Sunday, January 10, 2010

The Series Keep Coming...



I've spent the past eight years writing my LeGarde Mystery series. The tenth book is shaping up nicely and I'm already planning the next. But once in a while we have to step away and do something different. I've done that twice, and didn't expect both times to end up in new series, but they did. Sometimes I'm not sure what I'm doing to myself! I wonder how I can maintain all three, but it seems to happen in spite of life's challenges. 

My second series, with three books under contract and ready to debut in April 2010 through Twilight Times Books, is aptly named Moore Mysteries, after Sam Moore, the protagonist. I, however, refer to it as my "green marble" mysteries, because that's the talisman that link each of the paranormal mystery series together.

Since this is a writing blog, I thought I'd give you some actual... writing today.

--Aaron



Chapter One


Sam Moore was free. Free from the tether of the alarm clock, pushy pharmaceutical reps, runny noses, and waiting rooms packed with patients. On the first day of retirement, at the age of sixty-two, he was ready for a change.
He stood behind the barn and looked toward the garden. It lured him with a peculiar intensity he’d never been able to explain to Rachel. The pull was visceral, infused with a strong lust for the land. Cirrus clouds skated across the sky, racing eastward and the cool May breeze ruffled his hair, caressing him.
He should be happy. But a familiar sense of melancholy washed through him. It was always there, ever present. It retreated occasionally, when he was busy caring for patients. But as soon as he stopped—to take a breath, to look out the window, or to eat his lunch—that undercurrent of sadness, born of loss, returned.
It had been this way for fifty years. Fifty years of longing for the truth, of missing his little brother.
Where are you, buddy?
A flurry of starlings swooped past him. Their trickling waterfall calls resonated, frightening the goldfinches feasting at the thistle feeder. He watched the birds settle on the branches of the black walnut tree. Their blue-black plumage glistened in the sunlight.
The breeze rose, stirring the leaves in the cottonwoods.
Is it a sign?
Sam shot a glance toward the house, embarrassed to have such thoughts. He was glad Rachel couldn’t hear the foolish ideas that ran through his mind.
Was Billy dead or alive? Snuffed out on his eleventh birthday, or whisked away by a kidnapper? Was he living somewhere? In Alaska? Canada? Forced to change his name as a child, brainwashed to forget his life as a Moore? Did he have grandchildren, like Sam? Or…
Sam’s heart blackened. He hated this part.
If Billy were kidnapped, he would’ve tried to come home once he gained access to a car. He had been old enough when he disappeared to remember what town he grew up in. So…if he hadn’t returned, he must be gone. Gone for good.
Sam sighed and ran a hand through his thick gray hair. Two starlings lit on the birdfeeder and pecked at the seeds. The wooden feeder had suet holders on each end, and his hands were still greasy from the peanut-flavored cakes he’d refilled earlier. A woodpecker hung upside down on one end, tapping at the treat.
He realized it would be harder now to ignore the persistent questions about Billy’s fate. He’d have time on his hands. Lots of time. Besides tending to Rachel and babysitting his grandsons, he’d have hours to imagine the best and the worst.
He slid a hand into his pocket and jingled his keys.
I’ll just have to keep busy.
Squaring his shoulders, he walked into the barn and yanked on the starter cord of the rototiller. It coughed, belched black smoke, and stalled. He nudged the choke back and tried again. The engine roared to life. Sliding the choke all the way down, he shifted the tiller into reverse and backed out of the barn.
Sam guided the tiller over the wet grass toward the garden. Its knobby tires dug into the ground, drawing him past the bearded iris bed. His mind drifted to patients and the young doctor who’d taken over his practice.
 I wonder how Garcia’s doing?
He'd dreamed about retirement for the past forty years. And here he was, on his first day of freedom, about to embark on a full day of gardening until he dropped into the lovely sleep born of physical exhaustion—and his first thought was about Garcia.
Doctor Andrea Garcia had worked by his side since she graduated from the University of Rochester Medical School. She was good. Very good. And she’d take excellent care of his patients.
But would she remember to retest Jenny Boyd for strep?
An annoying voice hissed inside his head.
Forget about it. It’s not your job. Not anymore.
It was hard to sever himself from a practice that flourished for forty years. Forty years of growing this “limb” that became such a part of him, and everyone expected him to simply chop it off. Just like that! It wasn’t going to be easy.
He stopped and looked at the cloudless sky. The strong sun shone through pure azure, although it was just eight in the morning. Leaves rustled in the whispery willows and sugar maples that dotted the grounds. He smiled, drank in the scent of honeysuckle, and propelled the tiller forward.
The jungle grew to his left. He’d hacked away at the bamboo-like shoots for weeks after tending to patients all day in his family practice in Conaroga, New York. The official name of the weed was Japanese knotweed, a rapid-spreading invader that killed everything in its wake. Last year's stalks were dry and crisp. They towered twelve feet high, crackling in the breeze. He imagined them taunting him, calling to him.
You can’t stop us. We’re taking over.
Sam had worked hard to clear half the knotweed spreading behind the barn near the woods, but a lot remained standing. His bonfires had been impressive. Fueled with dried knotweed, dead apple tree limbs, and bundles of crispy weeds, they roared into infernos, inciting stares from passersby. The coals were usually warm the next morning, when Sam added more branches to the pile each day.
He reached the vegetable garden near the above ground pool and set the tiller in motion between the wide rows of sugar snap peas and asparagus. Rachel and he had feasted on purple-tipped asparagus for the past few weeks.
His stomach growled. He’d skipped breakfast and bolted outdoors before the sun had crested over the hill. The idea of a brunch of asparagus on buttered toast nearly drove him inside, but he resisted and kept working.
Sam muscled the machine around the row of peas and started on the other side. The soil churned like butter. Baby beets grew thick within the row. He smiled again, pleased with the result. He’d defied upstate New York conventions and had boldly planted the beets at the same time as the peas. He’d marked it in his garden journal: March 27th, a rare, eighty-degree day, perfect for the first till.
Lila trotted toward him from the woods, hopping over felled logs and skirting piles of knotweed stalks. Her sleek, white body moved with feline fluidity. She meowed twice, raising her tail in greeting.
Sam switched off the tiller and leaned down to pat her. She pushed her head against his hand and turned in small circles beside him.
“What’s the matter, Lila? You hungry? You missed your supper last night. What have you been up to?”
She purred and placed her delicate paws on his knees as he crouched beside her. He stroked the smooth fur on her neck and scrubbed his fingers behind her ears.
“That's a good girl. Good kitty.”
When Lila was satisfied, she abruptly trotted toward the house, probably to claim her missed meals. Sam restarted the tiller, finished working the soil between the corn and potatoes, and headed to the knotweed patch.
He was ready to dig today. Although the job of clearing wasn’t yet complete, he ached to set tine to soil and stir it up. It would allow him to smooth out the area, rake it, and eventually mow the knotweed to death.
He maneuvered the tiller over the lawn to the knotweed jungle and slowly worked the soil. The weed colony was founded when he and Rachel owned horses, years ago. When her multiple sclerosis worsened and she needed the wheelchair, the animals were sold, and the knotweed multiplied, infesting the edge of the woods. By the time Sam retired, it had grown expansively, creating “the jungle.” Sam was obsessed with ridding the landscape of the infectious weeds. Listed first on his retirement list, he planned to turn the area into a lush lawn, opening it to a line of heirloom apple trees that edged the woods.
Something sparkled from the earth. Sam poked at the soil and uncovered a clear glass bottle. He brushed off the dirt. “Bayer Aspirin” ran down the side of the tiny vessel in raised letters. He pocketed it. Rachel would want to clean it and add it to her collection. Such treasures frequently popped out of the earth around the house and barn. Long ago, it was common practice to bury trash, before the emergence of the town dump. Since the house was built in 1815, Sam anticipated an abundance of finds.
He continued tilling until he connected with the woody root of a knotweed plant. The tiller bounced up and down, trying to unearth the root. Eventually, after coming at it from several directions, it popped out of the ground. The offender was ten inches long, knobby, and misshapen. It resembled a piece of wood. Pink shoots of baby knotweed sprouted from the chunk. He threw it into the wheelbarrow. After letting it dry in the sun for a few days, he'd burn it.
Another object flashed from the dirt. Sam backed up the tiller and dug until his fingers closed around a small marble. He picked it up, rubbed it on his jeans, and held it to the light.
The sphere was small and partially opaque. A cat’s eye. He turned it in his fingers. Light sparkled through glass the color of lichen; muted, pale green overlaid swirls of deeper green within. He smiled, put it in his pocket, and continued until hunger drove him in for lunch with Rachel.
 

