Friday, February 3, 2012

The Plight of the Mainstream Novelist, by Warren Adler

Hi, folks.

Today is Warren Adler day! We will feature this well-known author of books like WAR OF THE ROSES and RANDOM HEARTS on the first Friday of each month throughout 2012.

Please help me welcome this most generous bestselling author today to Murderby4. Warren, welcome and thanks for sharing your insight with our readers.


Aaron Lazar
www.lazarbooks.com
 
 The Plight of the Mainstream Novelist
 


copyright 2012, Warren Adler

Lost in the conversation of the impact of eBooks is the plight of the mainstream novelist, who writes books that fit no genre category but nevertheless represent the crown jewels of the authorial world, the lynchpin of the trade publishing business.

It is these long form fictional compositions that will eventually be lost in the shuffle during the giant tsunami of material in this non-genre category that is now engulfing the Internet.

The slicing and dicing effect of the Internet and, as a consequence, all of the book venues on the Net, favors books that can comfortably fit into categories. A mainstream novel that defies genre is like an orphan in that environment and must depend primarily on authorial branding, which is especially difficult for novelists just beginning their careers.

For currently well-known and best-selling authors, the advantages are still in their favor, but time and volume could eventually dim their financial prospects as more and more authors of mainstream novels enter the fray through both traditional and self-publishing. There will, of course, be exceptions, but they will be rare.

The old-style branding process of favorable reviews, academia recognition, advertising, interviews, speeches, book tours and other promotional opportunities will, of course, continue for a time, but sooner or later such methods will lose steam to the bookstores on the Net.

The old filtering processes where book sections and professional book critics held sway are slowly losing their power to influence, while the Net has opened a vast, undisciplined, self-proclaimed array of reviewers who offer opinions about the quality of mainstream books that could be sincere and authoritative but can also be suspect and self-serving. None have the power and prestige once wielded by big city newspapers and magazines.

Indeed, the various bookstores on the Web offer a free-for-all of opinion by readers, a forum for anyone to review the merits of a book. In such a forum, there is always the possibility of author or publisher-motivated favorable reviews by friends, relatives or hired guns hoping to promote sales. On the other hand, the possibility of negative reviews by readers can have the opposite effect.

Perhaps I am being too pessimistic, but the fact is that the old rules of the game have changed and the day is fast approaching when the traditional publishers can no longer rely on the old filters and the big box bookstores to promote and sell their wares in large quantities. They will have to find creative ways to promote their star writers on the Net, but considering the volume of competition, it will be a tough slog to make a serious breakthrough.

Some mainstream novels could gain traction in certain circles of interest, but it is doubtful that, as time goes on, they will attract those large reading audiences at a price point that guarantees big advances. I hold open the hope that the creative instincts of the traditional publishers and individual authors can overcome such a financial calamity.

I continue to believe that quality writing and great, beautifully written, compelling stories will find their readers, but then, I come from a different era where I was able to find wonderful and inspiring works through the old style filters. I often wonder how Hemingway, Fitzgerald, Faulkner, Roth and many, many others would have gained traction in the world in which we now live.

Still, we cannot discount college professors in the vanishing liberal arts for steering us in the direction of the great writers and I am hopeful that they will continue to do so. But, I am afraid there will be a slow decline in their ability to make choices among the millions of books that will be available. Indeed, we might well miss the extraordinary writers of coming decades who somehow drown in the vast deep sea of oncoming mainstream novels.

Whatever the future will hold, dedicated novelists will continue to ply their art, many believing, like all artists, that they are enriching the zeitgeist by their insight and story telling, whether or not they will be awarded by money or fame. The self-expression of the true artist is unstoppable and profound.
And many will continue to hope that their work, whatever its worth and quality, will reach a wide and adoring readership and perhaps secretly fantasize that they will enter the cathedral of immortality.


Warren Adler

www.warrenadler.com


***
Warren Adler is a world-renowned novelist, short story writer and playwright. His 32 novels and story collections have been translated into more than 25 languages and two of his novels, The War of the Roses with Michael Douglas and Random Hearts with Harrison Ford, have been made into enormously popular movies, shown continually throughout the world.

Today, when not writing, Mr. Adler lectures on creative writing, motion picture adaptation and the future of Electronic Books. He is the founder of the Jackson Hole Writer’s Conference and has been Chairman of the Board of Trustees of the Jackson Hole Public Library. He is married to the former Sonia Kline, a magazine editor. He has three sons, David, Jonathan and Michael and four grandchildren and lives in New York City.

