don’t like you. Don’t call all the good girls Lucy or Alana either.

Time: six months. Then let it rest. Re-read, aloud. Re-edit. And send it off to your publisher.

Bethlehem’s Baby



Bethlehem’s Baby is a set of 40 5-minute read-aloud stories set around the time of Jesus’ birth. Wander the roads from Nazareth to Bethlehem and beyond. Meet a shepherd boy and his grandfather, a student and his professor, or a cousin and a priest who loses his voice. The stories cover the birth and childhood of Christ through the eyes of family, strangers and friends, bringing to life the people of an era usually shrouded in Christmas carols and tradition. At least, that’s the intent. It’s the sixth in the Five Minute Bible Story ™ Series, published by Cape Arago Press, and the first New Testament entry. I’m working on Nazareth Neighbors now and hoping for a release date before Christmas, but all it depends how fast the second six months of the year go by.

Thank you so much for inviting me to visit here, and thank you for the warm welcome.

 ***
 





Sheila's books: http://www.sheiladeethbooks.com

Facebook: http://www.facebook.com/sheila.deeth,

Facebook author page: http://www.facebook.com/SheilaDeethAuthor

LinkedIn: http://www.linkedin.com/pub/sheila-deeth/17/21b/3b9

Gather: http://smd.gather.com/

Goodreads:  http://www.goodreads.com/author/show/2853735.Sheila_Deeth

Blogger: http://sheiladeeth.blogspot.com

Twitter: https://twitter.com/sheiladeeth


Friday, October 4, 2013

The Making of an Audiobook by Dora Machado

Hello, MB4 fans.

I hope this finds you all well and thriving!

Award-winning and best selling fantasy author Dora Machado shares a fascinating interview with us today. She's turned the tables and asked questions of a narrator for her audio books, which is quite entertaining! Please help me welcome Dora and Melissa to MB4 today.

Aaron Lazar
www.lazarbooks.com

An Interview with Melissa Reizian

One of the best voice actresses in the business tells us how she chooses her projects and why writing for speech is at the heart of successful storytelling

by
Dora Machado

When I started this great adventure of writing, I never dreamed my novels would be published, let alone made into audiobooks. From the first time I typed “The End” at the bottom of a manuscript, to the first time I held each of my books in my hands, every step of this voyage has been filled with lots of emotions and incredible joy. I didn’t expect any less when we embarked in the new adventure of making the Stonewiser series available in audiobook, but I have to say: As an author, listening to the professional narration of Stonewiser: The Heart of the Stone has been one of the most powerful experiences I’ve ever had.

Once the decision was made to create the audiobook, it was an incredible journey. Following the advice that my friend and fellow TTB author, Aaron Paul Lazar, gave in the award-winning Murder by 4 blog,  http://bit.ly/157aX8H, I approached the Stonewiser series’ publisher with the idea. From there on, it went really fast. ACX was contacted. Voice auditions were held. I stepped into a new world where voices became characters and characters developed their own voices. I learned about pitch, tone and accents. I listened in wonder as actors bid to tell the story. None was more gifted than the talented Melissa Reizian. And thus she became my heroine’s enduring voice.

Intrigued by her world, I talked to Melissa Reizian about the process of creating an audiobook, her project selection criteria, and her best advice for writers who want their books to become audiobooks. I also talked to her about her voice’s magical ability to tell a wonderful story and turn a book into a magnificent listening experience.

Welcome, Melissa. Thank you so much for being a guest on my blog today. Can you tell us how you first became interested in narrating books? 

I have been a full-time voice actor for more than 13 years. Before that, I was a television news reporter/anchor/producer/videographer—a “one-woman band,” we used to call it—and during that time, people always commented on my voice and my delivery. I have always had a “storytelling” kind of voice. I quit the news business when my oldest son was a few years old so I could spend more time with him (and now my two other sons as well!). For the first decade, I focused on commercials, e-learning training voiceovers, and other types of narration. I had a client who presented the opportunity to start auditioning for audiobooks and I jumped on it! Since then, I’ve narrated more than a dozen audiobooks. I feel this is the part of the job I’m most passionate about…and get the biggest sense of pride and reward from doing. It allows me to utilize my acting skills, bringing characters to life, either with fun accents and dialects, or just with intonation and the delivery of the read. I remember my oldest son, Jarod, looking up at me with big, incredulous eyes one night as I was reading the Disney novelization of Treasure Planet to him. I was doing the cat-captain’s voice with a British accent, and he just stared up at me and said, “You can BE HER?” I was hooked!