Chapter Two


“Want some more, Sam?”
Sam wiped the napkin across his lips and pushed back from the kitchen table.
“Thanks, but I'm stuffed. How ‘bout you? There's a little asparagus left. I could make you another piece of toast.”
He walked past her wheelchair with his dirty dishes.
Rachel smiled and patted his hand when he passed. “No, I'm fine.” She paused, watching him. “Stop that, now.”
He reached the sink and looked over his shoulder.
“Huh?”
She motioned toward the sink.
“I’ll do the dishes. I'm not helpless, you know.”
He kept working and smiled.
“I know, but now that I'm retired, I want to pitch in more.”
A look of surprise crossed her face, followed by a frown. Sam returned to the table to collect the glasses and pan of asparagus.
“What? What’s wrong?”
She brushed aside her graying bangs.
“Much as I love you, Sammy, I have to admit I've been dreading this day.”
His eyes widened and he dropped into the chair.

“What? Dreading it? Dreading my retirement?”
She covered a smile. “Don't sound so hurt, honey. It's just that I don't want you to mess up my system. You know, I've got everything organized and if you start helping out, I'll have nothing to keep me busy all day.”
Her voice fell at the end of the sentence. Sam reached for her hand.
“Really? I thought you could use the help.”
She shook her head. Tears welled in her rich brown eyes.
“Since my legs got bad, I've needed things to keep me busy. To keep my mind off this rotten illness. The way you fixed the house is perfect. I can reach almost everything, now. I keep to my schedule every day. It makes me feel useful, Sam. I need that.”
He digested her words as memories of their past flashed unbidden across his mind. The diagnosis came when their children were born, over thirty years ago. Sam took Rachel to the best neurologists in the country, but as the symptoms worsened he knew before they did. Multiple sclerosis. It progressed slowly over the decades, relapsing and remitting as it ran its curious and elusive course. The exacerbations were periods of unusual exhaustion, facial and limb numbness, and weakness in the legs accompanied by frequent bouts of depression and anxiety. Six months ago, Rachel's legs gave out. She'd tried a cane for a while, but fell three times. Finally, and with much angst, she accepted the small scooter Sam purchased for her. She swapped between a lightweight wheel chair and the electric scooter, depending on the circumstance.
Sam looked into her eyes. They were still beautiful, after all these years. He leaned over and ran his rough fingertips along the soft down of her cheek.
“Okay, honey. Don't worry. I've got plenty to keep me busy outside, anyway.”
She brushed at her eyes and squeezed his hand, flashing a familiar look of affection.
“Thank you.” Her voice shook, husky with emotion. Changing the subject, she put her dishes in her lap and wheeled to the sink. “Are you working on those nasty weeds today?”
He nodded. “Uh huh. It’s slow going. And I have to mow again.”
The thought of the cool blue air called to him. He felt the pull of the garden as he fidgeted in his chair. His hands ached to be in the soil again. There was weeding, mowing, planting, mulching, and clearing to be done.
“Well, then, you'd better get out there. That lawn won't mow itself. And don’t forget, the boys are coming later.”
He had forgotten about his grandsons’ visit, but didn’t want to admit it. “I won’t.” He kissed her forehead and walked back into the sunlight, refastening the Velcro on his back brace. A simple arrangement, the stretchy straps worked like suspenders, and the wide, nylon brace rode low on his back. He repositioned it, took a deep breath, and started toward the knotweed colony.
As he headed out, a memory flashed through him—brief, but palpable. Billy and he, aged twelve and eleven, had walked barefoot on the hot pavement after a spring rain. Soft tar warmed their feet. Rain puddles sizzled and misted on the road. The boys laughed, then raced home to dinner. Steak, corn on the cob, baked potatoes, and salad. Billy's favorite.
Sam checked the date on his watch. May twenty-fourth. Billy turns sixty-one today.
The little boy who slept in the bottom bunk, who breathed hot, sweet breath on his face when they hid in the closet beneath the stairs, who offered his sticky hand during scary movies, and who mysteriously disappeared on his eleventh birthday—would be sixty-one today.
He closed his eyes and let the wind blow across his face. The breeze lifted his hair. Sam felt the cool soft touch brush his leathery skin. He pictured his brother communicating with him from Heaven. He'd often imagined it, and was comforted by the thought.
Happy birthday, buddy.
He opened his eyes, sighed, and ambled toward the stone fire pit behind the barn. He dropped onto the old iron bench and wondered for the millionth time what had happened to his brother.
Sam reached into his pocket and fingered the green marble. It reminded him of the marbles they played with as children.
Could it have been Billy’s?
He closed his eyes again and rolled it in his hand. The smooth glass slid between his fingers, warming his hand, then grew almost too hot to touch. Surprised, Sam plucked it from his pocket and inspected it. Strong sunlight glinted on its surface, but it seemed to glow from within. He cupped his hands around it, puzzled by the intensity of the heat.
Instantly, a green flash blinded him, forcing his eyes closed. Shimmering, ghostly images danced before his mind's eye. The sound of children playing reverberated in the air. In seconds, he was transported to another realm, wrapped in a rolling cloud of green effervescent swirls.





