I was going over my list of things I am thankful for, and one of the top most often prayed over is this site. I love this site and am so thankful for it and the great friendships it has brought. Thanksgiving is a time to reflect on all those things that you received from the hands of others, and all the ways life has been a blessing to you. As you ponder, don't forget the Cyber Pals you have gained.
When I chose Thursdays as my day to post, I never anticipated being the "turkey" for this time of the year. But there ya have it. I get the Thanksgiving post.
I have celebrated a lot of stuff over the years, like this post (click to read) Thanksgiving 2008 and it has been like a kickoff to the year to come.
I wouldn't have it any other way.
Soon, I will be bringing you a new book, (Click for more info) Loran Rudder and the Secret Key is on its final round, and over the last few days has even gotten a cover. (no, I am not revealing yet!) -- so that is something to look forward to in the weeks to come.
I will do this time as I did back in 2008- and bring you tidbits and tasties about the making of the book over the next few weeks. SO don't eat too much this holiday--save room for dessert!
God bless you and keep you.
Happy Thanksgiving -Murderers!
Thursday, November 28, 2013
Wednesday, November 27, 2013
A Writer's Thanksgiving
Thanksgiving always makes me feel lucky. Even if I have a
tendency to stress over the stuffing, the seating arrangements and the lumps in
the gravy, I love this fantastic holiday. It encompasses all of my favorites:
family, friends, food and fun. Every
year, before we sit at the table, our family gives thanks for the blessings in
our lives. So I thought we should do the same here at MB4, because we are also
a family—a family of writers.
So, in the spirit of the holiday and beginning with the
obvious, I'm grateful for:
My family and friends, who support me and my writing with
love, patience, grace and enthusiasm. Without them, even writing loses its
meaning.
The craft of writing, gift, blessing, curse and obsession. I'm thankful for every word, sentence,
paragraph and chapter; for every story, novel and series; for every idea, image
and dream; for the pure joy of writing.
My writer friends, whose flames light my way and brighten my
nights.
The editors who help me become a better writer and who care
enough to point out the obvious as well as the obscure.
The publishers who invest in our work and the talented teams
that bring our books to market, including the cover artists, book designers, proof
readers, line editors, support staff and everybody who contributes to the
creation of something as unique and special as a book. Thank you for being part
of our stories.
Those who help us promote our work: agents, public relations
specialists and those fantastic bloggers and reviewers who
showcase our books.
Finally, I'm
especially thankful for my readers, for their encouragement, enthusiasm and praise.
They are the reason why authors like me keep writing.
On behalf of all of us here at MB4, have a wonderful holiday!
P.S: What are you thankful for?
Thursday, November 21, 2013
What to Bring to a Book Signing Event by Terry Ervin, Fantasy Author
What to Bring to a Book Signing Event
Since my debut novel Flank Hawk was released back in November 2009 and the release of several three more titles since, I’ve been afforded the opportunity to participate in over forty book signing events. The signings have included single author bookstore events, at various types of festivals, fantasy/SF conventions, and more.
Through experience and observation I’ve determined what’s been useful for me to have on hand at a variety of signing venues. I’ll list the items below along with some commentary so that authors preparing for signing events can determine what might be useful for them as well:
Equipment/Materials for Signing:
Table: A table is a staple of every signing event. Often a venue will provide one. When this is the case the author is generally informed how much table space they’ll have to display their books. Crowded venues often provide ½ of a six foot table. Other venues charge for table space, normally for each (six foot) table. I’ve even seen festivals where an area (based on square feet) is provide and the author must provide the table or tables.
I have two folding tables (60”x28” and 48”x24”). The smaller table is adequate if you have only one or two books available, but more surface area is always better. The amount of space dictates the layout/display of books as well as other items discussed below.
I recommend tables that fold in the center and have a carrying strap to make transporting from a vehicle to the set up area far easier.
I’m an advocate of making only one trip without the need for a second set of hands. A folding table that can be carried in one hand is key to this (and it’s why I opted for the smaller and lighter 5’ table instead of the 6’).