For those of us who are not familiar with the steps involved in creating an audiobook, can you tell us a little bit about the process? 

First, you should always read the book you’re narrating. You would then research any foreign accents or dialects you need to learn.…I usually find other voice actors who are native speakers of that language and ask them to read some of the lines for me.…I’m a good mimic, so that usually is all it takes. If you don’t know what’s coming up in the book, and you are suddenly faced with, “…he said, with his thick Scottish brogue” (which HAS happened to me!), you are in a bit of trouble if you can’t pull it off! (I was told by a native speaker that my first attempt at an Irish accent in a recent romance novel sounded like a “Canadian vampire.” Not sure how he knew what a Canadian vampire sounded like…but I did work on it until it was right!)

I also ask the author his or her intention for any of the characters.…Sometimes we learn something important about a main character in book two of a series, so knowing that she will become a fae, for example, is helpful in giving her lines the appropriate interpretation in book one. As I read, and decide how the characters will sound…accent, rate of speech, confidence, volume, etc.…I record snippets of their lines on my iPhone. Then I refer to this as I go, because sometimes a character is off canvas for a good bit of the book and you forget what he sounds like.

After I record, I edit out any mistakes I’ve made and edit out the dogs barking at the mailman, the neighbor’s lawnmower, the kids running down the hall like a herd of elephants, etc.! I also adjust the length of pauses to make the narrative and dialogue flow appropriately. This is one of the most, if not the most important parts of the process. You may have heard someone read and leave too short or too long of a space between lines. It totally takes you out of the story! Timing is the difference between being immersed in the story and “judging the book.”

How do you select your projects, and what are the elements that make a novel well-suited for narration? 

It might seem obvious that it is much easier to do a great job on a book that you actually like! I can attest from personal experience that that is true. For example, with Stonewiser: the Heart of the Stone, I found myself wanting to get back to it to keep Sariah’s story going…. It’s exciting to bring the story to life. There was one book I did—that I did not choose, but rather was assigned—that was horribly written. It made me wonder how it even got published…and it was really, really hard to finish. I found myself making excuses not to get back in the booth with it. So now, I have completely learned my lesson, and only audition for books once I’ve researched them. I look at comments and reviews on Amazon and GoodReads. I also look at the subject matter. I’m certainly not opposed to some story-propelling steamy scenes, but gratuitous, extreme sex is not my bag…because frankly, I have to consider the impact it would have on my boys if they were to hear it, or hear ABOUT it from their friends!  I especially love narrating books that are written in first person (Sorry, Dora! J) because you get to do a “character” the whole time. But just a book that has strong, well-written characters with a story that moves is great. Pretty much the same things you’d look for in choosing a book to READ is what I look for when picking a book to NARRATE. You are spending about 40-50 hours with a 10-hour book from research to mastering, so you better love it!

Why did you choose to work on Stonewiser: The Heart of the Stone

I love fantasy as a genre. I got started really voraciously reading, as a kid, with Piers Anthony’s Xanth series. The idea that there is a whole other world with its own set of rules is just cool. And when it’s a story about real people living in that world, it’s a great escape from reality. Like in your case, Dora, you created this whole other universe that is totally believable because you are careful to maintain all the “rules” you established and write your characters true to themselves.

What was the most challenging part of this project? 

Actually, figuring out what the characters should sound like was a challenge. I don’t want to give away any spoilers, but suffice it to say that there are mysteries revealed as the story develops and all is not what it seems! As these secrets come to light, it becomes a little harder to justify what everyone should sound like. We actually went back and changed some characters’ accents after getting quite far into the book!

What was your favorite part of this project? 