Friday, January 8, 2010

Tact in Mystery Writing, by Robert Sutherland

Please join me with a warm welcome for Robert Sutherland, esteemed author of THE FARRINGFORD CADENZA (2007), STICKLEWORT AND FEVERFEW (1980), LANGUAGE AND LEWIS CARROLL (1970). 






Tact in Mystery Writing


© Robert D. Sutherland, 2010

            I’m pleased to have the opportunity of contributing some thoughts to MURDER BY 4. In this essay I’d like to expand on a subject I dealt with briefly in Part 9 of my ten-part essay on “The Importance of Suspense”: (mystery-writing-vergil.blogspot.com/). There, while discussing the limitations of story-telling in the third-person omniscient point of view, I said that in order to write well and hook readers, authors must develop a sense of Tact. Tact is knowing how not to say too much, knowing when you’ve said enough, knowing when to quit, and having the discipline to do so; it’s trusting your readers and knowing how to leave it up to them to “fill in the blanks” and draw their own conclusions. This allows readers to participate in the act of creation and engage with the story interactively, not merely as onlookers.

            By an author’s “saying too much” I don’t simply mean wordiness—though of course using more words than necessary can weaken a narrative and fatigue the reader. I’m sure you’ve read things that seemed to go on forever; novels, for example, that would have been greatly strengthened if cut by a third. Wordiness arises more from a failure of self-awareness and discipline than from a lack of tact; it’s caused by foggy thinking, inattention, self-indulgence, gaseous woolgathering, digression, wheel-spinning, lack of planning, and pointless repetition. It impacts and undermines the three pillars of effective story-telling—focus, economy, and pacing. Fortunately, authors can eliminate wordiness by keeping their wits about them, thinking ahead, and pruning out the deadwood through careful self-editing and rewriting. Every word remaining in the finished text should be there for a reason.

            As it pertains to Tact, the author’s “saying too much” goes far beyond wordiness: it has to do with the substance of what’s said, with information, content, and making judgments and drawing conclusions for readers, telling them what they should think or feel. Tact frequently resides in what is not said. A humorous example of this principle is found in a poem by Lewis Carroll in ALICE’S ADVENTURES IN WONDERLAND:
    
                   “I passed by his garden, and marked, with one eye,
                   How the Owl and the Panther were sharing a pie:
                   The Panther took pie-crust, and gravy, and meat,
                   While the Owl had the dish as its share of the treat.
                   When the pie was all finished, the Owl, as a boon,
                   Was kindly permitted to pocket the spoon:
                   While the Panther received knife and fork with a growl,
                    And concluded the banquet by——“

How much more effective and memorable this is than if Carroll had filled in the blank with the missing words! How flat if he had supplied them! I use this as an illustration of the principle “knowing when you’ve said enough, and knowing when to quit.” Of course authors don’t have to literally leave words out or present readers with a blank to be filled in: they can present information through intimation and rely upon readers’ powers of inference to “get the message.”

             Here’s a rather melodramatic example of my own devising: “He was reluctant, but Sheila had insisted that he go in order to defend her honor and his own. She said that if he didn’t, she could no longer respect him as a man. With satisfaction she watched his carriage depart. Oh, she knew that duels were dangerous, their outcomes uncertain. But Edward was an excellent shot, and Tyler had to pay for having insulted her. When the seconds returned with the news that Edward had been killed, she could hardly believe what they were saying. Edward dead? O God! And it was all her fault! Now she saw the truth: she was to blame! in her pride she’d caused his death. She was a murderer!” or, alternatively, and not much better: “It was as though she herself had pulled the trigger!” Well, the reader knows it too, and would have known it even if the author hadn’t made her explain it so noisily. I remember my high school English teacher saying that this was the “True Confessions style”.  It leaves nothing to inference or imagination. It draws conclusions for readers and tells them what to think and feel.  It shows that the author doesn’t trust readers to “get it” for themselves. Here is a more tactful rendering:  “When the seconds returned with the news that Edward had been killed, she sat stunned, hardly able to believe what they were saying. Then she laid her head in her arms on the great oak table, and began sobbing uncontrollably.” Engaged readers, having been prepared by the preceding exposition, will say at this point: “Well, it was her own fault. Her pride sent Edward out to be killed. She’s no better than a murderer!” or, alternatively, “She might as well have pulled the trigger herself.”  But it’s the readers saying it, not the author.  The author’s knowing when to stop has allowed the readers to supply the conclusion and thus participate in the narrative.
                       
            Tact can also be achieved through the use of metaphor, allowing an appropriate symbolic image to substitute for naming the thing itself. In addition to leaving something for the reader to do, the use of metaphor avoids bald statement and supplies an alternative way for the reader to conceive the thing it stands for; and, as a bonus, it provides a pictorial or sensory icon which has its own emotional connotations. Here’s an example:  at the end of Chapter IX in Hemingway’s A FAREWELL TO ARMS, the wounded protagonist is placed in an ambulance with other wounded. One of these is in a canvas stretcher above him, and as the ambulance starts up a hill in the dark, the protagonist feels “something” dripping on him, slow at first, then pattering into a stream. He tries to move so the stream doesn’t fall on him, but cannot escape it. “Where it had run down under my shirt it was warm and sticky.” He tells the ambulance driver that the man above him has had a hemorrhage, but the driver can’t stop. “After a while the stream from the stretcher above lessened and started to drip again.” He tells the driver he thinks the man is dead. And, as they continue driving in the dark, “The drops fell very slowly as they fall from an icicle after the sun has gone.” The word ‘blood’ has not been mentioned once. And the horror is all the greater for it. This is Tact. The brilliant use of the icicle metaphor definitively drives home the finality of it all.

