Sunday, August 15, 2010

Sam Moore Speaks

I'm wondering if every author needs to take acting lessons. Especially if they want to record their works in audio formats. 

Readers like hearing the author read. Right? They know that only the author really understands the nuances of each sentence, the way it was supposed to be said aloud. I do believe this, and wish I could download books read by Dean Koontz himself, or that John D. MacDonald could come down from Heaven for a while to record his Travis MacGee series for us. Wouldn't that be cool? 

When you're reading from your own character's point of view, you really have to get inside his head. You have to feel his pain, suffer his humiliations, and share in his joy. 

Could you do that? If so, it's a good sign that you really know your characters.

And what do you do if your character is of the opposite sex? I guess unless you're a woman with a very deep voice, or a man who does a reasonable falsetto, you've got to find someone who fits that mold, a friend who can sound like your character and really get inside his or her brain. 

Would you like to get to know a character, even before you read his book?

Well, I never took acting lessons, but I sat in the back of the auditorium while my daughter performed in fifteen musicals and plays. Maybe a little of the training rubbed off on me. I don't know. 

Regardless, I figured it was a good idea to help create a little buzz for my upcoming book by writing a letter from Sam Moore to his future readers. Would you like to hear it? See what you think and please let me know, below. 

Sam Moore's most intimate and tortured thoughts are in this video. It's not really a normal video, but the only way to get audio on YouTube or other sites is to put a jpeg image behind it and save it as a movie file. ;o) Took me all day to figure that out - shows you how bright I am. And I didn't want to make it into a book trailer, for Heaven's sake. I already have one of those!


Sam Moore is a retired country doctor in the new paranormal mystery series, Moore Mysteries. The first book comes out soon, (August 28th), and you can pre-order it here if you're so inclined to save a good chunk of change!





Here's a look at the synopsis:

http://media-files.gather.com/images/d523/d486/d746/d224/d96/f3/full.jpg

Sam Moore's little brother vanished fifty years ago. No body. No answers. What Sam has is a boatload of guilt, since he failed to accompany Billy on his final, fateful bike ride.

While digging in his garden, Sam discovers a green marble with a startling secret—it whisks him back to his childhood, connecting him to Billy. Thrust back and forth through time, Sam struggles to unlock the secret of his brother’s fate.

When the FBI investigates remains found nearby, Sam learns of a serial killer with a grisly fifty-year record. Sam’s certain it’s Billy’s killer. But what’s worse, his grandson fits the profile of the murdered boys. Will the killer return to Sam’s town to claim his final kill? Can Sam untangle the truth in time to save him?

http://media-files.gather.com/images/d522/d486/d746/d224/d96/f3/full.jpg


Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. For free excerpts, articles, beautiful photos, and recordings of the author reading aloud, visit his websites at www.legardemysteries.com and www.mooremysteries.com and join him on his collaborative blog: www.murderby4.blogspot.com.


Sunday, August 8, 2010

Promoting Your Book: the hard part

copyright 2010 aaron paul lazar

I've been lax in the past few years about promoting my newest books. I haven't always done a virtual book tour, I haven't always advertised. And I've let life get in the way off and on. Like when I lost my job last year - that really messed up the focus I would have had to promote Mazurka.

But this year I'm trying to do it "right". (If there is such a thing!) I've redesigned the website that features my debut new paranormal mystery series, MooreMysteries.com. I've hired a very talented friend to make a book trailer for me, I'm seeking out new review sites, and have scheduled my virtual book tour for a few weeks after the book will be officially released. I plan to record myself reading my first chapters, record and publish a letter from my new protagonist to readers, and I'm reading to a crowd at big convention in Rochester this fall. Not bad for a guy who's once again working full time, still trying to keep up with massive gardens, babysitting whenever possible for the grandkids, and cooking family feasts all summer. Ha! I'm tiring myself out just talking about it.

I'm also trying to decide which ads make sense. I hope to look into getting my new trailer featured on YouTube, Gather.com, and more. I've twittered it and Facebooked it a lot. I'm going to get word out to my fans and readers through iContact, and hope to blog like crazy all over about it.

I feel like I'm doing the right things, but man, do I miss my creative writing. I left poor Callie kidnapped and in terrible danger by a nasty old drug company in the Adirondack woods in my second Tall Pines mystery about three weeks ago. Oh, I forgot to mention, I'm also writing a third mystery series. LOL.

Anyway, Healey's Cave is my first paranormal mystery, the debut novel in the Moore Mysteries series, also known as the "green marble mysteries." The official release date is August 28th, 2010, but you can preorder it here for a 32% discount, a very nice bargain! I thought I'd share the trailer with you, and also would love feedback on the new website.

And if you want to know who created this gorgeous trailer, email me at aaron.lazar@yahoo.com. I'll spill my secret. And you'll get a hell of a deal if she takes you on. ;o)

I've tried for many hours to get the video to load here, but it's not working. So here's the YouTube link. ;o)

  Healey's Cave Trailer


Let me know what you think!

Have a great week,

- Aaron








Thursday, August 5, 2010

My Essay on How I Spent My Summer


Remember when the teacher was at a loss as to what to teach the first day of school so she told you to write an essay on how you spent your summer? That's what I am doing, writing my thoughts of this hot hot summer and where and how I spent my days.

I seriously cannot remember when it was worse for heat in this region. The media always makes it seem worse than it is, but maybe this year that was a good thing. Their insistence on keeping us up on excessive heat advisories has probably saved lives.

I really have spent most of my time inside, behind a computer, learning new software and educating myself on marketing. This will definitely become helpful with future books I am planning on writing.

As for writing, I have done very little, but the plotting and planning of said books has never stopped. I am really looking forward to getting back into the writing seat soon, probably after Labor Day.

There are so many books and stories to be written still, and so little time to get them all down. If I have learned one thing this long hot summer, it has been to make optimum use of my time. This will certainly benefit me as I get back into the swing of my life soon.