Chair: Most venues provide chairs. If they don’t, I use a folding camping chair that fits into a sheath that can be slung over the shoulder. As a note, I bring a thick towel. While there are many uses for it, a metal folding chair (the type often provided by an event organizer) can get pretty uncomfortable over the course of a day. Sitting on a folded towel can make a noticeable difference.
Table Cloth: Sometimes covers are provided by event organizers. If not, having a table cloth that is large enough to reach the floor, at least to the front and most of the way down the sides is important. It hides the tubs and cart stored under the table, makes the set up more appealing and professional, and enables you to pin or tape signs, banners, etc. along the front.
Cart with Cords/Straps: This is a must. Having a cart is far better than toting boxes or tubs filled with books and everything else by hand. Folding carts with two wheels that can carry a decent load with a measure of stability are fairly inexpensive.
Having a variety of bungee cords to strap/hold the tubs/boxes, on the cart is a must. My cart came with two bungee cords attached. I use several more which guarantees the load won’t shift or fall off as I cross parking lots and streets, and traverse escalators, hallways and sometimes stairs.
Tubs: Having plastic tubs with lids is the way to go. They’re far superior to cardboard boxes. The tubs are more durable and they stand up to the weather. Books encountering moisture is never a good thing. Having stackable tubs is useful.
I store books in one large tub and in the second tub I store some books along with the table cloth, towel and most of the other listed below. Shoebox-sized tubs are useful to store the small items such as business cards, book marks, pens, etc.
Books: Some book signing venues will provide copies. Many will not. I always bring more than I think I’ll need, and I also bring extras for events where books are provided.
Keeping novels dry and in good condition is important, so my main book tub is lined with cardboard slots for neatly stacking the books. I store the other books in the shoebox sized tubs, protecting them from being damaged by the other items in the second large tub.
Bookstands: These are important to display books at your table. Sometimes it’s handy to have one if you speak at a panel and bring a novel or two along as a prop. Inexpensive, folding bookstands can easily be obtained.
Bookmarks: Book marks are pretty handy advertisements for browsers to pick up. For outdoor venues, I use clips (or in a pinch, rubber bands) to keep them from flying away when there’s a stiff breeze.
Business Cards: They’re good to give to browsing readers and to exchange with other authors or other persons at the event. Having a website address and email address available on a card is what most people are interested in finding on the card.
Pens: Having several pens to sign copies of your novel is a must. Good quality pens are preferable to inexpensive pens. Yes, in addition to authors having forgotten to bring books to an event, more than once I’ve seen authors going around asking to borrow an ink pen just before an event opens to the public.
Post-it Notes: I find these handy for notes, but I sometimes also ask customers to write down the name they would like included in their signed copy. Sometimes events are noisy and/or people do not speak clearly. No reader wants their name or the name of the person they’re gifting the novel to misspelled, and no author wants a stack of improperly signed books.
Sign: A sign, at least 11”x17” stating Author Signing Today. This is important, especially at festivals where visitors may not realize it’s the author and not a bookseller sitting at the table. Some writers have banners that they affix to the front of their table, which works just as well, if not better.
Bags: Having a bag to place purchased novels in is a polite service that can make a potential reader more inclined to pick up a novel or two. It’s easier for them to carry purchased novels around, especially if they plan to continue shopping. Shoppers who are interested in your novels and intend to come back later often don’t. In addition, a bag protects the books, especially if the weather is questionable.
Some writers provide plastic bags they saved from grocery shopping. Others offer more expensive handled bags. I use small wastebasket bags. They come in a roll, making them easy to store, tear off, and make toting books about easier for the customer.
Lock Box: Some authors keep money to make change in a pocket, a purse, or an envelope. I prefer a small lock box. I keep one key on my key ring and the second on a lanyard around my neck. Having a box makes it easier if you have a partner who takes care of sales while you’re at a panel or even getting lunch.
Towel: Already mentioned—see Chair.
Paper for Notes/Writing: Ideas, notes to self, contact information, dates for upcoming events down, often requires more than a post-it note. I use a spiral notebook for this and also to write a chapter or two when things get slow.