            In order to exercise Tact effectively in mystery stories (as in all narratives), authors must trust their readers’ attentiveness, intelligence, and good will. It’s the authors’ responsibility to provide the information necessary to enable readers to make judgments and draw conclusions, to drop useful hints, plant germane clues, and set the stage for fruitful speculation. If authors have done their work well, that’s where their responsibility ends and the reader’s begins.

            All serious writing involves interaction between writer and reader—not only by the sharing of portions of two life-times, but through a covenant between the two which states on the reader’s side, “I will give you my attention if you do not waste my time”; on the writer’s, “I will give you my best if you promise to give me yours”. A mutual agreement, which the reader can terminate at any time by closing the book.
                       
            It seems to me that mystery stories, by their very nature, establish a bond between authors and readers that goes beyond the interactions of some other types of fiction—an intimacy of engagement akin to that of a friendly (but perhaps adversarial) partnership. Well-crafted mystery stories require the reader’s close attention. They are not fluff or superficial entertainments to be read between subway stops. They take work on the reader’s part. If there is art in being a skillful writer, there is also art in being an effective reader. Reading well is work—hopefully, work that is pleasurable.

       The mystery story is fundamentally a Quest—for truth, for knowing what actually happened, for motive, for Sam Spade’s dingus or Hitchcock’s MacGuffin, for the identity of the murderer, etc. Typically it is also a Puzzle (perhaps composed of subordinate puzzles and subsidiary problems requiring solution). To enjoy the quest and the puzzles is the mystery reader’s aim. The author’s aim is to provide readers with these enjoyments. To do this, authors must employ Tact to engage readers in continuous participation. They must know how not to say too much, know when they’ve said enough, know when to quit, and have the discipline to do so. This will promote economy and regulate pacing, create pungent and effective dialogue, and minimize lengthy descriptions. Tact will produce a cumulative effect that will serve to insure that the reader’s work is pleasurable.


 ***




Robert D. Sutherland taught courses in Linguistics and Creative Writing at Illinois State University in Normal, Illinois until his retirement in 1992. He particularly enjoyed teaching Descriptive Linguistics, History of the English Language, Semantic Theory, and Old English. In 1977, he and his co-editor James R. Scrimgeour founded Pikestaff Publications, a not-for-profit literary press that published The Pikestaff Forum, a literary magazine, until 1996. He continues serving as editor at The Pikestaff Press, which publishes books of poetry and prose fiction. In 2009 he began a blog for writers and readers of mysteries. He and his wife Marilyn have traveled widely, reared two sons to adulthood, and worked to promote peace, social justice, and preservation of the natural environment. His publications include a scholarly book, LANGUAGE AND LEWIS CARROLL; a novel, STICKLEWORTAND FEVERFEW (containing 74 of his pencil illustrations), which received the 1981 Friends of American Writers Juvenile Book Merit Award for author/illustrator; a second novel, THE FARRINGFORD CADENZA; short fiction, poems, and essays on literature, education, and publishing. His interests include classical music, the nature of metaphor, reading, travel, film noir, and the comparative study of mythologies.

Books by Robert D. Sutherland:
            
             LANGUAGE AND LEWIS CARROLL, Janua Linguarum, Series Maior, 26 (Mouton DeGruyter, 1970). 245pp.  A scholarly work; currently in print.

             STICKLEWORT AND FEVERFEW.  A novel for children, adolescents, and  adults, with 74 illustrations by the author.  (The Pikestaff Press, 1980). 355pp. Prize: Received the 1981 FRIENDS OF AMERICAN WRITERS JUVENILE BOOK MERIT AWARD for author/illustrator.
 
            THE FARRINGFORD CADENZA. A NOVEL (The Pikestaff Press, 2007). 523 pp.

Personal web site:   http://www.robertdsutherland.com

Pikestaff Press web site:  http://www.pikestaffpress.com







Thursday, January 7, 2010

A tourin' we will go

LET'S TOUR!!



Tour?? No, not that kind of TOUR! BOOK TOUR!
I am on day four of my book tour with Buried Angel, over here at Blogging Authors .


Book tours are sometimes a few days, a week or longer, or like mine, an entire month. You have places to post articles, interviews, information about your book, and yourself. It’s really a lot of fun and you can meet a lot of new people.

Making friends, influencing people, that is a writer’s life, right?

As a radio show hostess, one thing I know from my guests and my own experience is how much promotion means to the sale of a new book. It is vital. You just cannot put the title out there often enough. The title, the information about the making of the book, and tidbits about yourself, the author, are all things readers are starving for.

If you put the items people want to know out there in a fun and interesting way, you will have new friends, fans, and readers overnight.

I have the entire month sprawling before me and I will be all over the Internet. Be sure to check my website for stops and come and visit me and leave a comment. I am doing a few giveaways for lucky persons who comment so join in, won’t you?

Kim Smith is the author of the zany Shannon Wallace Mysteries. Buried Angel will be released on January 14, 2010 from Red Rose Publishing.



Wednesday, January 6, 2010

Balance

© Marta Stephens 2010 all rights reserved


It wasn’t so long ago that I could pick up a book and read it from cover to cover without ever fighting the urge to grab my red pencil. Far be it from me to have noticed the author’s excessive use of tags, or cringe at his or her POV glitches. I've always loved to read and as long as the plot kept my interest, I read it.

I always marveled at those with the ability to create the worlds that could transported me to another place and time; make me fall in love with the hero or fear for my life. Authors, I thought, were an elite group of people who lived charmed lives. I could see the writer lounging in a seaside bungalow, a drink in one hand, a pen in the other. There he’d gaze across the shoreline at the incoming surf while he methodically contemplated his next plot.

Well, I’ve been writing fiction since 2002. My plots emerge while I stand in line at the market. My character’s dialogue comes into focus while I clean out a cluttered closet and the scene of the crime takes shape while I scrub the soap scum from the shower. I don’t live anywhere near a shoreline and life is anything but charmed. It is, however, becoming increasingly interesting.