Thursday, February 2, 2012

The new stuff

There is something about newness that just feels good.

A new book purchase, a new car smell, a new baby.

No matter what, new just makes us take a deep breath and smile.

That's sort of where I am today. I am starting a new book, I have a new book out *see Crooked Angel* and although it will be my seventh book (yikes!) it still has that new feel. I am beginning to love where I am in life, once again, after a series of trials and turmoils. I guess you are never really prepared for situations to arise that take you out of your box.

The planning, research, outlining, and plotting of a new book is something akin to planning a vacation, although it is far from restful at times. You have so much to think about!

Here is a checklist of things to ponder as you work on a new one:
1. Who is the lead character?
2. Who is the mentor? Who is the villain?
3. Where will it be set?
4. Is it a mystery, romance, fantasy, western, thriller? etc.
5. What is it about? How will this plot carry it along for 400 or so pages?

These are only the barest of minimums for a writer to consider, but they are good ones to start with. I am really bad to just dive right in and start writing away, and it doesn't take me but about 10 pages to realize if this one will go along and survive the trip to the end or not. I have a lot of half-started things on my drive.

Here's to a prosperous Thursday to everyone. Hope your "new" thing is like a breath of spring!

Tuesday, January 31, 2012

What Makes A Hero?

Recently I was asked to participate in a local authors event in support of our military veterans, providing assistance in adaptive housing, equipment, and other gap type services not funded by the VA. The commitment is minimal, in comparison, and the rewards to the vets are potentially big, so I said yes to one in April 2012, and a second when it is organized. It is an honor to be asked, and my pleasure to help out.

But it begged the question, what makes a Hero? My heroes were my sports idols when I was younger. The way Bobby Orr redefined the way hockey was played, the class and grace defined by Carl Yazstremski of the Red Sox, and the unwavering dedication to hard work and the pursuit of excellence embodied by Larry Bird, all meant something more in the way they rose to every challenge.

As I grew, I learned all of the traits I found to be heroic changed and became embodied in my father. Dad worked long, hard hours in his own business, and rose again when it failed. He put forth every effort in pursuit of the better life he wanted for himself and his family, putting himself second to all of us. I think these are just some ways to look at what makes one a hero, and perhaps it is , after all, a very subjective observation.

I read the works of my fellow writers on this site, and I see some contrasting styles amongst all the main characters. Aaron Lazar's Gus is a thinking man's hero, with his focus, like my father, on the wellbeing of his family and community at large. Marta Stephens' Sam Harper is a darker version, driven by a sense of justice in the face of all obstacles, while Kim Smith's Shannon Wallace is the fish out of water who learns to conquer her fears. All are different, but all are heroes.

So I ask you, my friends and colleagues, what makes a hero to you? I would love to hear your opinions, and will keep my eyes open for them.

Sunday, January 29, 2012

Talking to Dogs, by Aaron Paul Lazar

copyright, aaron paul lazar 2012

I've been talking to my dogs an awful lot lately.

Yep, there they are. Balto and Amber. See those big brown eyes? They are the best listeners in the world. Both dogs are bred to be "therapy" dogs, anyway, with Balto being half-King Charles Cavalier Spaniel and half-standard poodle and Amber, a female half-King Charles and half-Bichon. They are officially called Cavipoo and Cavichon, but I call them my best friends.

A few weeks ago when my wife was in the hospital and almost died on New Year's Eve (you can read about her near-death experience here), the dogs were left alone most of the day because Dale was in the hospital and I was at her side all day. The dogs seemed traumatized (like the rest of us) and every morning before I headed up to the hospital I took their soft little faces in my hands and looked them right in the eyes.

"You'll be okay today, Balto. Your mom'll come home soon. And I'll be back tonight, I promise. Everything will be okay and we'll get back to normal before you know it."

The anxiety in their faces was just so hard to take. So I tried each morning to calm them down, taking special care with both. Their usual routine is to lay on Dale's bed all day long - comforting her with their constant presence.

Was I really just calming myself down? It's possible. Self-comforting is a learned skill and I think I've mastered it over all the years and trials we've endured. Then again, I do believe dogs have souls and that they are the best example of how to behave on this planet. You've all seen the doggie emails that go 'round the web - the examples of how they love unconditionally, how they're always happy to see us, no matter what, how they are always at our side, etc. etc. Dogs are the best, aren't they?

