Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Friday, November 20, 2015

Character Interviews as a Promotional Tool, by Aaron Lazar



copyright 2015, aplazar  


Hello, fellow writers and book lovers.

I hope you are enjoying this gorgeous autumn and that if you live where leaves fall, that you aren't too tired of raking them into piles. I just mow my leaves up with my trusty old John Deere and let it go at that - but then again, I live in the country, and nobody really cares. ;o)

I like to share promotional tools with my friends, and today I thought I'd bring up the idea of character interviews. "Imaginary" interviews can be a fun way to promote your books and also a unique vehicle to help potential readers fall in love with the "personalities" in your novels. Following is an example to get you thinking about your own characters and how they might answer such questions. You can even invent the interviewer, such as I did below with "Mary Malone."

Let me know what you think of this idea in the comments, and if you want, please "comment" as your character!


***

Interview with Oscar Stone, family friend of Gus LeGarde, of the Gus LeGarde Mystery series. Mr. Stone was interviewed by Mary Malone, Genesee Valley news journalist. Transcribed from a video made at his house in Goodland Station.

MARY: Mr. Stone, I hope you don't mind being interviewed because of your connection with Gus LeGarde. It appears he's a bit busy with his large family and gardens right now. It's not that we aren't interested in you, Mr. Stone, but Professor LeGarde has been featured in quite a few mystery books lately that have been piquing the interest of local readers. 

OSCAR: I most certainly object to being interviewed for who I know, not for who I am (smiling). However, while my life as a historian and nature photographer is decidedly fascinating, it isn't newsworthy. And Gus has been through some hair-raising adventures over the past few years, which do warrant discussion. We are all rather proud of him, and we think of him as quite the hero, don't-you-know? 

MARY: I'll bet. Well, let's start at the beginning. How did you meet Gus? 

OSCAR: Gus LeGarde and I have been friends for the past few decades. When Gus's parents died within a few years of each other, he went through a serious depression. It was all my wife Millie and I could do to help him get through it. Just after Gus's mother died, our son, William, was killed in action in Viet Nam. Millie and I were distraught, and Gus and his wife, Elsbeth, kindly drew us into their lives. That's when we basically "adopted" each other. 

MARY: I'm sorry about your son, Mr. Stone. I'm sure my readers would join me in thanking him for his service to our country. Now, let's talk about Elsbeth. What's the story there? The author, Lazar, paints quite a picture of her murder. 

OSCAR: Ah, Elsbeth. I never knew a more fiery woman. She was beautiful, dark, wild. And, oh, what a pianist. She was about to begin a worldwide tour as a concert pianist when their daughter Freddie was born, and she gave it all up to stay home with the baby. Of course, that was almost thirty years before she was murdered.

MARY: What about the murder? 

OSCAR: It's an exceedingly unpleasant topic. Normally, I wouldn't discuss such private issues with you. However, since Gus has authorized the series to be published, I suppose it's acceptable, in this case.

The short version is that Elsbeth contracted cancer; it settled in her temporal lobe. Before the cancer diagnosis, we went years thinking she had a mood disorder, like bipolar. There was even a diagnosis of schizophrenia. She went through a number of neurologists. When the slow growing cancer was finally detected, it was too late. And the suicidal depression, caused by a tumor that affected the part of her brain that controls these things, overwhelmed her many a time.

We all thought she'd jumped off the cliffs of the Letchworth Gorge because of this misconception. Later, of course, we discovered that Harold, Gus's son-in-law, pushed her. He was trying to cover the embezzlement of her inheritance. He found her depression a convenience—especially since she'd tried suicide several times—and it was well-documented. I believe Mr. Lazar refers to this in his accounts of Gus's life throughout the series. It was awful. Just awful. We all thought she'd really jumped, until Harold was later revealed to be a monster. He's still in jail, of course. Thank God. 

MARY: What about Gus's house? Is it really as large and homey as Lazar paints it? 