One of the questions I’m most frequently asked is about my writing time—when, where, and for how long. That usually depends on where I am in the process. However, there is something to be said for discipline and leading a balanced life. Discipline I have, but looking back to those early years, I realize how terribly obsessed I’d been with my writing and greedy with my time.

Of course I was there for family gatherings and outings, but the plot was always in the back of my mind and my character was always moments away for catching the killer (again, in my mind). In fact, it wasn’t uncommon for me to jot down a note about a possible twist in the middle of dinner or some other equally inappropriate moment.

Several years later, I realize that there’s no power on earth that can help me force the words onto a page (when they don’t wanna) and sometimes, ideas just need time to develop properly. Call it age or experience, quite possibly it’s a little of both, but today—this minute, I feel good about the writing. I’m more relaxed and certainly less stressed about it. In fact, I haven't written in two days because I need to work out a change in one of my chapters. Instead, I picked up a book and started to read.

I realize now how many little things in my recent life I’ve let slip away for the sake of my writing and know it’s time to get back to a balanced life.

About the author
Marta Stephens writes crime mystery/suspense. Her books are available online at familiar shops such as all the Amazons, Barnes & Noble, Borders, Books-a-Million, and Powells. Other locations include, but are not limited to those listed on her website.


THE DEVIL CAN WAIT (2008), Bronze Medal Finalist, 2009 IPPY Awards, Top Ten, 2008 Preditors and Editors Reader Poll (mystery).

SILENCED CRY (2007) Honorable Mention, 2008 New York Book Festival, Top Ten, 2007 Preditors and Editors Reader Poll (mystery),


Personal site: www.martastephens-author.com
Personal blog: http://mstephens-musings.blogspot.com  
Blog: http://novelworks2.blogspot.com/
Character Blog: http://www.samharpercrimescene.blogspot.com  

Tuesday, January 5, 2010

Baby Projects

No, I'm not talking about photo albums or scrapbooks or knitting booties. :-) I'm talking about a writer's baby - the project that, for whatever reason, is a little bit closer to his or her heart than all the others. For many writers, it's their first (often badly written) novel, or the "book of their heart" that they haven't shown to anyone because either agents or editors are saying that type of thing doesn't sell, or it reveals too much of themselves for comfort.

For whatever reason, the writer's baby often spends years in hiding. It might be shoved in a drawer or tucked away in some rarely visited folder on a computer, or even locked inside the writer's head, because the writer fears the exposure even to him or her self. The simple act of putting those precious words into readable form, the writer thinks, might destroy them forever.

Eventually, though, the writer begins to feel an urge to bring that baby out. The labor period for the baby project might last months, or even years in the case of a trunked novel - one that needs so much work, it seems easier to simply start a new project. But sooner or later, the writer cannot resist the cramping, the push of the baby project, and one way or another, will find a way to introduce their baby to the world.

My baby wasn't my first novel. I wrote two entire manuscripts before I realized that the genre I was writing, at the time, wasn't right for me. The third novel I wrote became my baby - and not just a novel, but a series of six. I had such grand plans for my baby. I was going to take the reading public's breath away, amaze them with this epic, intricate tale populated with tough but lovable (or at least sympathetic) thugs, street fighters, dealers, prostitutes, murderers and monsters. I wrote, abandoned, rewrote, revised, wrote again. Eventually I had book one finished. And it was grand. Exciting. Amazing.

Or so I thought. Unfortunately, agents and publishers did not agree with my assessment. Hundreds of them looked at my baby and said, "It's...um, well, ugly. We don't want it."

I ranted and railed against the system, as foolish new writers are wont to do. I would show them. I wrote the second book in the series, and the third. Then I destroyed the third book and wrote it all over again. Eventually, I realized something: all those agents and publishers were right. My baby was ugly. For a while I ignored it and wrote the fourth book--and then, faced with the daunting task of another complete overhaul of the first one, I turned to yet another genre.

I wrote more novels. From time to time, I revisited my baby, tweaking it, making it look and sound nicer. I had a ton of help along the way. Some of it, from my fantastic crit partners and from editors I didn't end up getting to work with, was great. Some of it was...well, not so great. Some of it was abrasive, cruel, and downright insane.

Working in my new genre, I secured an agent! At last! And my agent rocks, but the first book she represented me didn't sell. This time it wasn't because of the writing. The book was a little too quirky to shelve. So I wrote yet another novel - and my agent sold it! I had a two-book deal with a big NYC publisher!*

But my baby wasn't going to New York. By this time, it had been through countless revisions and only resembled the original crap--er, novel in the most basic plot form. And I decided that it was finally time. Time to introduce the world to this poor, abused, battered, time-worn series that I'd been chipping and hacking away at for an entire decade.

Yesterday, my baby was born into the world. Please allow me to introduce you: BROKEN ANGEL, book one of the House Phoenix series, an epic and exciting tale of tough but lovable (or at least sympathetic) street fighters, prostitutes, thugs, killers and monsters. And my baby is not so ugly any more.

One rule: don't lose.

When Gabriel Morgan's sister disappears somewhere in New York's underground, he'll do anything to save her. But finding her is only the beginning, because Marcus Slade won't let her go for less than ten million dollars – earned through Gabriel's blood.

Slade, one of five ruthless leaders of an organization identified only by a symbol, runs hookers and street fighters, and never gives up what's his. Including Gabriel's sister. To win her freedom, Gabriel is forced to undergo a brutal training program with Slade's top fighters in order to become one of them. He is branded, broken, given a new image, and a new name.

In the ring, Gabriel is known as Angel…and he does not lose.

Because the price for losing is his sister's life.

Available from:

Lyrical Press

BooksOnBoard

Amazon (Kindle format)

Coming in print, summer 2010

*Oh, I love my "big" urban fantasy series too! And all my other novels that don't suck. :-)

Monday, January 4, 2010

New Year Features: Day 4





Murderby4 has been surging toward new heights since its inception in 2008. This year was momentous for 
our website, when we earned our Writer's Digest Best 101 Writing Website award, and welcomed a myriad of fine guest bloggers to join us over the year. (a little bird just told me that we've earned the same award for 2010!)

Of course we realize it's the collective participation of our fine writers  and readers that has helped us reach this coveted pinnacle. So recently, we asked them to send us their reflections on 2009 or resolutions for 2010. 