A laptop or iPad could be used for this, but I’m not a fan of an author sitting with an iPad or laptop open, reading, playing games, surfing the web, writing, editing, etc. I’ve witnessed browsers bypass a table when the author is slow to recognize a potential reader. Eye contact is an important thing, which active laptops tend to inhibit.
I’ve found that I’m able to respond more quickly and remain alert as to what’s going on when I am writing in a spiral notebook, when things appear slow. In truth, what are you there for? To entertain yourself or to market yourself? Again, browsers passing by note this, and seem more open to someone writing notes than working on a computer device.
Drink/Food: Some signing events, especially festivals, will have food available to purchase. Some events offer their authors a lunch. I always bring a little something to eat and a small bottle of water to drink.
Duct or Masking Tape/Safety Pins: Pinning up signs or taping them up, or taping down the end of a table cloth, or whatever. These two items small but can be pretty darn useful.
Plastic Garbage Bag: one or two of these take up virtually no space, but are very handy to have to cover up books and materials, or stuff whatever into them, especially when the venue is outdoors. Yes, you may be in a tent or under a canopy, but even a little bit of wind can direct rain seemingly right at your novels.
Extras:
Posters of Covers: I have 11”x17” posters of my book covers that I place on my table (using book stands), giving greater exposure from a distance. Some authors have full-size (2’x3’ or larger) posters made to display. Some even have banners. I think something other than the book is helpful, venue and space permitting.
Clip Stand: Handy for setting up little notes or signs printed on card stock—things like give-aways or deals.
Information on where books are available (ebook, audio, etc.): Having a listing indicating where ebooks/audiobooks, etc. are available can be useful, especially for avid ebook readers.
Pricing information, for the print books on the table, sometimes is beneficial and sometimes detrimental. It’s something that can be brought along in any case. Normally my novels are equal to or lower in price when set against comparable novels at multiple author signing events, so listing the price is often beneficial for me.
On the list above, the pricing for ebooks and such can be informative and encourage readers to look them up. This is a situation where a book mark or business card is especially beneficial to have on hand.
Special Attraction Item: Having something that draws readers to your table is important. Some authors believe a bowl of candy is just the thing. In my experience it’s not very effective, possibly because it’s been overused and almost expected.
The theory is that by drawing the reader over you have the opportunity to give your spiel. That they’re getting something from the author (candy) will make the potential customer more apt to pay a bit of attention in ‘exchange’ for the piece of candy. Many folks have no intention of even listening while availing themselves of the free candy. That doesn’t preclude me from putting wrapped mints or other candy out, especially for kids, but I don’t count on it to draw in potential readers.
I’ve offered a free tote bag (which advertised my novel, website, etc. on the sides) with the purchase of one of my novels. That had moderate success. It was better at festivals where people could use it for additional shopping.
I’ve also had a “Name a Character in the next First Civilization’s Legacy novel.” People put their name and email down for a drawing. It gives them a chance at something that sounds interesting to most readers, and a way for me to engage them. If they appear interested, I have the opportunity to talk a little bit about my novels. If they buy one, it doubles their chance in the drawing.
I’d encourage each author to find something that makes their table and works stand out a little bit and draw interest.
Something to do: I already mentioned a notebook for writing, especially when things do get slow at some events. If you have a Nook or Kindle, you can not only read (they’re less intrusive than a laptop), but also demonstrate for folks who’ve never seen or held one…and have your ebook on it, or audiobook if that’s something that you might have available.
Hand Sanitizer, Tissues/Napkins: The former is pretty self-explanatory. The latter, is useful for a runny nose, a small mess, or if the local facilities prove to be short on toilet paper.
Umbrella/Canopy: I’ve carried an umbrella out to an outdoor event—good for blocking the sun and a minor protection from rain. Some authors have a 10’x10’ canopy that folds down and is easy to carry (but would necessitate a 2nd trip—but some events might necessitate this). I haven’t been involved in outdoor events where I had to provide one.
I hope this list proves useful for those authors preparing for their first signing event, or even if you’re becoming a veteran at it.