OSCAR: (laughing): It is. We gather on Sundays for Gus's family feast. He's an amazing chef, with a talent for comfort food with a gourmet twist. He has a flare for it, that's for certain. One thing Lazar may misrepresent is the cleanliness of their home. Gus hates to do dishes. And the great room is often covered with toys and evidence of his grandchildren's forays into mischief. 

MARY: Who is "we?" Are all the people in Lazar's books really in Gus's life? 

OSCAR: Oh, yes. All of them, and more. Well, let's see. Of course, Millie and I are always there. There's Gus's new wife, Camille, and her daughter, Shelby. She's going to be quite the vocalist, let me tell you. But I digress. Camille's mother, Madeleine, is Gus's secretary. She's romantically involved with Officer Joe Russell, who's a wonderful lawman with a very healthy appetite. They live in Camille's old Cape Cod house, just down the road. Gus's daughter Freddie, now divorced from Harold, lives with Gus and Camille with her three children: Johnny, Marion, and Celeste. They are all cared for by the most capable housekeeper and nanny, Mrs. Pierce, who stayed on after caring for Elsbeth in her final days. Of course, that was five years ago now, although it seems like just yesterday. 

MARY: What about the giant? 

OSCAR (chuckling): Oh my goodness! How could I forget about Siegfried? Of course, he is our gentle giant. Siegfried was Elsbeth's twin brother, Gus's brother-in-law. Dear Siegfried has suffered from great challenges in his life, not the least of which was a childhood boating accident that left him slightly impaired. But he's a veritable gem. He lives in the carriage house beside Gus's barn, works at Freddie's veterinary clinic, and helps out around the property by watching the children and chopping wood. Oh, and he also tends the barn animals: two horses, several dogs, chickens, and an irascible rooster. Siegfried has shown amazing courage on more than one occasion, and has saved Gus's life several times. To be fair, Gus has done the same for him. It's been rather crazy around here lately. Too many villains invading our peaceful little town. 

MARY: How accurate are Lazar's books? I mean, regarding the actual plots. Does he embellish? Or are they relatively factual? 

OSCAR: They're quite factual. I have read all of Lazar's books, including his rough drafts for the yet unpublished works. He honors me by including me in his "inner circle" of readers and critique partners. Actually, my wife Millie and I do this together, and we do find plenty of typos. He tends to get carried away in the stories, and often forgets important things. Like my camera. He almost called it a Nikon in the first book, and it's a Leica. (Oscar raises an eyebrow) I've had to correct him on a number of items. But for the most part, he and Gus spend a lot of time together going over the actual events and timelines. Occasionally he waxes a bit poetic, delving into the descriptions of our valley in flowery detail. I would be more to the point, don't-you-know? But I suppose it works. His readers seem to enjoy the books. 

MARY: I've read the first two books in the series, Double Forte' and Upstaged. But you've read all ten of them? What's your favorite, so far? And when can we expect to see it in print? 

OSCAR: Oh, my. That's a tough one. I have soft spots in my heart for all of Lazar's books. I love FireSong, because that has such lovely historical connections with the Underground Railroad. And Under the Ice gives a great account of our once-in-a-lifetime ice storm. Then again, Mazurka is a waltz through Europe, rather delightful. Of course, the ones that feature me are probably my favorites, but don't forget, He writes four other series as well. Three of these books introduce another set of characters. Sam and Rachel Moore, who live not far from us, agreed to let Lazar document their recent adventures. Rachel is very brave, a strong woman. She has MS, don't-you-know? And his third series, called Tall Pines Mysteries, is set up in the Adirondacks. Very woodsy. 

MARY: You didn't tell me your favorite book, Mr. Stone. 

OSCAR (laughing): You must forgive the aging brain of an octogenarian. I tend to ramble. All right then, if you are going to push, I suppose I would choose Tremolo: cry of the loon. I love the way Lazar pits the innocence of Gus's childhood against the evil of the thief and murderer he faced in Maine as a child. And the descriptions of the Maine lake are just invigorating. Quite pristine and makes me imagine the aroma of pines, don't-you-know?