I do not garden, but this year after visiting Farmer's Markets and such, really did think about it. Maybe next year!

I have done NO yardwork this year at all. In fact, my poor hubby has barely kept the grass cut. This lapse in outside activity has a lot to do with these 101+ heat indexes but a little to do with our business and how busy it has been. We have a fellow coming this week to quote us on getting all the overgrowth cut back and here's hoping he can save us.

Other than that, my dears, there is little to report. I think this has really been a summer of retrospection and reflection on a really difficult winter. But as in all things, a new time is approaching.

I am stretching forward and hope to touch the cooler months ahead with renewed vigor. Hoping the very same for you!

Wednesday, August 4, 2010

Missed me?

Oh, I’ve been around, keeping busy—after all, you know what they say about idle hands and the Devil’s playground. He'll have to catch me first.

It’s been a strange several weeks for me. After writing non-stop for the past 7-8 years, maintaining 3-4 blogs and posting on countless social sites and forums, I decided after I finished my sixth novel (only two have been published, but I'm trying to rectify that) my head needs a bit of a break. In many ways it’s been great to not think about the next chapter or edit. I've been guiltless about missing a post or two or three or four and for the most part, I've finally allowed myself to enjoy my summer and life has been good.

Having said this, I’d never use the words “good time” in the same sentence with the words, “synopsis and query letter.”

As some of you know, I spent the past several weeks/months looking at a blank screen before moving beyond the “I’m thinking about … I need to write …” phase, but now their done. I started submitting to agents on July 16. Most have a 4-6 week response rate so although I’m going to be really, really positive about this, I don’t expect to get any word, good or bad, until mid-to late August. My hopes aren't entirely up nor dashed. I find that things go better for me when I don't dwell or panic over issues like this. Let's face it, all I can do is my best and see where that lands me.

To be honest though, I’ve concluded that it’s strictly a numbers game. The more I mail, the better my odds of finding a good match. Yes, yes, I know the query letter has to hook them into reading the synopsis and then hopefully the manuscript, but honestly there are so many variables most of which are completely out of my control. For example ... what mood will the agent be in when he picks up my query? Did he receive great news as he walked into his office, or is this the morning his mother-in-law is moving in? Is the agent trying to quit smoking or did she get on the scales this morning to discover she lost those ten pesky pounds? See what I mean? No control! I’ve keep reminding myself that what one agent turns down, may be exactly what will strike then next agent’s fancy and so … I’ll keep subbing.

With respect to the task of writing these hellish things, at least most of the references I’ve searched through agree on what the synopsis should include—identify the main characters, highlight of each key turning point of the novel, and spell out the ending. Still, a million questions raced through my mind: have I written enough? Am I cramming too much onto the page? Do they really think I can reduce this novel to a two-page summary? Will the hook pull them in? Crap, is there a hook? Eeek gads!!!

If the synopsis isn't hard enough to write, the how-to on writing the perfect query letter is really anyone’s guess. I say this not because there isn’t a template to follow, but because one really, and I do mean really, has to study each agent’s site and understand what he or she is looking for. If you’re lucky, the agent will offer samples of what he or she considers to be a “stellar letter.” I found a few of them, and in the process, I also discovered that while most asked for the author’s credentials and personal information in the final paragraph, others wanted to read that sort of thing up front with only a line or two about the story at the end.

Some agents want to read about how much the author knows about him or her (translation: researched them and their firm), there are others who claim they don’t care how the author found them, they just want to read the bit about the story and understand why he or she should request the manuscript.

For authors who like challenges though, there's always the various submission guidelines. Just try to keep them straight in your mind. Do they prefer snail mail or e-mail? Believe it or not, one agent has an online submission form. Do they want the query letter and the synopsis, or the query and first five pages of the manuscript, or was that the first five chapters? No wait, this one only wants the first 1,000 words and how about the agent who only wanted a letter indicating she would base a decision on it alone.

It’s crazy. It's also taken well over a month to develop an initial list of agents, customize the letters, and write the “perfect” synopsis. In the meantime, life has continued to throw out the occasional one-two punch.

For the time being, I decided to push all of this out my head while I wait. I spent this past weekend cleaning out my home office. After all, I'll need a clean desk on the day when I get the “please send” right? I filled two trash bags full of pages I'd printed but hadn't read, used or referred to in years as well as hundreds of pages of old edits. I tore them into several pieces just in case the enterprising vagrant who rummages through the trash at night finds my manuscripts, steals my idea, and turns it into a New York best seller. More power to him, if that’s the case.

Anyway, prayers and good wishes are gladly accepted!

For those interested in following my journey, please visit my Prose and Musing blog at http://mstephens-musings.blogspot.com/.  These days I don’t apologize for posting similar articles on these two blogs. My creativity only goes so far at the moment. ;) But, hey, here's a positive thought.

"Life's too uncertain, eat your dessert first"


About the author:
Marta Stephens writes crime mystery/suspense. Her books are available online at familiar shops such as all the Amazons, Barnes & Noble, Borders, Books-a-Million, and Powells. Other locations include, but are not limited to those listed on her website.


THE DEVIL CAN WAIT (2008), Bronze Medal Finalist, 2009 IPPY Awards, Top Ten, 2008 Preditors and Editors Reader Poll (mystery).
SILENCED CRY (2007) Honorable Mention, 2008 New York Book Festival, Top Ten, 2007 Preditors and Editors Reader Poll (mystery),
Personal site: http://www.martastephens-author.com/Personal blog: http://mstephens-musings.blogspot.com/ Collective blog: http://murderby4.blogspot.com/ Blog: http://novelworks2.blogspot.com/  Character Blog: http://www.samharpercrimescene.blogspot.com/  

Tuesday, August 3, 2010

Mask of the Serpent - another great House Phoenix series novel by S.W. Vaughn



Our dear and prolific S.W. Vaughn has done it again. Mask of the Serpent - the newest in the House Phoenix series - has just become available at Lyrical Press. For those of you who love to be simultaneously shocked and entertained, who love to shiver at the thought of such nastiness, who don't care about sleeping... you'll love this series. You'll likely fall for Angel, S.W.'s protagonist, and stay awake at night to find out how he survives each book. 