I loved the confrontational scenes between Sariah and…well, just about everyone! The girl doesn’t exactly have the easiest time of it! But performing and editing a really strong “acting” scene is very rewarding for me. Also, Dora, your descriptions are just phenomenal! You can “see” what you are writing happen in your head, and I really hope that readers get that from my narration when they listen to it!

What kind of readers do you think might enjoy listening to Stonewiser: The Heart of the Stone

People who love the fantasy genre—or sci-fi—will love it. But I would think this would even be enjoyable to someone who does not label themselves as “fantasy fans” because, when you come right down to it, this is a love story and a story of survival, self-awakening, and liberation. There are powerful messages in this book, as it challenges our notions of one’s “place in society,” the idea that we think we know everything about our enemies, and, to paraphrase my favorite Vulcan, “the needs of the one over the needs of the many.”

What would be your best advice for authors seeking to make their novels into audiobooks

Write for speech! Nothing is more frustrating that narrating a book and realizing that no one would actually speak that way! Make your characters distinct and well-defined. This gives the narrator a good basis to make acting and voicing choices and helps the listener believe they are real.
I’d like to add that I can’t wait for people to get the chance to experience the audio version of Stonewiser: the Heart of the Stone. You can listen to a free sample at: http://bit.ly/18rUjkS. I really hope you’ll take the time to leave feedback (well, unless you don’t like it! J). I’ve gotta get going now and get back to reading part two—Stonewiser: the Call of the Stone!

Melissa, thank you very much for being my guest today and special thanks for all the hard work and passion that you put into giving voice to Stonewiser: The Heart of the Stone.

Thank you so much!

****



Stonewiser The Heart of the Stone Audible

Stonewiser: The Heart of the Stone, the Audible edition, is now available at: http://www.audible.com/pd/Sci-Fi-Fantasy/Stonewiser-Audiobook/B00F52CJIY/ref=sr_1_1?qid=1379186069&sr=1-1

And on Amazon at:
http://www.amazon.com/Stonewiser-Heart-Stone-ebook/dp/B001F7ATEO/ref=sr_1_1?s=books&ie=UTF8&qid=1379351789&sr=1-1&keywords=stonewiser+the+heart+of+the+stone

Contact Melissa Reizian at her website www.YouChoiceVoice.com or email her at Melissa@YourChoiceVoice.com.



About Dora Machado

Dora Machado is the award-winning author of the epic fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books, July 2013. She grew up in the Dominican Republic, where she developed a fascination for writing and a taste for Merengue. After a lifetime of straddling such compelling but different worlds, fantasy is a natural fit to her stories. She lives in Florida with her husband and three very opinionated cats. To learn more about Dora Machado and her novels, visit her website at www.doramachado.com or contact her at Dora@doramachado.com.

For a free excerpt of The Curse Giver, visit  http://twilighttimesbooks.com/TheCurseGiver_ch1.html.

Subscribe to her blog at http://www.doramachado.com/blog/, sign up for her at newsletter at http://doramachado.com/newsletter.php,

Facebook and Twitter.
Website: http://www.doramachado.com/
Email: Dora@doramachado.com
Blog: http://www.doramachado.com/blog/
Facebook: https://www.facebook.com/DoraMachado101
Twitter: @DoraMachado or https://twitter.com/DoraMachado
Amazon Author Central: amazon.com/author/doramachado

Thursday, October 3, 2013

Book signings, reviews etc.

Kim Smith at the Bartlett Festival, Bartlett TN, September 28, 2013


I still haven't quite gotten the hang of book signings. I have had exactly two-since 2008. Yeah, I am not a good horn-tooter, am I? But there are a few things I learned from the two I have had. Here goes:

1. Bring a pen-this sounds crazy, but you'd be amazed at how many people forget this one little but very important item. Let me revise this, bring SEVERAL pens. Bring different colors, etc. If you are able go to Vistaprint and have promo ones made up and give them away. People might stay a little longer at your table browsing your books if you give them things to play with, look at, and take away.

2. Bring candy. Oh man. I cannot stress this one enough. And if you are creative like I am, bring coffee-flavored ones and tell the guests that you wanted to help out the shoppers who missed their morning cup. That always brings a laugh.