Following are the contributions of three wonderful writers. Below I've appended my own thoughts after those of Noelle Sterne, Lani Massey Brown, and Ernie Johnson.

Read on, and take a nice, big, juicy bite of their words. Afterwards, feel free to search for their previous articles on MB4 if you missed them this year.

- Aaron Paul Lazar
cofounder of MB4





WRITING 2010  
by
Noelle Sterne

In 2010, for writing I have no hope. Instead, I choose to expect. Expectation fuels my motivation, invigorates my dreams, and undergirds my persistent need to express in words. 
            I choose to settle only for higher writing quality, finer pursuit of the perfect word. 
I choose to capture ever more essence, so readers see, feel, and experience through me. 
I choose to allow more—deserving, time, devotion, focus, fearlessness, joy in writing. Nothing stops me but my censoring imagination and projections of others’ judgments.
I choose to swim out to the bigger waves, courageous markets. 
I choose to visualize my writing goals done, from bestsellers to repair of today’s awkward phrase. 
I choose to hold and renew this vision, to trust the process unfolding.
I choose to feel and breathe the emotions of success, in all its guises.
In 2010, I choose to expect it all.


Noelle Sterne






Lani Massey Brown



Savor life’s serendipities. What’s it take to be a writer? Imagination. Conviction. TIME. 
So when did you last grab an hour of uninterrupted time for yourself? First a month, then a year flits by with nary a sequel in sight. One “easy” chapter followed by another slips to the bottom of the heap while life sidetracks our dreams. The very things we want to do, feel compelled to do for ourselves, we cannot do because there simply isn’t time. 
Jobs, families, obligations join forces to jolt us back to reality just when a plot heats up. As this decade closes, perhaps I should resolve to carve out more time for myself. (Wait. . . my husband’s calling. “Wanna go sailing?” he asks.) 
More time for myself? Nah. But I do resolve to enjoy the interruptions more. Serendipity to all life’s treasures that muddle our dreams, particularly the two legged kind.
Lani Massey Brown





 Ernie Johnson




Like many authors, 2009 has had it's ups and downs for me. Early in 2009, the BOOKHOUSE was formed on behalf of authors in just about every genre. Now, as the year comes to a close we have just shy of 200 authors who have one more outlet to promote their books. As of this posting, there have been over 20,000 hits on the site and yes, sales have been made. 


This year my second book in the series ANGEL OF MERCY - Destiny of the Divas Part II is being released Dec 8th. Though a novelist in part, this past year has been a change of writing venue, for me, as I now concentrate my writing efforts as a screenwriter. A new love in my life is both a supporter of my writing in all venues, and is a blessing in my life. Look out 2010!


Ernie Johnson












In 2009, my daughter Jenn surged toward death in the course of 24 hours. Toxic shock syndrome caused an antibiotic-resistant bacteria to rage through her blood. Thanks to a dedicated medical team, she recovered after a week. Later, her attending revealed if I’d brought her to the ER one hour later, she likely wouldn’t have made it. The realization was staggering, and put life into clear perspective, once again. 

Remember: As strong as our miraculous bodies are, life is indeed tenuous. Don’t assume your children will bury you. And although this sounds cliché, be damned sure to appreciate each day as if it’s their last. 

Trauma can breed heightened awareness and lust for life. The key is to integrate this renewed passion into your writing. Be sure your characters live, breathe, and feel as deeply as you do, and they’ll leap from the pages to linger in your readers’ hearts forever.

Aaron Paul Lazar


http://www.legardemysteries.com
http://www.mooremysteries.com
http://aplazar.gather.com






Saturday, January 2, 2010

New Years Features, Day 3



Bonnie Kozek, author of Threshold: My hope for 2010 is that they discover meds to treat Social Networking Aversion that won’t cause: somnolence, insomnia, anorgasmia, loss of libido, weight gain, weight loss, body odor, bad breath, constipation, diarrhea, agitation, recklessness, impaired memory, loss of mental functioning, and skin rash. Because if they do maybe a writer could: stay awake while writing and talking, fall asleep occasionally, stop yawning during sex and maybe even have an orgasm or two, stop buying every article of clothing in six different sizes, stop having to respond “No, I don’t smell anything,” end the “Care for a mint?” question, experience defecation as something other than the highlight or disappointment of the day, stop informing agents who haven’t returned a call that she’s going to hurt them badly, remember who she is and what she’s doing, and stop having to answer “No, it’s not contagious.” Happy New Year.

***

Gerry Boyle, author of the Jack McMorrow and Brandon Blake mystery series: I would say that 2009 was a very good year. I launched a new series character, boat bum Brandon Blake, in PORT CITY SHAKEDOWN, and enjoyed getting to know him as he plied the streets of Portland, Maine and the waters of Casco Bay. In 2010, my old friend reporter Jack McMorrow is back in DAMAGED GOODS, his ninth outing. As I alternate between the two series, I hope to get into a good writing rhythm, like the seasons here in Maine. There are other projects, of course, including a movie script that has taken up the latter months of 2009. In the lottery ticket that is L.A., there are absolutely no guarantees but it would be fun to see my characters on the big (or small) screen. In the meantime, the real payoff is good health and good times with wonderful family and friends. I am blessed.

***


Stuart Nachbar, author and creator of Educated Quest: 2009 was the year I learned that I could develop from being a “good” writer to possibly becoming a “great” one by listening better and subjecting my work to more and more constructive criticism. The positive reviews that I received for my recently released novel, Defending College Heights, made me like a good minor league baseball player who just got a taste of the majors, “the show.” I didn’t get a lot of turns at bat, but I saw enough to know that I could return to play in “the show” with my next novel. This motivates me to complete my next novel, Tip Offs, before the half-way mark in 2010.

***

S. W. Vaughn, author of Hunted (urban fantasy), Skin Deep (erotic urban fantasy), and the House Phoenix series: I still don't know how it happened. In 2009, when it seemed everyone I knew was having the worst year they could remember, I hit the figurative jackpot. Everything I'd been working toward for the last decade of my life came together. I sold an urban fantasy novel I loved to a wonderful publishing house after everyone in "big publishing" deemed it not genre enough to publish, and also sold my "baby" series to the same house. I wrote and sold my first erotica novel to another awesome house, and received my first taste of fan mail (FAN MAIL!) just days after its release. And my agent sold yet another urban fantasy series to a major NYC publisher. So, 2010 will see me writing and/or releasing at least three novels (more if I can swing it!). Happy New Year, everyone, and may your 2010 bring you as much joy as 2009 brought me.