But let me warn you about Jenner. He bites.

Well, okay, so he doesn't bite. But he sure as heck will invade your dreams and scare the hell out of you. I love the last line of the release, below. "Contains violence, nasty language, and torture." Yep. That's our girl.

Here's to a writer who pops out so many high quality books in a year that we're all wondering how she does it. Kudos, Sonya!


- Aaron Lazar




MASK OF THE SERPENT by S.W. Vaughn

Genre: Urban Fantasy
Digital ISBN: 978-1-61650-177-8
Length: Novel
Price: $5.50

No matter who loses, the bad guy wins

Drug lord and self-professed saint Diego Mendez is a man of his word. He's watched two of his lieutenants die, thanks to Angel and House Phoenix. Unfortunately, he's promised a certain crooked cop that he won't seek revenge unless Phoenix hits him first. When Angel makes a run on his turf, Mendez decides it's enough of a loophole to act. He kidnaps Angel's lieutenant, Jenner, intent on breaking him—and killing him.

But Jenner is just as nasty and mean as Mendez, and breaking him is no easy task. His secret past has conditioned him for survival at any price. And Mendez has a secret of his own—his son is dying, and he's been reduced to watching helplessly while it happens. One of them will triumph, one will fall. But in this game, no matter what happens...the bad guy wins.

Contains violence, nasty language, and torture.

Sunday, August 1, 2010

Writing a Free eBook: Is it a Good Investment of Your Time?

When my publisher approached me about doing a free eBook, at first I balked. I was happily ensconced in my latest book, and wallowed in the creative rush every day. That particular aspect of being an author is by far my favorite. I'm swept away in my parallel universe and was happily hunting down bad guys in the Adirondack Mountains when the request came in.
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What? A free eBook? I'd heard about them and had actually downloaded a number of them before, but hadn't really thought it would be in my future. 
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I was wrong.
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Three authors from Twilight Times Books collaborated on this effort, which became an amalgam of first chapters and short stories. Anne K. Edwards, author of many mysteries and children's books, and Mayra Calvani, a multi-genre author, were my cohorts in this project. Anne agreed to pull together the first version of the book, and I took it over after that to design a cover, insert cover art and author photo graphics, and to add links for purchases and other resources. 
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When we finished, our publisher did her magic on it to turn it into a 1Meg pdf file. After that, we were on our own. But one of the incredible side effects that I hadn't even considered was the exploding ability for us to use THREE major networks to promote our work together. The symbiotic nature of this effort is huge. Each of us are veteran networkers and promoters. Each has massive lists of readers and fans. And with all three of us promoting at the same time, our book reached three times as many potential readers. 

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Of course we're doing this to sell books. But the cool part is, we're also giving away something of value. All of the short stories offered within are fun and free. And that's a good thing!

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We named our little book Literary Sampler: a potpourri of stories and first chapters, and you can download it by clicking on the link, the photo below, or going to www.legardemysteries.com/freestuff.htm. 
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We'd love to hear back from our readers. Did you enjoy the stories? Did the first chapters or excerpts entice you? Did you like our cover art? Please email aaron.lazar@yahoo.com with comments and I'll forward your words to Anne and Mayra, as well. On parting, remember to take pleasure in the little things, and write like the wind!
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DOUBLE FORTE' (2004)
UPSTAGED (2005)
TREMOLO: CRY OF THE LOON (2007)
MAZURKA (2009)
FIRESONG (2010)  
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HEALEY'S CAVE (2010)
ONE POTATO, BLUE POTATO (2011)
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Preditors&Editors Top 10 Finalist  *   Yolanda Renee's Top Ten Books 2008   *  MYSHELF Top Ten Reads 2008  * Writers' Digest Top 101 Website Award 2009 & 2010
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www.legardemysteries.com
www.mooremysteries.com
www.murderby4.blogspot.com
www.aaronlazar.blogspot.coma
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- Aaron Paul Lazar
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Friday, July 30, 2010

Love Day


I looked in here and found that no one had posted a few days. I figured heckfire, might as well.

Today is Friday, and that means love day. At least, that is what my father used to call it. He said today is the day every person who is a worker bee gets paid and so that constitutes love day. Someone is loving you with money or you are loving someone with money.

I have always loved Friday, and having a paycheck just re-emphasizes that emotion.

Have a good weekend, y'all!

Sunday, July 25, 2010

The Resurrection

Hi, folks.

For the past two weekends I've been either driving to or from our favorite rental cottage in the Adirondacks, so I apologize for being so quiet. We had a glorious week doing nothing. Well, not really nothing. I wrote 20,000 words in my newest mystery, read three great books, waded and floated in the river, cooked gourmet meals for me and my honey every night, and sat beside her at the river's edge for hours per day. Sometimes with coffee, sometimes with wine. Sometimes holding hands. Heh. Yep.

The whole week was incredibly restful, and I really liked no going anywhere, just communing with nature, my wife, and my muse. Perfect.

Anyway, since I don't have a writing article to share with you today, I thought I'd share some writing.

Imagine that?

Here's a short story I wrote for a contest (I didn't win, sob). Well, maybe it's because I usually don't DO short stories. I'm really a novel kind of guy.

Take that anyway you want. Ha.

- Aaron Paul Lazar



Resurrection

Red Cloud

He woke on a secluded grassy riverbank to the sound of water lapping the shore. Like colorful smelling salts, the sharp scent of oil paints woke him. He stood, brushing bits of grass and leaves from unfamiliar clothing. On his legs, rough woven fabric. On his feet, clumsy black shoes. His shirt billowed in the cold breeze, covered with smears of cobalt, green, and yellow ochre. With a start, he realized it was a white man’s artist smock.