3. Bring a friend. I reckon everyone does this mostly out of moral support. But I have found that it is a great thing to have someone at that table with your books even when you can't be. Like when you have to get a bite to eat. Or go to the restroom. Yeah, you'd miss a sale for sure if you didn't have a friend there.

Well, that's the most important on my list. I'll try to think of more. Until then, go out and Murder them with your creativity.

Thursday, September 26, 2013

Book Signings

Book signings leave me scratching my head. They are sort of like a garage sale, sometimes. I do not like having a garage sale because it is not in my DNA to be a saleswoman.

It is the same with flea markets. I can buy things I like or want, but selling? Not my forte. In fact, I probably give more stuff away at yard sales than I make.

So you can understand my chagrin when I realize that all the sales of my book are up to me. Yes, no publicity nor marketing help from anyone in my corner at this time has left all the finer points to me. This part of being a writer is the hardest of all, in my opinion.

If you are a published author, you probably look forward to book signings so that you can connect with your readers. But what about the author who has self-pubbed or is indie pubbed? Or even those who chose electronic only? What do they do for book signings? In fact, electronic only authors, what do you USE to have a sale in a face-to-face event?
I am promoting my self-pubbed book, An Unexpected Performance. This weekend I will be at the Bartlett Festival in Bartlett, TN signing and selling. It will be hot. 88 degrees with a heat index of middle 90s.

I am ready, I think. I have my books, bookmarks, and poster. What else can I take?

Sunday, September 22, 2013

Goodreads Giveaway - enter to win your print copy today!

Hi, folks!

Do you love to hold a print book in your hands, and when you're done, put it on a special place on your bookshelf?

For those of you who've been wanting to read DON'T LET THE WIND CATCH YOU or UPSTAGED, book 2 in the LeGarde Mystery series,  I'm giving away two print copies of each to winners in the US and Canada. Enter below!

Warmest regards,

Aaron Paul Lazar
www.lazarbooks.com


Goodreads Book Giveaway


Don't Let the Wind Catch You by Aaron Paul Lazar

Don't Let the Wind Catch You

by Aaron Paul Lazar


Giveaway ends October 15, 2013.

See the giveaway details
at Goodreads.

Enter to win





Goodreads Book Giveaway


Upstaged by Aaron Paul Lazar

Upstaged

by Aaron Paul Lazar


Giveaway ends October 17, 2013.

See the giveaway details
at Goodreads.

Enter to win

Friday, September 20, 2013

How a Rocket Scientist Becomes a Writer, by Stephanie Osborn

Dear Murderby4 friends, 

Here is another great article by the prolific and talented author, Stephanie Osborn. Stephanie happens to be a fellow writer from Twilight Times Books, and has written many acclaimed titles. Please check out her website to see all of her books. 

This week also happens to be Stephanie's book blast for her Displaced Detective series, be sure to investigate the deals!
 
The Arrival is on sale for $0.99 from 16-20 Sept. then $1.99 until 15 Oct.
At Speed, The Rendlesham Incident, and Endings & Beginnings are on sale for $2.99 from 16Sept-15Oct.

Aaron Lazar
www.lazarbooks.com 
 
 

How a Rocket Scientist Becomes a Writer

copyright 2013, Stephanie Osborn


My first published novel was a SF mystery (I seem to have a fondness for combining those two genres) published by Twilight Times Books back in 2009. Burnout: The mystery of Space Shuttle STS-281 is a techno-thriller about a Space Shuttle disaster that turns out to be no accident.

There's a loooong story behind the writing of Burnout. For one thing, it took me between 10-15 years from the conception of the idea, and the published book.

Why? Simple.

I was too close to it.

Let’s back up a couple decades.

I’d just started working in the field when the Challenger disaster occurred. The program I worked at the time of the disaster was to have led to a Shuttle mission, and I would have been a Payload Specialist candidate. Shortly thereafter, the next phase of my project was cancelled due to the grounding of the Shuttle Fleet. So I moved into the payload flight control area.

Over a couple of decades I worked seven Space Shuttle missions, at least four increments on the International Space Station, and a number of space defense programs. You get into some interesting conversations from time to time.