Anyway, I find myself talking out loud to them more and more. Especially since my wife is now in a safe, downstairs bedroom (too tiny for two) and I'm upstairs all alone now, at least for a while. Well, I'm not really alone, because the dogs sleep with me and the three cats sleep with Dale. ;o)

So, each evening, I talk to them about which Midsomer Murder we'll watch, or when we're going to bed, or tell them about my dreams in the morning. Yeah. Really.

Am I nuts?

Maybe. I mentioned this to Dale this morning and she laughed. "You always talk to yourself, anyway, honey. And you know what they say about that!"

Uh-huh. You either have money in the bank, or you're nuts. Well, there's not much money in the bank, so...

I guess changing from talking to myself to talking to my dogs makes me seem a little saner? Who knows. ;o)

I'm just glad to have my buddies.

Aaron Lazar
www.lazarbooks.com

***


Aaron Paul Lazar writes to soothe his soul. An award-winning, bestselling Kindle author of three addictive mystery series, Aaron enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Visit his website at www.lazarbooks.com and watch for his upcoming Twilight Times Books releases, ESSENTIALLY YOURS (MAR 2012), TERROR COMES KNOCKING (FEB 2011), FOR KEEPS (MAY 2012), DON’T LET THE WIND CATCH YOU (APRIL 2012), and the author’s preferred editions of DOUBLE FORTÉ (FEB 2012) and UPSTAGED (JUNE 2012).

Friday, January 27, 2012

First Impressions, by Joylene Butler


copyright 2012, Joylene Butler

Remember your first date, the one that changed your life forever? Good things fell into place because you took past lessons learned and turned the evening into a wonderful experience.

Submitting your opening chapter to an agent or publisher is like a first date. First impressions mean everything. You submit a clean copy, write an entertaining story, but most importantly present them with a first chapter they can’t put down. You begin with a hook, (generally the story question), end with a hook, and in between show a consistent POV, and introduce an engaging character with a clear goal.

I know all this, you’re probably thinking. So why do you need me to tell you what you already know? Maybe you’ve even had a book published. You’re a pro. You can deal with the rejections. It’s not your story that’s the problem; it’s the publishers.

All that may be true, but it won’t help you get your book in print.

Too often beautifully written stories fall short by not including a poignant and exciting first chapter. When criticized for not doing so, the authors justify their actions by saying the chapter needs to set up the story and all that other stuff will follow. What’s sad is although they’re highly gifted writers, they may have just forfeited their chance at obtaining a contract.

By the end of chapter one, a checklist of components needs to be included to ensure that the publisher reads on. They need to know you have what it takes to sell books. What’s the promise you made in the first line of chapter one? That you’ve written a drama that will end softly, without a hook to entice the reader to turn to chapter two? It’s not enough to write well and hope they hang in there long enough for the suspense to eventually knock their socks off.

Many excellent articles exist online that will aid you in determining if your opening has the elements of a good first chapter. If you don’t already own Donald Maass’ handbook WRITING THE BREAKOUT NOVEL, check it out. If you’re not a follower of Alexandra Sokoloff’s blog, join. Alex also teaches a workshop on the Three-Act Structure that is a must for all writers. Dissect your favourite authors’ first chapters. If you can understand why you like theirs, you should be able to apply those elements to your own.

Never underestimate the importance of a first impression. Can you imagine what would have happened if you’d shown up wearing dirty stained clothes? Maybe hadn’t shaved or showered, or bothered brushing your teeth. You talked with your mouth full or completely dominated the conversation. Chances are you’d still be that same awesome, wonderful person today, but single.

Your first chapter needs to start in the middle of the action and end with a hook. It needs to have a three-dimensional protagonist experiencing change. And of course, it also needs to include goal, setting, conflict, and disaster. Who’s your narrator? What does your protagonist want? Where are they? What’s stopping them from getting what they want? What terrible thing ends the chapter?

Strong, solid, concise writing is an essential quality of any first chapter. But if you don’t give the reader a reason to turn the page, they won’t. Life is full of too many distractions.

--happy editing
joylene

Author of Dead WitnessBroken But Not Dead , and the e-book version of Dead Witness

"Man's heart away from nature becomes hard." Standing Bear


cluculzwriter at yahoo dot ca