Showing posts with label rewriting. Show all posts
Showing posts with label rewriting. Show all posts

Thursday, March 6, 2014

Revision, rewriting, editing, yum

As I go through the final round of revision and rewriting for Loran Rudder and the Secret Key, I have to say, I am TIRED of proofing this book. I guess that is a good thing. When you finally get tired of that task, it probably means it is ready for publication.

So is there a special way to get this final and much needed task done?

I say yes. I think if you will work on tone and flow, cut down on word count, and polish grammar and spelling, you will have the beast bested.

My big deal has been to eliminate unneeded words. This is difficult stuff, folks. I mean, I am a southerner after all. We are KNOWN for our way of speech. Our slow, dragging-it-out like a molasses string way of speech means using a lot of extra words, and also smooshing words together. I mean, can you say "y'all"?

But if my character is a southerner, I don't want to edit ALL that goodness away, only refine it. There is a difference between editing for refinement and editing until you have a bland, zero voice.

Still, it would be a great deal better to make sentences tighter and still keep the meaning than to have a fat, overwritten book. So, that is most of what I have been doing. Taking out unneeded words. I cut 200 words from chapter one. I didn't feel a thing.

Do you have any proven methods for doing this? Some people look for fluffy words like that, just, all, very, and much. Those are usually okay to cut. Many say adverbs can usually go. I say adverbs behind "said" should go. (ex. I said, glumly)

But what about good, old-fashioned wordy sentences?

I found a lot in my book. I found a lot in this post. Like this one:

Still, it would be a great deal better to make sentences tighter and still keep the meaning than to have a fat, overwritten book. In my mind, I rewrote it like this: Instead, I should make sentences tighter and keep the meaning clear. Yes, MUCH better.

Okay, I am now tired of editing this post. Time to publish. Have a fun Thursday, Murderers.

Thursday, January 16, 2014

Killing those darlings

by Kim Smith

It has often been said that sometimes writers have to "kill their darlings". What exactly is meant by this statement and why on earth would a writer do such a thing?

Well, sometimes a favorite scene, passage, character, or event in a story is not moving the plot forward like it should. It simply exists because we (the writer in question) love it. So the only alternative is to cut it out like a piece of bad apple.

Let's be honest, now.

We love that one line, that joke, that description that is so perfect the reader can smell it. Well, almost. The point is, we LOVE it -- WE the author, the writer of said work has penned something so awesome and earth-shattering that we don't care that it is slowing the story down to a halt. WE DON'T WANT TO TOUCH IT!!!

But touch it we must. Cut it out. Kill that darling piece of writing that you simply adore.

How does one do such a cruel and terrible thing? Well, first you have to discover that there is such a phenomenon in your work.

How do you do that?
Hopefully, you have mean and nasty beta readers who would love nothing more than to tell you to cut it out. Literally. They can be useful things, those betas. Then too, if you are lucky enough to have an editor, that person will be the one to seek and destroy your darlings for you. And the bonus here? You can bemoan the loss of your darling to your heart's content, because you DIDN'T do it truly. The editors and or beta readers were the murderers.

Another way to ditch the darlings in your work is to remember that they ain't dead forever. You can always resurrect those snippets that you cut in another work. Just cut and paste them over in a folder on your old hard drive. There. Not dead forever. Ever.

Thirdly, you will care a lot less about your darlings with each book you write. The more words you pen the fewer darlings you find. It's true, my friend. Darlings can sometimes be a sign of an immature writer. The only way to grow up is to write a lot.

Good luck.
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Kim Smith is the author of An Unexpected Performance, Ten Tips for Getting that Book Written, and several mysteries and romances. You can find more about her at her website, http://www.kimsmithauthor.com