Across the river, a setting sun winked on windows and gilded thatched roofs at the water’s edge. Noise from the shore drifted toward him in lazy snatches of conversation and bubbles of children’s laughter. The language was unfamiliar. Perhaps French? He’d heard some of these words in the hallways of the White House during his many visits to the Capitol.

Chimneys puffed thick blue spirals into the air, coloring the horizon with smudges of indigo, champagne pink, and soft orange. Before him stood an easel with a partially finished painting. Brushes lay strewn in the grass. Soft wet paint lay in globs on the palette he must have dropped when he passed out.

When I passed out? What happened?

He scrubbed at his face, closed and opened his eyes. Startled, he studied his hands. Ivory skin stretched over long sinewy fingers; blue veins popped out of the back of his hand. He turned them in the waning light.

What happened to my hand? My skin? Whose fingers are moving at my command?

A chubby sparrow hopped toward him, aiming for contents spilled from a tin bucket nearby. The grass beside it was matted, as if someone had lain there, resting in the winter sun for hours, maybe days. He crouched and peeled back corners of a linen napkin enclosing thick chunks of stale bread and a wedge of cheese. Black grapes nestled in a tin dipping cup.

Sudden thirst constricted his throat. He searched for a nearby well or a pump handle. Around him, colonies of trees and shrubs dotted the grassy field. In the far distance, a pink stucco house with green shutters shimmered in the late afternoon light. Somewhere in his brain, it looked familiar, yet strange.

Too shaky to make the trek to the house, he glanced down at the water. It ran clean and clear.

He grabbed the cup and stumbled to the riverbank, kneeling on soft black dirt. With a ragged swish, he filled it with chilled water and drank greedily as if he’d been wandering lost in the Sahara. Sweet and pure, it cleansed his parched tissues.

He jumped. What was that?

The sudden murmur of a crowd in an enclosed space. The pressing of shoulders against his. The rose petal scent of a white woman’s perfume.

He dashed another cup of water against his face, then poured yet another over the back of his neck. His hair—cut short—dripped water on the black fuzz that grew from his face. He stroked the long beard, fascinated by its wiry texture. Droplets ran from it and splashed into the river with impossible rhythm, mesmerizing him in the flashes of light that swirled below.

He tore his glance away from the river and looked toward the island downstream, riveted by the wavy lines of shadows leafless trees cast in the water. Consumed now, he hurried back to the easel, grabbing the palette and brushes. A splash of transparent amber paint kissed the water next to squiggles of shadows. A touch of mint green filled the sky behind the trees. With sure fingers, he dashed colors onto the canvas as if this were his every day task, racing to beat the sun that threatened to sink before he finished.

Movement caught his attention. There! In the distance, two boats floated past the isle. He grabbed another brush and dabbed black onto the purple-gray water. A few quick strokes mimicked their wavy shadows.

He jumped. Someone, some ghostly hand, touched his fingers. Was it a spirit from beyond? Had the spirits transported him to another realm? With a shudder, he stepped back and scanned the area. No one. Not a soul for miles.

What’s happening to me?

The sun, vibrant orange now, approached the tops of straw roofs, tinting the sky with rosy hues. He refocused on the canvas and slashed brilliant tangerine strokes across the image of water to mimic the sun’s reflection.

Shivering, he watched the sun fuse with the horizon. He swore he heard ice cubes clinking in a glass, and once again jerked around, looking for the source of the noise.

Nothing. No one. A group of wild turkeys squawked to his left, hurrying into the underbrush with waggling tail feathers. The Tom sported a feather that would have graced his headdress, had he the energy to give it chase.

His stomach rumbled. He sank to the grass, set his paints aside, and lay on the flattened grass. There would be time to untangle the mystery after he rested.

***

Claude

My head thudded hard on a marble floor. Crystal chandelier prisms swam before my eyes and people in ballroom dress thronged around him in the high-ceilinged room. Paintings lined the far hallway, hanging from gold chains secured high on red satin walls. Several guests ran to my side, faces crumpled with worry.

A silver-haired lady in a long black gown patted my hand. “Red Cloud? My dear! Are you all right?”

Although I spoke little English, my brain translated the words as if I’d been born in London. I stared into eyes the color of blue cornflowers. Thin circles of icy white rimmed the iris. Although she acted concerned, the woman’s eyes registered no warmth.

With a shiver, I sat up. “I’m fine. I think.” For a moment, the scene around me blurred. My riverbank shone through in rippled windows, as if vying for space in my mind. Yet the sound of birds singing, of water lapping the shore, and of the breeze rustling in the leaves soon disappeared, to be replaced by gold filigreed mirrors, marble statues, and waiters bearing silver trays with fluted glasses of bubbling champagne.

A man in a tuxedo touched my arm. “Mr. Red Cloud? May I interest you in a glass of champagne?”

Thirstier than I ever remembered, with a tongue that stuck to the roof of my mouth like sticky cotton batting, I reached for the glass, then pulled back when I saw the hand that stretched from me. Dark copper skin covered strong fingers. Beadwork trimmed a deerskin sleeve. A string of bear claws encircled my neck, hanging low on a tunic. I grabbed for the drink again and drained it quickly, nodding to the white-haired gentleman who held my elbow and looked with concern into my eyes.

“Better?”

“Yes, thank you.” My voice growled deep and rough. Familiar, yet unfamiliar.

What in God’s name is happening?

I shuffled toward a gold leaf mirror, afraid, yet hungry to learn more. A sharp angled face returned my gaze. High cheekbones. Long glossy black hair, falling well beyond my shoulders. Prominent nose. Straight, strong mouth. Eyes that bore into mine with iron grit.

With an excited intake of breath, I stared at my reflection. God in Heaven. I’m a savage!

I turned this way and that. Pinched my arm. Real pain. I exhaled, fogging the mirror. Pride and strength flowed from my eyes.

I’d expected confusion.