One last thing is that I keep everything in the tubs, and restock shortly after I get home (what’s needed). This way I’m ready to just haul it all up from the basement, put it in the truck and I’m ready to go.
Terry W. Ervin II is an English teacher who enjoys writing fantasy and science fiction. His First Civilization’s Legacy Series includes FLANK HAWK and BLOOD SWORD. He is focused on completing SOUL FORGE, the third novel in the fantasy series.
His newest release through Gryphonwood Press is RELIC TECH, a science fiction novel packed with action, adventure, a few aliens and even a bit of a mystery.
In addition to writing novels, Terry’s short stories have appeared in over a dozen anthologies, magazines and ezines. The genres range from science fiction and mystery to horror and inspirational. GENRE SHOTGUN is a collection containing all of his previously published short stories. To contact Terry or learn more about his writing endeavors, visit his website at http://www.ervin-author.com and his blog, Up Around the Corner, at http://uparoundthecorner.blogspot.com
Since my debut novel Flank Hawk was released back in November 2009 and the release of several three more titles since, I’ve been afforded the opportunity to participate in over forty book signing events. The signings have included single author bookstore events, at various types of festivals, fantasy/SF conventions, and more.
Through experience and observation I’ve determined what’s been useful for me to have on hand at a variety of signing venues. I’ll list the items below along with some commentary so that authors preparing for signing events can determine what might be useful for them as well:
Equipment/Materials for Signing:
Table: A table is a staple of every signing event. Often a venue will provide one. When this is the case the author is generally informed how much table space they’ll have to display their books. Crowded venues often provide ½ of a six foot table. Other venues charge for table space, normally for each (six foot) table. I’ve even seen festivals where an area (based on square feet) is provide and the author must provide the table or tables.
I have two folding tables (60”x28” and 48”x24”). The smaller table is adequate if you have only one or two books available, but more surface area is always better. The amount of space dictates the layout/display of books as well as other items discussed below.
I recommend tables that fold in the center and have a carrying strap to make transporting from a vehicle to the set up area far easier.
I’m an advocate of making only one trip without the need for a second set of hands. A folding table that can be carried in one hand is key to this (and it’s why I opted for the smaller and lighter 5’ table instead of the 6’).
Chair: Most venues provide chairs. If they don’t, I use a folding camping chair that fits into a sheath that can be slung over the shoulder. As a note, I bring a thick towel. While there are many uses for it, a metal folding chair (the type often provided by an event organizer) can get pretty uncomfortable over the course of a day. Sitting on a folded towel can make a noticeable difference.
Table Cloth: Sometimes covers are provided by event organizers. If not, having a table cloth that is large enough to reach the floor, at least to the front and most of the way down the sides is important. It hides the tubs and cart stored under the table, makes the set up more appealing and professional, and enables you to pin or tape signs, banners, etc. along the front.
Cart with Cords/Straps: This is a must. Having a cart is far better than toting boxes or tubs filled with books and everything else by hand. Folding carts with two wheels that can carry a decent load with a measure of stability are fairly inexpensive.
Having a variety of bungee cords to strap/hold the tubs/boxes, on the cart is a must. My cart came with two bungee cords attached. I use several more which guarantees the load won’t shift or fall off as I cross parking lots and streets, and traverse escalators, hallways and sometimes stairs.
Tubs: Having plastic tubs with lids is the way to go. They’re far superior to cardboard boxes. The tubs are more durable and they stand up to the weather. Books encountering moisture is never a good thing. Having stackable tubs is useful.
I store books in one large tub and in the second tub I store some books along with the table cloth, towel and most of the other listed below. Shoebox-sized tubs are useful to store the small items such as business cards, book marks, pens, etc.
Books: Some book signing venues will provide copies. Many will not. I always bring more than I think I’ll need, and I also bring extras for events where books are provided.
Keeping novels dry and in good condition is important, so my main book tub is lined with cardboard slots for neatly stacking the books. I store the other books in the shoebox sized tubs, protecting them from being damaged by the other items in the second large tub.