The seeds of Burnout began as a conversation concerning certain abilities of the Shuttle. It does have an autopilot, and a very limited remote control capability. We discussed under what circumstances a Shuttle could be damaged on orbit and still manage a reasonably safe descent.

Sounds morbid. But the first step to preventing a disaster is to figure out what might cause one, then develop preventive measures and recovery procedures. This means talking about it, working out the details of the malfunction, then working backwards to “fix” it.

And yes, this required considerable knowledge of the guts of a Shuttle. Betwixt us all, we possessed the requisite knowledge. I don't know that we ever did decide whether it was possible.

But that was the birth of the idea. What if I wrote a story about a Shuttle accident, and the ensuing investigation? What sort of accident should it be? Should it cause merely a dangerous, or a catastrophic, malfunction?

And then the idea hit: What if it WASN’T an accident?

And that was when Burnout was born.

My first Shuttle mission was the first Spacelab flight after the post-Challenger Return To Flight. So my research for Burnout included all of the investigative reports and such for that disaster. But I didn’t want anyone thinking I was playing off a tragedy, so I changed the scenario. Whereas Challenger blew during the ascent phase, I’d make my fictional disaster occur during re-entry. I started writing.

So here I was, squarely in the middle of a career in the Shuttle program, writing about a Shuttle disaster. The exact thing that I, as a payload flight controller, did NOT want to see, at least in real life. Certainly not on my watch.

It messes with your head, that.

So I’d write on it awhile, then put it aside when it got to me. I wouldn’t look at it again for months. Then the “plot bunny” would bite again, and I’d pull it out and go at it for awhile.

Somewhere in there, my husband Darrell introduced me to Travis “Doc” Taylor, best-selling science fiction author, TV star of National Geographic’s When Aliens Attack and Rocket City Rednecks and at that time, my husband’s co-worker. Darrell is a graphics artist and does all of the artwork for my book covers, and had done some cover concepts for one of Travis’ books. So when Darrell told Travis I was trying to get published, Travis suggested he introduce us. Darrell did, we clicked, and I acquired a writing mentor.

With that encouragement, I pushed on. Darrell got used to stomping up to me when I was writing: A husband suddenly materializing at my shoulder and saying something is apt to end up with him peeling me from the ceiling.

Eventually I finished a rough draft and sent it to Travis, who’d promised to read it and give me a helpful critique. When he felt it was polished enough, he’d help me further by submitting it to one of his publisher friends. He said he’d been helped like that, and he intended to pass it forward. I promised him I would, too.

So I sent him the Word file and sat back, glad I’d finally gotten the thing finished.

And then, the unthinkable happened.

Columbia went down. And I had a friend aboard.

By that time, I was into military work, or my emotional response might have been even worse. As it was, I put the manuscript away for six months or so. I'd lost TWO friends at one go: KC, and Columbia; because that was the Shuttle with which I'd worked the most.

I talked to Travis later; he said it kinda freaked him too. He went over the whole manuscript in detail, and sent me back a list of compliments, critiques, and suggestions. Unfortunately I wasn’t in any kind of emotional condition to use them. And wouldn’t be for nearly a year.

I seriously considered trashing the manuscript. I downloaded the Columbia Accident Investigation Board’s report and studied it, looking to see if I was way off in left field with my scenario. If I was, then I should probably trash the manuscript anyway. If I wasn’t…

I wasn’t. I didn’t have to change a word.

In the end, I went forward and dedicated the novel to Kalpana and the Columbia crew. I dug up Travis’ notes and printed them out. I had to double the size of the manuscript, which meant essentially writing a whole ‘nother story. So I wrote several stories, and intertwined them in a series of subplots.

I also wrote an afterward in which I basically swore up and down that the book was written BEFORE the accident. I didn’t want anyone prone to conspiracy theories thinking that, as a NASA insider, I’d written the real story of Columbia under the guise of fiction.

And THEN… I sent it to Travis.