“Everything okay, Red Cloud?”

With deliberately slow motions, as if I needed to concentrate on the words, I answered. “Of course, Senator.” Senator?

“Come. I wanted you to see the Monet we have on exhibit. It’s quite valuable.”

I jumped when he said my name aloud.

He led me past hordes of men in tuxedos and women draped in jewels and furs. With great ceremony, the Senator ushered me downstairs through a long narrow corridor into a room flanked by two guards who stood at attention with rifles on their shoulders.

“Here we are. It’s entitled ‘Sunset on the Seine, Winter Effect, circa 1880’.”

Circa 1880? It is precisely 1880. But I haven’t finished this yet! I couldn’t drag my eyes away from the canvas. Before me were the strokes I’d forced while I languished on the riverbank, praying for solace. Camille had given birth to my son, Michel, and shortly thereafter succumbed to cancer. Since her death a year ago, I’d been unable to paint. Unable to socialize. Unable to eat and barely able to breathe.

A horse-faced woman decorated in emeralds appeared around the corner. The Senator’s brow wrinkled.

“Yes?”

“Senator? Can you spare a moment?”

The patrician turned back to me, rolled his eyes, and touched my shoulder. “I’ll leave you with the Monet. Stay as long as you like, Chief.”

My eyes raked across the painting, taking in the bold orange of the sun’s reflections rippling on the water. The touch of green behind the trees. The pastels fogging the horizon. Pride swept through me.

***

Red Cloud

After resting, he rose and blew into his cold hands. The river had turned dark and unfriendly. Deep purple whirlpools threatened and bubbled with what had to be evil spirits. Lights flickered on the opposite shore. Cooking aromas drifted over the water, sending pangs of hunger through him. With a sudden shiver, he collected the paints, brushes, and easel, and headed for the pink stucco house in the distance.

***

Antoine

When the Master came in and set his painting by the door, I sensed something amiss. I trotted from my place at the fireplace and shoved my muzzle into his dangling hand. With a start, I backed up and growled. Something was wrong.

He crouched and held a hand out to me. “Come, boy. It’s okay.”

Slowly, I crept toward his outstretched fingers. The scent of my master mixed with an unknown smell, that of wild prairie winds and open cooking fires. I wagged my tail, slowly at first. When my master’s hand touched my ear, I capitulated. He knew just how to scrub behind my ear where it itched. Wiggling all over now, I jumped up on him and licked his face.

“Whoa! Good boy, good dog. Get down, now.”

He picked up his painting and headed for the kitchen, from whence tantalizing smells tempted me all afternoon. The roast had been simmering in the black pot, smothered in vegetables, and fresh bread baked in the Dutch oven. But something was still off—my master walked with a different gait than his usual Steady and calm, it reminded me of a wild cat padding on soft grass.

The Mistress—the new one—smiled over her shoulder at him. “Monsieur. I’ve fed the children and sent them to bed early. I know you need your quiet time after a long day of painting.”

The Master looked disappointed.

This woman, whom the Master called ‘Alice,’ was the mother of six young hooligans who played with me in the nearby fields and gardens, especially in the summertime. When the old Mistress died a year ago, Alice moved in to help with the Master’s two boys. Eight children lived in our new home, and I loved each one.

The Mistress turned to my master with a frown. “Is something wrong?”

He set his still wet painting on the sideboard and dropped into a chair, rubbing his eyes. “No. Thank you. Just tired.”

She sat beside him and took his hand. Lately, her ministrations seemed more loving, and less sisterly. “My dear Claude.” She stroked the back of his hand and looked into his eyes. “How did it go?”

He stared at his painting, and refocused on her face. “Strange. I felt as if I’ve never been in this body before, as if I don’t know where or who I am, yet I was consumed by the scene. The reflections on the water, glistening green behind the stark trees, the wavy silhouettes of the dark tree shadows…”

She looked at the painting as if a lustrous silver angel perched on the shelf, blessing her by waving his soft-feathered wings. “Oh, my.” She moved closer. “You’re back.”

He looked at his hands. “I’m not sure. Something’s wrong with me. Very wrong.”

“It will take time, Monsieur. The loss of our dear Camille will pain you for a long time. Perhaps your entire life.” Her voice cracked, as if emotion swilled beneath the surface.

He looked at her as if he didn’t understand, then sighed and pulled his chair up to the table. “Thank you. But now. Let’s eat. That much I remember.”

***

Red Cloud

He woke in his own bed, a straw mat on the floor of his wooden hut, covered in colorful woven blankets and serenaded by birdsongs. His last memory had been at the Senator’s home in DC, where he represented his tribe with dignity and honor. The thoughts that crossed his mind were instantaneous. I have returned!

Had it been a dream guided by the spirits?

He stood and stretched, his long silky black hair tickling his bare back. Running a hand across his smooth chin, his lips spread in a wide grin. Yes. Only a dream.

His hut was perched a short distance away from the village, on a bare stream bank, very unlike the river in his vision. This wide clear creek sparkled turquoise in the prairie sun, shallow in its deepest section and pure as spring rain. Orange, yellow, and crimson slate rippled beneath the water, reflecting the new day’s energy.

He stood over the water, drinking in the morning, and finally stripped and knelt on one knee to wash and quench an almost unbearable thirst. With eyes closed and hands cupped, he scooped cool fresh water into his mouth and over his face, hands, and body, scrubbing away the strangeness of the recent illusion. Letting the strong sun dry the droplets, he stood and examined his copper brown skin.

With a start, he turned his hands over to stare. There, a patch of mint green. On his thumb, a smudge of vermillion. And on his wrist, streaks of pure white. He threw back his arms and raised them to the sky, asking the Great Spirit to help him understand. A warm breeze stirred over the streambed, calming him and lifting his long hair from his shoulders. When he received no further counsel, he redressed and headed back to his campfire to cook quail eggs for breakfast, with a sudden strong urge rattling in his head.