Bookstands: These are important to display books at your table. Sometimes it’s handy to have one if you speak at a panel and bring a novel or two along as a prop. Inexpensive, folding bookstands can easily be obtained.
Bookmarks: Book marks are pretty handy advertisements for browsers to pick up. For outdoor venues, I use clips (or in a pinch, rubber bands) to keep them from flying away when there’s a stiff breeze.
Business Cards: They’re good to give to browsing readers and to exchange with other authors or other persons at the event. Having a website address and email address available on a card is what most people are interested in finding on the card.
Pens: Having several pens to sign copies of your novel is a must. Good quality pens are preferable to inexpensive pens. Yes, in addition to authors having forgotten to bring books to an event, more than once I’ve seen authors going around asking to borrow an ink pen just before an event opens to the public.
Post-it Notes: I find these handy for notes, but I sometimes also ask customers to write down the name they would like included in their signed copy. Sometimes events are noisy and/or people do not speak clearly. No reader wants their name or the name of the person they’re gifting the novel to misspelled, and no author wants a stack of improperly signed books.
Sign: A sign, at least 11”x17” stating Author Signing Today. This is important, especially at festivals where visitors may not realize it’s the author and not a bookseller sitting at the table. Some writers have banners that they affix to the front of their table, which works just as well, if not better.
Bags: Having a bag to place purchased novels in is a polite service that can make a potential reader more inclined to pick up a novel or two. It’s easier for them to carry purchased novels around, especially if they plan to continue shopping. Shoppers who are interested in your novels and intend to come back later often don’t. In addition, a bag protects the books, especially if the weather is questionable.
Some writers provide plastic bags they saved from grocery shopping. Others offer more expensive handled bags. I use small wastebasket bags. They come in a roll, making them easy to store, tear off, and make toting books about easier for the customer.
Lock Box: Some authors keep money to make change in a pocket, a purse, or an envelope. I prefer a small lock box. I keep one key on my key ring and the second on a lanyard around my neck. Having a box makes it easier if you have a partner who takes care of sales while you’re at a panel or even getting lunch.
Towel: Already mentioned—see Chair.
Paper for Notes/Writing: Ideas, notes to self, contact information, dates for upcoming events down, often requires more than a post-it note. I use a spiral notebook for this and also to write a chapter or two when things get slow.
A laptop or iPad could be used for this, but I’m not a fan of an author sitting with an iPad or laptop open, reading, playing games, surfing the web, writing, editing, etc. I’ve witnessed browsers bypass a table when the author is slow to recognize a potential reader. Eye contact is an important thing, which active laptops tend to inhibit.
I’ve found that I’m able to respond more quickly and remain alert as to what’s going on when I am writing in a spiral notebook, when things appear slow. In truth, what are you there for? To entertain yourself or to market yourself? Again, browsers passing by note this, and seem more open to someone writing notes than working on a computer device.
Drink/Food: Some signing events, especially festivals, will have food available to purchase. Some events offer their authors a lunch. I always bring a little something to eat and a small bottle of water to drink.
Duct or Masking Tape/Safety Pins: Pinning up signs or taping them up, or taping down the end of a table cloth, or whatever. These two items small but can be pretty darn useful.
Plastic Garbage Bag: one or two of these take up virtually no space, but are very handy to have to cover up books and materials, or stuff whatever into them, especially when the venue is outdoors. Yes, you may be in a tent or under a canopy, but even a little bit of wind can direct rain seemingly right at your novels.
Extras:
Posters of Covers: I have 11”x17” posters of my book covers that I place on my table (using book stands), giving greater exposure from a distance. Some authors have full-size (2’x3’ or larger) posters made to display. Some even have banners. I think something other than the book is helpful, venue and space permitting.
Clip Stand: Handy for setting up little notes or signs printed on card stock—things like give-aways or deals.
Information on where books are available (ebook, audio, etc.): Having a listing indicating where ebooks/audiobooks, etc. are available can be useful, especially for avid ebook readers.