New Years Features: Day 2


I love the end of a year, don’t you? Everything ahead looks so bright and shiny new, and everything behind looks pale in comparison. In fact, I am thrilled about changing years and even changing decades!

We leave behind written works that have been great successes, and some that were utter flops, and those who fell somewhere in the middle. That’s okay though, because next year we resolve to do much better. Next year promises to be the 365 days that we write every day, finish a whole piece, and submit until our fingers fall off. We are going to gain that agent’s attention, and get into that publishing house in the coming year, no matter what else happens.

I hope you have the best of everything this time. I hope 2010 is the best year you’ve ever had and your successes mount up like curvy hills.
-- Kim Smith, co-conspirator, MB4
********************************************************

Patricia Sprinkle, author of the Thoroughly Southern Mysteries

For all of us 2009 was a bracing lesson in learning to live with less. For me personally, the year was a leap of faith into the unknown. Writing HOLD UP THE SKY, my first women's mainstream novel after twenty mysteries, I faced the challenge of building a plot without a body in it (okay, I sneaked in one) and creating characters who could (hopefully) hold a reader's attention without wandering into danger. What a stretch for the aging brain! But as hard as the year was, I've learned a lot and had a marvelous time. Now I'm limbered up and ready to extend my boundaries even further in 2010. Never stop growing. Growth is the only sign of life.

Patricia Sprinkle
Website
********************************************************
Marilyn Meredith, author of Deputy Tempe Crabtree mystery series as well as the Rocky Bluff P.D. series.

We all approach 2010 with hopes, dreams, and a lot of optimism. I’ve already planned a book launch for my next Rocky Bluff P.D. crime novel, An Axe to Grind, here in my hometown, planned library visits, purchased space at book and craft festivals in the Central Valley and Southern California, arranged for a blog tour in March, paid for two writing conferences and two mystery conventions, and put a down payment on a mystery cruise. When you’re my age, it is always optimistic when you plan ahead like this, but really aren’t we all a bit optimistic when we plan for the future? Who knows what might happen to change our plans. Despite this, I’m hoping to complete the book I’m working on now, sell a lot of my already published books wherever I might be, see old friends and fans and make some new ones.

Marilyn Meredith
Website
********************************************************
Pamela Samuels Young,author of Buying Time

A writer’s life can often be challenging, but as I reflect back on 2009 and look forward to what 2010 will bring, all I feel is excitement. I can still remember my pre-published days, which were full of fears and doubts, late night writing after a long day at the office, and loads of rejection letters. But eventually, that all changed. Now, I sometimes visit bookstores just to gaze at my four books on the shelves. My journey is a testament to the fact that dreams can come true.

For you budding authors out there, stay with it. It will happen. It takes perseverance, talent (which can be honed, it just requires lots of rewriting!) a passion for writing, and a dash of luck. If it’s your dream to be a published author, just keep writing and above all, keep believing—2010 could be your year!

Pamela Samuels Young
Website

**********************************************************
Kim Smith's new mystery, Buried Angel, will be released January 14, 2010 at Red Rose Publishing. You can find her at HER WEBSITE

Friday, January 1, 2010

New Year Features: Day 1

© Marta Stephens 2009 all rights reserved

As 2009 comes to an end, we all look forward to the promise of a fresh begining the new year will hold. We've asked all the guests featured on Murder By 4 during 2009 to please share their thoughts about the past twelve months and/or their hopes for 2010. 




J. D. Webb, author of SHEPERDS PIE


My seventh full year (2009) of being an author was wonderful. The older I get the faster they fly by. Since I have another book and a story in an anthology out next year I’m hoping to slowly savor 2010. Each new novel when born is a treasured baby. My heart races at the prospect of holding another ‘little one’ in my hands. I want to finish my work-in-progress next year and enjoy the fun.

I don’t make resolutions but I do have wishes for the New Year; continued blessings from God, good health, the same for my family and friends, and a kinder economic climate. I’d like the USA to return to being the land of opportunity for all.

To all my Internet friends I wish these things for you as well.


Beth Groundwater, author of TO HELL IN A HANDBASKET

2009 was a year of author promotion for me, with two releases, the second in my Claire Hanover gift basket designer mystery series, TO HELL IN A HANDBASKET, in May and my science fiction thriller novella, THE EPSILON ERIDANI ALTERNATIVE, in December.


I toured in person and virtually, attended and spoke at conferences, blogged, and more. I'm looking forward to focusing on the writing and editing side of being a mystery author in 2010, working on the two books in my new Mandy Tanner river ranger mystery series for Midnight Ink, beginning with WICKED WHITEWATER which is due out in early 2011. Pounding out words on the computer keyboard in my basement office is where it all began. Sitting my butt in the chair and recording the arguments of characters interacting in my head is why I love this career!



Kent Anderson, autohr of JOHNNY DENOVO MYSTERIES
In 2009, I published two novels -- my first two Johnny Denovo Mysteries, but certainly not my last. Breaking through with the first novel was a major accomplishment, and the reviews were beyond my wildest dreams.


For me, 2009 proved that not only can I write a novel people like, but I can also publish an impressive novel -- and I was able to do it twice! It also proved to me that tremendous support and talent reside around books, not just in them. Readers, reviewers, and bloggers all made it a superb year to be a writer, even in a down economy. Thanks to MB4 and others for a great year! I'm looking forward to 2010, another novel, and more great exchanges with insightful readers and talented authors.

 
  

Marta Stephens, author of the SAM HARPER CRIME MYSTERIES series

Since THE DEVIL CAN WAIT was released in November of 2008, 2009 was a year of book promotion, blogging, and getting to work on the next book. I was thrilled to learn that "The Devil" won the bronze medal in the 2009 Independent Publishers Book Award (IPPY) in May. However, I was deeply disappointed to learn that my publisher was about to leave the company (BeWrite Books). Sometimes it's these setbacks in life that make us pick ourselves up from the seat of the pants and get moving in a new direction and out of our comfort zone. On the upside of things, I started to write a book I'd had in my head for several years which felt wonderful. Cait and I have remained close friends and we had the wonderful opportunity to meet this past October.