Now, Lazar has had a devil of a time finding a Hollywood producer to make his books into films. If you have any connections with powerful Hollywood producers, you must certainly put in a good word for him. He's a good fellow with a large family of his own, you know. He needs a nice advance. 

MARY (laughing): I certainly will, Mr. Stone. And I understand how difficult it is to break into the movie business. I have a few novels of my own, and understand the predicament all too well.

Thank you for your time. Perhaps we'll talk again, and next time I'll ask all about your work as East Groveland historian. 

OSCAR: You're quite welcome, young lady. And I'd be happy to regale you with the tales of long lost precious documents and local grave robbers. But we'll save that for another time. I need to let Tinkerbell out to go potty. She's dancing at the door. Drive safely, now. And watch out for villains.

***

I hope you enjoyed a little insight into Oscar Stone's mind. Remember, if you love to write, write like the wind!

Best,

Aaron Lazar
www.lazarbooks.com


Aaron Paul Lazar is obsessed with writing. He's completed twenty-four books to date, and has earned nineteen literary book awards. He writes mysteries, suspense, love stories, and more. You'll usually find him writing his heart out in the early hours of the day - preferably in the dark, quiet hours when no one else is awake in his bustling household.

Tuesday, July 14, 2015

When Characters Outgrow Their Roles



By

Christine Amsden



We are delighted to welcome Christine Amsden to MB4, in the eve of the release of her new novel, Madison’s Song. Congratulations Christine! Today, Christine shares with us a little about her inspiration for her new novel and how the characters that we know so well sometimes surprise the writer.

Some characters arrive on a blaze of inspiration. They bowl you over, shout their secrets into your mind, and won't shut up until you've written their story. Such was the case with Cassie Scot, the ungifted daughter of powerful sorcerers who became the heroine in her eponymous series.

Other characters sneak up on you, perhaps whispering their secrets, perhaps trying to grab your attention when it's spent somewhere else. Such was the case with Madison Carter, Cassie's shy, plump friend who outgrew her role in the Cassie Scot series.

I first met Madison as I built a world around Cassie. I'd already given Cassie a large family, a romantic interest, and even a bad guy to fight, but she still didn't feel complete. Of course! She needs friends. Normal friends, I decided, not part of the supernatural world she doesn't quite fit into. Friends who could express doubts about magic. Friends who ended up getting drawn into her world.

If Cassie is, in some ways, the person I would most like to be, then Madison started out as the person I felt I truly was. Maybe this connection made it inevitable that she would grow into something more than a background figure, there to play the role I'd set for her. I don't know. I only know that over the course of four books she turned from sidekick to real person. Ultimately, I couldn't finish her story from Cassie's point of view. Madison deserved a story of her own.

Madison Carter went through hell during the Cassie Scot series. She was outed as a songbird – someone whose voice can influence emotions in others. Worse, she was outed as a very low-powered sorceress, with no training or skills to protect her from those who would take advantage of her. That's what happens to her in the prologue to Madison's Song, which I wrote shortly before writing Mind Games (Cassie Scot #3). That's when it happens, as a matter of fact. An evil sorcerer, having heard about her gift, and believing her unprotected, attempts to steal her soul in order to trap her songbird gift.

Whew.

One of the biggest challenges I faced when spinning off Madison's story was that it began in such a dark, horrifying way. The Cassie Scot series begins in a lighthearted manner, and though it has its ups and downs, the lighthearted tone remains true to the end.

But Madison isn't Cassie. And Scott, the romantic hero, is not Evan.