The first publisher he sent it to rejected it. Not for any particular flaws in the book; it turns out that 1) they weren’t taking on newbie authors at that time, 2) it didn’t fit the type of book they usually published. That was hard. But I was thankful I had a mentor, because Trav wouldn’t let me get down about it. Instead he sent it to Twilight Times Books. I clearly remember his email going out on a Thursday. On Sunday, the editor in chief, Lida Quillen, sent me an email outlining the standard contract for accepting a book. By Monday, I had my very first book contract in my hands. I was about to become a published author!

Next came a year of reviewing, editing, honing, adding, subtracting, finding a rather large plot hole and plugging it, galley proofs, and being asked to write a book with another author. The Y Factor, co-authored with Darrell Bain, the 2nd book of the Cresperia Saga begun by Bain and Travis with the award-winning Human By Choice, came out in ebook the same day Burnout came out in ebook and print – Tax Day, 2009. Both hit best-seller lists with various sales groups, and both were favorably reviewed by a syndicated columnist in the New York Times.

Burnout has done rather well in the time it’s been in publication. It’s been nominated for awards in four different genres – ebook, science fiction, mystery, and thriller – and has garnered some interest from Los Angeles. I already have the contract in hand for the sequel, and a screenplay is written for a feature film project.

Burnout’s sequel, tentatively titled Escape Velocity, is in work. The master script is nearly finished (though the shooting script isn’t even begun), and hopefully some producers will be interested in bringing my imagination to cinematic life in the near future. The Y Factor’s sequel, The Cresperian Alliance, is out; I’ve written a book with Travis titled Extraction Point. And I have an entire series, the Displaced Detective saga, in work, with the first story in two volumes, The Case of the Displaced Detective: The Arrival and At Speed, just released.

I left the space program shortly before Travis submitted Burnout for me. Now I write full time, and have 10 books, novel and anthology, under my belt. From rocket scientist to author in a couple of years’ time.

Not too shabby, I suppose.


***




Check out Stephanie's Sherlock Holmes series:

The Case of the Displaced Detective: The Arrival
The Case of the Displaced Detective: At Speed
The Case of the Cosmological Killer: The Rendlesham Incident
The Case of the Cosmological Killer: Endings and Beginnings
 
Books 5-7 are in work, and are entitled:
A Case of Spontaneous Combustion
A Little Matter of Earthquakes
The Adventure of Shining Mountain Lodge
Also Osborn is working on concepts for an additional 3-4 books in the series.

 Stephanie OsbornInterstellar Woman of Mystery
See all her books at
http://www.Stephanie-Osborn.com  

 
Few can claim the varied background of Stephanie Osborn, the Interstellar Woman of Mystery. 

Veteran of more than 20 years in the civilian space program, as well as various military space defense programs, she worked on numerous space shuttle flights and the International Space Station, and counts the training of astronauts on her resumé. Her space experience also includes Spacelab and ISS operations, variable star astrophysics, Martian aeolian geophysics, radiation physics, and nuclear, biological, and
chemical weapons effects.


Stephanie holds graduate and undergraduate degrees in four sciences:
astronomy, physics, chemistry and mathematics, and she is “fluent” in several
more, including geology and anatomy.


In addition she possesses a license of ministry, has been a duly sworn, certified police officer, and is a National Weather Service certified storm spotter.


Her travels have taken her to the top of Pikes Peak, across the world’s highest suspension bridge, down gold mines, in the footsteps of dinosaurs, through groves of giant Sequoias, and even to the volcanoes of the Cascade Range in the Pacific Northwest, where she was present for several phreatic eruptions of Mount St. Helens.



Now retired from space work, Stephanie has trained her sights on writing. She has authored, co-authored, or contributed to more than 20 books, including the celebrated science-fiction mystery, Burnout: The Mystery of Space Shuttle STS-281. She is the co-author of the “Cresperian Saga,” book series, and currently writes the critically acclaimed “Displaced Detective” series, described as “Sherlock Holmes meets The X-Files.” She recently released the paranormal/horror novella El Vengador, based on a true story, as an ebook.



In addition to her writing work, the Interstellar Woman of Mystery now happily “pays it forward,” teaching math and science through numerous media including radio, podcasting and public speaking, as well as working with SIGMA, the science-fiction think tank.



The Mystery continues.