I'm truly looking forward to 2010. Already it's getting off to a great start. E-books of both Sam Harper novels are now available through Smashwords: http://www.smashwords.com/profile/view/MartaStephens, the edits in my current novel, SHROUD OF LIES, are going great, and last night, drum roll paleez-z-z-z-z-e! We found out that Murder By 4 made it into the Writer's Digest 2010 Year Book!  Thank you all so much for your support and for making MB4 a great site!

Best wishes to our readers and guests and on to having a wonderful and prosperous New Year!







Thursday, December 31, 2009

Gearing up for 2010

This new year upcoming holds a lot of promise. I am terribly excited about it to say the least.


My next book is coming out in January and I am gearing up for the book tour. Here is the link to my TOUR PAGE

I hope you will make plans to follow me around as I tour the Internet with Buried Angel. I will have give-aways, freebies, and more fun than a barrel full of monkeys.

JOIN ME!

Wednesday, December 30, 2009

2009: The Final Days

© Marta Stephens 2009 all rights reserved


The office was unnervingly quite on this frigid December morning. I stepped out of the elevator and glanced over the scattering of empty cubicles along the opposite wall. The sound of my steps followed me down the hall as I headed toward my office.

I flipped on the lights. My desks was covered with project files that I’d left in various stages of completion. For some, the deadline had come and gone. I tore the page from my desk calendar to the 31st and with a sweep of an arm I cleared the rubble into the trash cash and bid it good riddance. I pressed the intercom button and waited for 2009 to pick up the line.

“Come see me, will you?” From where I sat, I could see him walking down the hall. He was so confident, so brash, so totally unaware of what was about to happen.

“Yes?” he said.

“Sit down, 2009.” I motioned for him to take a seat then looked him square in eyes. “Do you remember your first day here?”

“Yeah, sure, January 1. The place was a mess.” He leaned back in his chair. His left foot dangled over his knee while the restless right tapped on the floor. “The guy before me left a huge mess. You were happy to see me, remember?”

“Yes, I was, wasn’t I? In fact, I had great expectations of you. That’s the beauty of a new year, 2009. It’s a chance to clean the slate and start over. Welcomed you into the firms, had your office ready, supplies in place. I distinctly remember the high hopes and anticipation of the great things to come. I truly embraced the opportunity of your arrival. More important, I was certain that between my strengths, my determination, and your fresh approach, the firm was going to go places.”

I let him chew on that for a while before slipping him the page on which I’d written his performance evaluation.


“Unfortunately, things didn’t work out quite as I’d planned.”

“What do you mean?” he asked.

“Well, first of all, I’m not at all pleased with the company’s bottom line. You promised improvements in that area.” I pointed to the yellowed ripped line graph I’d taped to my wall. “And yet, it dropped like a pipe in a stagnant pond.”

“You can’t blame me for that,” he said. “The economy was already shaky when I came on.”

“Yes, but you did nothing to help our diminished profits. In fact, you added to the problem.”

“I suppose you’re going to blame me for the war and what’s going on in Washington too.”


“Granted you inherited a few of headaches, but you were paid to manage the firm and fix those problems. Instead, you did nothing but talk on the phone and take long lunch hours.”

“That’s not fair. You’re doing okay.”

“Only because your actions forced me to become more frugal. Look around! The place is in a state of chaos. There is no security, no guarantees any more. Everything I’d taken for granted is gone.”

“Your success is a testament to my diligence,” he said.

“Testament? You want testimonials? Don’t think that I’m speaking solely for myself. I’m not the only one who has seen you hanging around the water cooler while there was work to be done. I have witnesses and plenty of them. “

“Like who?”

I reached into my top desk drawers and pulled out a sizable stack of papers. They made a hollow sounding thud as they dropped onto my desk. “This one’s from John in Accounting,” I said as I scanned over the first page covered in numbers written in red and shoved it across the desk to him. I grabbed the next one and tossed it at him as well. “Janice in Receivables is beside herself, and Joe at the docks told me more profits are leaving the firm than coming in. Your careless management style has affected countless employees—all neighbors and friends. I’ve heard the same grumbling over and over again—many had worse tales to tell than mine.”

“A clear case of over-exaggeration. You know what they say, misery loves company.”

“Don’t be smug.” My fist made a thundering noise when it hit the desk. I could only admit to one thing. Our experiences had brought many of us closer together.

“What about the good things I did? The increased vacation times, the recognitions my actions brought to the firm. Maybe we didn’t have an extravagant year, but it wasn’t all bad.”

“Granted. Whether by intent, an incredible accident, or a stroke of luck, some good did manage to slip through the cracks and for that, I’m grateful.” I rose to my feet and turned to gaze out the window. “At least I still have my family, my friends, and colleagues. I have my health and the insurance to help me keep it. My mind is clearer now and, I might add that wry as it may seem, I’ve managed to hold on to my sense of humor.”

When he started to patronize me again with one of his condescending remarks I acknowledged that I did have a comfortable home, enough money for what my family needed. “Yes, and somehow, there’s always a little extra for what we want. I know I'm truly blessed.”

“Glad to know it. Now, are we done?” he asked and started to get to his feet.

“Sit down!” I was getting tired of his arrogance and was determined he wouldn’t get the last word. “I’m a strong believer that things, good or bad, happen for a reason. In this case, your poor management style forced me out of my comfort zone and made me think outside the box—more than once I might add. No matter how hard you tried, you weren’t able to sever my will or crush my character. You haven’t dampened my optimism or diminished my believes. No, 2009, because of you, I am more determined than ever before to succeed. So thank you, thank you so much!”

“I thought you’d see things my way. In the next couple of weeks—”


“Don’t get too cocky. Your time here is over.”

“But—” He rushed to his feet again and leaned over my desk. “You can’t be serious!”

“Aren’t I?” I shoved all the testimonials back into my drawer and slammed it shut. “I’ve already hired your replacement. 2010 will be here soon. I need to get ready. I don’t want a scene either. There’s certainly no need for lengthy good-byes.” I glanced at my watch and tapped its face. “You have just enough time to collect your things.”

A shocked expression was still on his face when he turned to leave.

“I’ll take your key now.”

He reached into his pocket, bounced the key a couple of times in the palm of his hands, and then placed it in mine. “I suppose this means you won’t provide me with a reference.”


Just then the phone rang, but an uncontrollable laugh poured from my lips as I motioned for him to leave. “Highly unlikely, 2009. Highly unlikely.”

* * *
 
 
Best wishes for a great New Year to all!