Madison nearly loses her soul in the prologue to Madison's Song. Scott saves her, but at a terrible cost. And that's not the only bad thing that's happened to her in the past. In the final two volumes of the Cassie Scot series, Madison is betrayed by her father, her fiance, and her mentor. Already prone to feeling shy, this combination of hurts sends her into a real panic, with fear of werewolves at the heart of it all. Yet I had plans to set her up with a werewolf who loves her.

This was not going to be a lighthearted story, not if I wanted to stay true to the character I'd spent four books building.

I'm a character girl. I've always said so because I see great characters as being more important than anything else in telling a good story. Madison put this mantra to the test as she took me in directions I wasn't sure I wanted to go.

When characters outgrow their roles, when they take on lives of their own, all an author can do is channel them onto the page and hope for the best. They may not have come to life in a blaze of inspiration, but they are alive. Perhaps even more fully realized than the ones who just show up.

And they'll be the ones writing the story. 

****
 About Madison's Song




Her voice is enchanting; his soul is black...

Madison Carter has been terrified of Scott Lee since the night he saved her from an evil sorcerer – then melted into a man-eating monster before her eyes. The werewolf is a slave to the moon, but Madison's nightmares are not.

Despite her fears, when Madison's brother, Clinton, is bitten by a werewolf, she knows there is only one man who can help. A man who frightens her all the more because even in her nightmares, he also thrills her.

Together for the first time since that terrible night, Scott and Madison drive to Clinton's home only to discover that he's vanished. Frantic now, Madison must overcome her fears and uncover hidden strengths if she hopes to save him. And she's not the only one fighting inner demons. Scott's are literal, and they have him convinced that he will never deserve the woman he loves.






About Christine Amsden
 

 

Christine Amsden has been writing fantasy and science fiction for as long as she can remember. She loves to write and it is her dream that others will be inspired by this love and by her stories. Speculative fiction is fun, magical, and imaginative but great speculative fiction is about real people defining themselves through extraordinary situations. Christine writes primarily about people and relationships, and it is in this way that she strives to make science fiction and fantasy meaningful for everyone.

At the age of 16, Christine was diagnosed with Stargardt’s Disease, a condition that effects the retina and causes a loss of central vision. She is now legally blind, but has not let this slow her down or get in the way of her dreams. In addition to writing, Christine teaches workshops on writing at Savvy Authors. She also does some freelance editing work. Christine currently lives in the Kansas City area with her husband, Austin, who has been her biggest fan and the key to her success. They have two beautiful children.

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Tuesday, December 10, 2013

Manuscript Makeover - The Inner Critic by bestselling author, Victoria Howard

Hello, MB4 friends and fans, 

Once again, we're featuring a fascinating guest blog by bestselling author Victoria Howard, author of three romantic suspense novels, The House on the Shore, a Joan Hessayon Award 2009 finalist and 2009 London Book Festival Honorable Mention, Three Weeks Last Spring, a Pushcart Prize nominee, and Ring of Lies

Please help us welcome Victoria to Murder By 4 today, we are very honored that she stopped by to teach us a bit about her editing style.

Warmest wishes,

Aaron Lazar

 