Maybe I’ll get a dog.

***

Claude

I came awake at the breakfast table, surrounded by eight noisy children and Alice. While the exchange of one day in my life with Chief Red Cloud was a puzzle, I knew it couldn’t have been a dream. How could I have dressed and been in the middle of a scrumptious bite of strawberry peach marmalade on a warm croissant if I’d just awakened? I sipped at my dark hot chocolate and beamed at my new extended family, who squabbled and stuffed their faces with equal enthusiasm.

The doubts I’d had over the last year about my ability to produce anything worthwhile on canvas had vanished. I’d seen my work displayed in a gold frame, hung in a fine home with guards to protect it. It had been revered, coveted. A strange situation, to be sure.

On the sideboard, the river scene beckoned. I studied it, realizing the green behind the trees was too faint; the black fishing boats needed to be emphasized. There was work to be done to make this version match the finished product I’d seen hanging on the red satin walls of the Senator’s palatial home.

Alice smiled at me from the stove. A tingle ran through my previously numb body. Could she? Would she? Am I as attractive to her as the bastard who had deserted her?

She rarely said an unkind word about the rogue, although my blood ran cold at the thought of him. Leaving six children and his wife behind to escape the hot flush of embarrassment from bankruptcy…there could be no greater evil.

Alice approached me, slid a fresh hot croissant onto my plate, and her clear eyes connected with mine. We held the glance for a few luscious seconds, and in minutes I was filled with the urge to paint. To paint, to never stop, to splash gorgeous colors on the canvas that mimicked and flattered reality. To paint for the memory of my Camille, of loves lost, and loves yet to flourish.

Ah, yes. I was back.

I thought of the Chief, and wondered what year he’d been transported from the gilded halls of Washington, DC. Had it been next year? Twenty years in my future? How long would it take my work to be known and beloved?

With a mental bow, I gestured to his fine spirit, wishing him clear vision and a long life. How it happened, I would never know. But I’d always be grateful to the tall proud man who had helped me relight my artistic spark.

I pecked a surprised Alice on the cheek, squeezed and hugged my eight children, scrubbed behind Antoine’s ears and received an enthusiastic tongue bath in return, and grabbed my easel. The early morning light was fading, and I needed to catch it before it disappeared forever.

The End



Red Cloud, inspiration for this story. And Monet, in his younger years....

***

Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. For free excerpts, articles, beautiful photos, and recordings of the author reading aloud, visit his websites at www.legardemysteries.com and www.mooremysteries.com and join him on his collaborative blog: www.murderby4.blogspot.com.

Thursday, July 22, 2010

Getting my life sorted out....


...is a bit like writing a novel these days. That is usually a good thing, right? Well, not so much. Not going to bore you with the details, but just know that I am going to be working on the next Shannon Wallace book over the summer months and hope to have it ready to sub by Sept. -- also fast at work on another YA fantasy, so if you are a fan of my YA stuff, stay tuned.

Until I find something more interesting to say, here is a link back to this time a few years ago, that you may find fun and get you ready to dive back into Shannon's world. Link to Post from 2008

Happy summer meanderings!

Wednesday, July 21, 2010

The Queries Are Out

© Marta Stephens 2010 all rights reserved

It’s been several weeks now since I first mentioned a need to work on a synopsis and query letter for my third novel, Shroud of Lies.


I began the process by dusting off and reading through several reference books I had on the shelf. I also scoured the web to find that magic wand that would instantly light the way to writing the perfect synopsis. I’ll admit, the concept is simple enough—summarize 90,000 words into a two page summary—but in truth, the it's been as painless as getting my nails yanked out.

One site I did find very helpful and visit often is Chuck Sambuchino’s “Guide to Literary Agents”. There you’ll find articles on everything from interviews with agents and articles by authors on how they got their agents to information on writing and marketing.

After almost as many weeks of staring at a blank computer screen and writing several drafts, I finally arrived at what I think is a decent set of documents. By the way, this will also be test of true friendship (feel so "needy" at times). Thanks so much to Kim Smith, S. W. Vaugh, and J D Web for all your help and support!! 

So what did I learn along the way?

The query letter:

1. Do your homework. Identify agents interested in your genre and who are also accepting queries and read the guidelines. That means going to their websites and reading everything available on the agency, the agents and their submission guidelines. I also discovered that while some agents only want an e-mail query, others only accept snail mail. Some want the query, synopsis, and the first five pages while others don't want a synopsis, only a query and the first five chapters. That's why it's critical to not assume anything.

2. Develop a brief intro to your query letter. Having said this, however, I discovered that some agents don’t care to know where you found their name. They just want you to get on with describing your project so be aware of their preferences before you send it out.

3. Write a short 2-3 paragraph blurb—the kind you’d read on the back flap of your book. Refine it and use it as the meat of your query letter.

4. Develop one-two sentences that indicates what is unique about your book. Why this book different from every other book out there in its genre?

5. Next include a list of your credentials; education (especially if you studied creative writing), previously published works, literary awards, and memberships in professional writing organizations.

6. If you’re sending out multiple queries (as well you should), make it a point to mention it in your query.

7. Finally, offer a thanks and … “May I send …”

Here’s my blurb:

When Rhonie Lude’s partner on the Chicago police force is killed, rumors hint of her incompetence. She flees to Hollywood to start a new life as a private eye. It’s 1962 and proving her worth in a man’s profession is as frustrating as the shrinking balance in her bank account. Thus, when a mysterious note arrives in the mail, she’s compelled to take the case from a man she doesn’t trust.

The job entails tracking her client’s estranged daughter and reporting her findings, but he’s a little too evasive and willing to pay too much for a simple surveillance. The investigation triggers a series of threats against Lude and when the daughter’s death is made to look like a suicide, Lude’s challenge is to convince the homicide detective the young lady was murdered.