Manuscript Makeover – The inner critic

copyright 2013, Victoria Howard

You’ve finally reached the end of your 120,000 word novel and typed the words ‘The End.’  What’s next?  Do you print it out, parcel it up and send it off to the first agent on your list, then immediately start researching another book?  Well, you could, but the fact is the manuscript you’ve slogged hard over and written to the best of your ability, still needs work. 
Before you all start screaming at me, take a deep breath and relax. Ask any agent or publisher and they will tell you that first, second or even third drafts are rarely ready for publication let alone submission.  There’s always that little something that could be added or a sentence improved upon and that’s were careful revision or editing comes in.
So where do you begin and how do you make those improvements?
Different authors have different techniques.  Because your manuscript is your baby, it’s all too easy to be lulled by familiar words and phrases into thinking it is error free and perfect.  I suggest you put your manuscript aside for a week or two.  Focus on something else, and then return with a clear mind and fresh eyes. 
Print a copy of your manuscript, as it’s easier to make notes in the margin and mark sections which require revising.  My first revision is always for content and here are a few points to consider:
    • Does the story open with the main protagonist in conflict with the antagonist or someone else in the story? 
    •  Can the reader easily identify who the main protagonist is? 
    • Have you described the initial conflict/event in such a way that it draws the reader in and makes them want to continue reading?
    • Are your main characters realistic/strong/well-motivated?
    • And the villain.  Is he or she a real person or just a device to push the plot along?
    • Is your plot realistic or too far-fetched?
    • Does the setting come alive for the reader?
    • Do you write the stimulus before the response? Remember, for every action, there is a reaction, so don’t allow your characters to react before the reader knows what they are reacting to.
    • Is there too much back story, resulting in poor pacing and long, boring narration?
    • Does the middle of the story sag or does the conflict between the protagonist and antagonist escalate to the point where both are willing to sacrifice almost everything to achieve their goals?
    • Has your protagonist grown emotionally during the story?
    • Have you closed all the sub-plots before the climax?
    • Is there sufficient suspense/mystery in your story?
    • Is the ending emotionally satisfying for the reader?
    • Is the dialogue realistic?  People rarely say, ‘I do not…’ but rather, ‘I don’t…’
    • Do you remain in the correct point of view and is it clear to the reader who is speaking?
    • Do you ‘head hop’ – switch POV from paragraph to paragraph?
    • Have you fully explored your characters emotions and tactile sensations?
    • Is your story written in the right tense?
    • Have you withheld or repeated information which will annoy or bore your reader?
    This list isn’t exhaustive, but it does give you a basis from which to work from.  The secret is to revise slowly, scene by scene, chapter by chapter.  Make notes in the margins or in a notebook.  When you’ve finished reading the whole manuscript, go back and revise any sections as necessary.  It’s never easy to discard your work and rewrite a scene or chapter, but more often than not, your manuscript will be better for doing so.  
    My second revision is always for grammar and typos. Read slowly and carefully, you’ll be surprised how many typos, missing periods or commas you’ll pick up.  Also read aloud – this will enable you to find jarring transitions, discordant dialogue and clunky sentences.   This is also the time when you revise for style. 
    • Are your sentences of equal length? Varied lengths provide more interest to readers.
    • Are they simple or compound?  Too many simple sentences and your work can sound amateurish.  Too many long sentences and the reader may become bored or lose track of what you are attempting to tell them.
    • How many times on a page do you start a sentence with the same word?
    • Does your sentence have impact? Short, punchy sentences create pace. One-word sentences have power and act as a brake, making the reader it up and take notice.
    • Does your manuscript include clichés? If so, remove them, and rephrase the sentence using one of your own making.
    • Create and employ metaphors to increase imagery.
    • Do you use strong nouns and verbs as opposed to adverbs (-ly words), which are weak? If so, re-write the sentence.
    And don’t forget.  The same principles should be applied to your synopsis and query letter. 

      http://www.amazon.com/Ring-of-Lies-ebook/dp/B009BA0WLW/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1383767565&sr=1-1&keywords=ring+of+lies

    Author Bio

    Victoria Howard is the author of three romantic suspense novels; The House on the Shore, (a 2009 Joan Hessayon Award finalist and 2009 London Book Festival Honourable Mention), Three Weeks Last Spring, and Ring of Lies. She is also the author of several short stories, including the Kindle short, A Little Protection.
    Born in Liverpool, Victoria trained as a medical secretary, and subsequently worked for the National Health Service.  She spent twenty years living on a croft in the Highlands of Scotland, managing a company involved in the offshore oil and gas industry.
    During those rate times when she isn’t writing, Victoria can be found curled up with a book, gardening, designing knitwear, walking her Border collie, Rosie, or travelling the world.  
    Victoria is also a member of Romantic Novelists’ Association and The Alliance of Independent Authors. 

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