Lude’s only encouragement comes from the elderly Evy Monks during their weekly visits. At times, the woman’s senile comments have an eerie way of coming true. Lude dismisses them as nonsense, but as the case takes a startling turn, it’s clear Evy knows more than she’s telling. The truth is far more frightening than discovering the killer is a trusted person close to Lude.

The focus in Shroud of Lies is the murder Lude must solve, but its uniqueness is the unexpected relationship between Evy and Rhonie Lude and the revelation of the two women’s identities.
The synopsis:

Okay, this was a heck of a lot harder to do since the general preference is a two-page synopsis. I found myself wanting to include every detail, every twist and turn in the book and ended up with a very long and cumbersome summary. One reference suggested writing a long version (4-5 pages) on the off-chance that some agents may ask for it. Once I had my long version, I started to trim it down by reading each sentence and asking, “So what? Is this vital information to know in order to get across the general idea of the novel?" Often times it wasn't. Using this strategy helped me to reduced it to a solid two pages.

I’ve started sending out queries, and now I wait. In the meantime, I’m cleaning out my files and the top of my desk, and spending quite a bit of time outside watching my tomatoes grow!

About the author:
Marta Stehens work is best described as crime fiction with a strong appeal to readers with a taste for noir. She's been writing since 2003. Her debut novel, Silenced Cry (2007) received honorable mention at the 2008 New York Book Festival. Her second novel, The Devil Can Wait (2008), received the 2009 bronze Independent Publishers Book Award (IPPY).  Reviews and excerpts of Stephens's novels are available on her website, www.martastephens-author.com. Books are available in paperback and e-book formats on most online shops including Amazon. She has a degree in journalism/public relations and is a member of Sisters in Crime and the Midwest Writer’s Workshop.

Wednesday, July 7, 2010

Fight Scenes

© Marta Stephens 2010 all rights reserved

Nothing is more gratifying than reading a fast-pace fight scene, unless of course, you're the one who wrote it.  On the flip side, I can't think of anything more painful than to read a poorly written fight scene.

Having said this, I wasn’t surprised when one of my crit partners finished reading my manuscript and suggested I needed to strengthen the fight scene in chapter 47. It was a relatively new chapter written only after I decided to change the identity of the killer so I knew it needed additional work.

I’ve written fight scenes in my other novels and recall  how long it took to make them not seem ridiculous so I decided to search the Net, refresh my memory and see what common advice I could find on the subject. Not surprising, all agree fight scenes are one of the hardest things to write convincingly and thus require a lot of practice to get it right.
Here are a few things I picked up on developing the next fight scene:

  1.  Decide who your viewpoint character is. Involve the reader by making sure they see the action through the eyes of the viewpoint character. Make the reader ache and bleed every time your POV character gets hurt.
     
  2. Don’t tell the fight scene by just adding a collection of punches, stab wounds, gun shots, slaps, or kicks. Rather, show the scene through the viewpoint character’s internal conflict. A character may seem cool and collected on the outside, but what’s going on inside? Mentally/emotionally? Show the character’s internal language of fear, anger, suspicion, etc., to bring the reader into the POV character’s head.
  3. For every action there is a reaction. She slaps, he blocks it. He grabs her wrist, she pulls away. John threw a punch. Dave staggered back. Just remember to show the action first before showing the reaction.
  4. Fast reading pace is essential in fight scenes. Make your phrases and sentences short to speed the action. Long descriptive sentences will slow the pace.
  5. Use only one phrase or sentence per move, but also try to vary the length of your sentences. Grabbing the bronze statuette she hid behind the curtain. Heart pumping. Footsteps near the door. She waited. He was only a foot away—unaware of her presence. She slammed the statuette against his head and ran.
Well, you get the picture. Happy writing!

About the author:

Marta Stephens writes crime mystery/suspense. Her books are available online at familiar shops such as all the Amazons, Barnes & Noble, Borders, Books-a-Million, and Powells. Other locations include, but are not limited to those listed on her website.

THE DEVIL CAN WAIT (2008), Bronze Medal Finalist, 2009 IPPY Awards, Top Ten, 2008 Preditors and Editors Reader Poll (mystery).
SILENCED CRY (2007) Honorable Mention, 2008 New York Book Festival, Top Ten, 2007 Preditors and Editors Reader Poll (mystery),
Personal site: www.martastephens-author.com  
Personal blog: http://mstephens-musings.blogspot.com  
Collective blog: http://murderby4.blogspot.com  
Blog: http://novelworks2.blogspot.com 
Character Blog: http://www.samharpercrimescene.blogspot.com

Tuesday, July 6, 2010

How to Be a Wacky, Eccentric Writer

-Live in a small, cluttered place: a shed, a cabin, a garage. Never open the curtains. For extra wackiness, rent a storage unit and live in that.

-Wear any or all of the following: mismatched socks, fingerless gloves (wool), a stained sweater vest, a ratty bathrobe (over clothes for the best effect). Pipes and/or cigarette holders make great accessories too. Actually smoking them is optional.

-Wander around drunk in public from the hours of 11 a.m. to 8 p.m. At night, pass out in a gutter, clutching several pages of random notes.

-While in public (drunk or sober), point randomly at anything and shout, "I've found my muse!" Then duck into the nearest establishment and scribble something on a napkin. Or produce a pen and start writing on your palm or forearm.

-Use public library computers to research weird things, preferable related to methods of murdering people or overthrowing the government. Talk to yourself frequently while researching. If anyone tries to start a conversation with you, say, "Shhhh! I think they're listening to me."

-Whenever someone knocks on your front door, open it, stare wildly for a few seconds, shout, "I'VE GOT IT!" and slam it in their face.

-Refuse to look anyone in the eye, on the grounds that they'll see your brilliant ideas and steal them.

-Bring a notebook and pen to parties. Pick one person at a time and stare intently at them while writing things down. When they ask what you're doing, tell them you're figuring out the best way to kill them off.

Sunday, July 4, 2010

The 4th of July: When the Music Stopped



The 4th of July is the celebration of the birth of our nation--our independence,  it's also one of my favorite holidays of the year. Today we'll proudly display the American flag, spend the day with family and friends, cook out, and watch spectacular shows of fireworks. For me, the 4th is also a reminder that without the sacrifices of our brave men and women in our military (past and present) we wouldn't be experiencing the freedoms we so often take for granted. When I received the following as an e-mail recently from a friend, I thought it would be the perfect post to share with our readers today here on Murder By 4. I hope it will touch you as much as it touched me.

Happy July 4 to all! God Bless America and all of our troops serving throughout the world.


The following message was written by Chaplain Jim Higgins LSA Anaconda is at the Ballad Airport in Iraq, north of Baghdad.
***
For those who are unaware: At all military base theaters, the National Anthem is played before the movie begins.

I recently attended a showing of 'Superman 3' here at LSA Anaconda. We have a large auditorium we use for movies, as well as memorial services and other large gatherings. As is the custom at all military bases, we stood to attention when the National Anthem began before the main feature. All was going well until three-quarters of the way through The National Anthem, the music stopped.

Now, what would happen if this occurred with 1,000 18-22 year-olds back in the States? I imagine there would be hoots, catcalls, laughter, a few rude comments, and everyone would sit down and yell for the movie to begin. Of course, that is, if they had stood for the National Anthem in the first place.

Here in Iraq , 1,000 Soldiers continued to stand at attention, eyes fixed forward. The music started again and the Soldiers continued to quietly stand at attention. But again, at the same point, the music stopped. What would you expect 1000 Soldiers standing at attention to do?? Frankly, I expected some laughter, and everyone would eventually sit down and wait for the movie to start.

But No!!... You could have heard a pin drop, while every Soldier continued to stand at attention.

Suddenly, there was a lone voice from the front of the auditorium, then a dozen voices, and soon the room was filled with the voices of a thousand soldiers, finishing where the recording left off: "And the rockets' red glare, the bombs bursting in air, gave proof through the night that our flag was still there. Oh, say does that Star Spangled Banner yet wave, o'er the land of the free, and the home of the brave."

It was the most inspiring moment I have had in Iraq and wanted you to know what kind of Soldiers are serving you. Remember them as they fight for us!

Pass this along as a reminder to others to be ever in prayer for all our soldiers serving us here at home and abroad. Many have already paid the ultimate price.

About the author:

Marta Stephens writes crime mystery/suspense. Her books are available online at familiar shops such as all the Amazons, Barnes & Noble, Borders, Books-a-Million, and Powells. Other locations include, but are not limited to those listed on her website.


THE DEVIL CAN WAIT (2008), Bronze Medal Finalist, 2009 IPPY Awards, Top Ten, 2008 Preditors and Editors Reader Poll (mystery)


SILENCED CRY (2007) Honorable Mention, 2008 New York Book Festival,Top Ten, 2007 Preditors and Editors Reader Poll (mystery)


Visit Sam Harper at http://www.samharpercrimescene.blogspot.com

Saturday, July 3, 2010

The German KeZboard






I wrote this silly little piece while in Germany, trying to use the laptop they provided me during the day. Not only was the internet so slow I thought I'd pull my hair out (just for me, it was fine for everyone else!), but it took me ages to compose the simplest email. Here's a testimony to my frustration... Hope everyone enjoys a wonderful July Fourth holiday!





***


So, iäm sitting at mz German kezboard, trzing to write an email. 



The shift kez is moved over one spot from US versions, and it's impossible to train mz fingers to do that. The z and y are interchanged. Sigh.

And where the heck is the question mark, hzphen, and apostrophe? The whole number lazout is different.


I guess until I get back on my laptop, from now on, I'll be Aaron Layar to zou, okaz?

(If zou need a translation, don't go to Berlitz. I don't think they have a "kezboard" translator!)

I'm going down to the beer garden to enjoz a tall one. 








Tuesday, June 29, 2010

Weird Words For Your Writing Pleasure

About a year ago, the millionth word was officially added to the English language. The word with that dubious honor was "Web 2.0" (yes, I know it has numbers in it; I'm not in charge of the English language here :-), which is a term that refers to "the second, more social generation of the Internet."

I'm not sure whether it's a noun, a verb, or an adjective. Maybe it's meant to be all of them, like many other web terms have become (Google, Twitter, and Facebook, to name a few).

Anyway, there are a MILLION WORDS in the English language. That's a lot of words. Here are twenty of them you probably haven't heard. Feel free to use them in your writing, or blow someone's mind with them at your next Scrabble game.

(You may note that "defenestrate" is not on the list. I didn't include it because, strangely enough, most writers seem to know that one. In case you don't, it means "the act of throwing someone or something out a window" - as you'd like to do with your couch when someone's car alarm is going off right outside your house.)

Erinaceous: Like a hedgehog
Lamprophony: Loudness and clarity of voice
Depone: To testify under oath
Finnimbrun: A trinket or knick-knack
Floccinaucinihilipilification: Estimation that something is valueless. Proper pronunciation based on Latin: flockə-nowsə-nəkələ-pələ-fək-ation.
Inaniloquent: Pertaining to idle talk
Limerance: An attempt at a scientific study into the nature of romantic desire.
Mesonoxian: Pertaining to midnight
Mungo: A dumpster diver; one who extracts valuable things from trash
Nihilarian: A person who deals with things lacking importance (pronounce the ‘h’ like a ‘k’).
Nudiustertian: The day before yesterday
Phenakism: Deception or trickery
Pronk: A weak or foolish person
Pulveratricious: Covered with dust
Rastaquouere: A social upstart, especially from a Mediterranean or Latin American country; a smooth untrustworthy foreigner
Scopperloit: Rude or rough play
Selcouth: Unfamiliar, rare, strange, marvelous, wonderful.
Tyrotoxism: To be poisoned by cheese
Widdiful: Someone who deserves to be hanged
Zabernism: The abuse of military power or authority.