Pricing information, for the print books on the table, sometimes is beneficial and sometimes detrimental. It’s something that can be brought along in any case. Normally my novels are equal to or lower in price when set against comparable novels at multiple author signing events, so listing the price is often beneficial for me.
On the list above, the pricing for ebooks and such can be informative and encourage readers to look them up. This is a situation where a book mark or business card is especially beneficial to have on hand.
Special Attraction Item: Having something that draws readers to your table is important. Some authors believe a bowl of candy is just the thing. In my experience it’s not very effective, possibly because it’s been overused and almost expected.
The theory is that by drawing the reader over you have the opportunity to give your spiel. That they’re getting something from the author (candy) will make the potential customer more apt to pay a bit of attention in ‘exchange’ for the piece of candy. Many folks have no intention of even listening while availing themselves of the free candy. That doesn’t preclude me from putting wrapped mints or other candy out, especially for kids, but I don’t count on it to draw in potential readers.
I’ve offered a free tote bag (which advertised my novel, website, etc. on the sides) with the purchase of one of my novels. That had moderate success. It was better at festivals where people could use it for additional shopping.
I’ve also had a “Name a Character in the next First Civilization’s Legacy novel.” People put their name and email down for a drawing. It gives them a chance at something that sounds interesting to most readers, and a way for me to engage them. If they appear interested, I have the opportunity to talk a little bit about my novels. If they buy one, it doubles their chance in the drawing.
I’d encourage each author to find something that makes their table and works stand out a little bit and draw interest.
Something to do: I already mentioned a notebook for writing, especially when things do get slow at some events. If you have a Nook or Kindle, you can not only read (they’re less intrusive than a laptop), but also demonstrate for folks who’ve never seen or held one…and have your ebook on it, or audiobook if that’s something that you might have available.
Hand Sanitizer, Tissues/Napkins: The former is pretty self-explanatory. The latter, is useful for a runny nose, a small mess, or if the local facilities prove to be short on toilet paper.
Umbrella/Canopy: I’ve carried an umbrella out to an outdoor event—good for blocking the sun and a minor protection from rain. Some authors have a 10’x10’ canopy that folds down and is easy to carry (but would necessitate a 2nd trip—but some events might necessitate this). I haven’t been involved in outdoor events where I had to provide one.
I hope this list proves useful for those authors preparing for their first signing event, or even if you’re becoming a veteran at it.
One last thing is that I keep everything in the tubs, and restock shortly after I get home (what’s needed). This way I’m ready to just haul it all up from the basement, put it in the truck and I’m ready to go.
Terry W. Ervin II is an English teacher who enjoys writing fantasy and science fiction. His First Civilization’s Legacy Series includes FLANK HAWK and BLOOD SWORD. He is focused on completing SOUL FORGE, the third novel in the fantasy series.
His newest release through Gryphonwood Press is RELIC TECH, a science fiction novel packed with action, adventure, a few aliens and even a bit of a mystery.
In addition to writing novels, Terry’s short stories have appeared in over a dozen anthologies, magazines and ezines. The genres range from science fiction and mystery to horror and inspirational. GENRE SHOTGUN is a collection containing all of his previously published short stories. To contact Terry or learn more about his writing endeavors, visit his website at http://www.ervin-author.com and his blog, Up Around the Corner, at http://uparoundthecorner.blogspot.com
Wednesday, November 20, 2013
Best Gifts for the Writers in Your Life
By
Dora Machado
I'm the world's worst
gift-giver. I procrastinate, which doesn't help, because then I have no good
gift ideas and no time to think about good gift ideas, either.
So this year, I'm
starting early and I'm plagiarizing. Yep, I'm plagiarizing, guys—I'm getting my
gift ideas from some of the best gifts that other people have given me. And, even
better, because the odds are high that you are a writer too, my list goes both
ways. Go ahead, you can use this list to shop for someone else and/or you can
make liberal use of your highlighter and then forward it to a relevant e-mail
address, or conveniently forget it on the kitchen counter—oops!—or leave it
under someone's pillow.
Okay, that might sound
a little self-serving, but hey, just as you are thinking about what you are
going to give others, others are thinking about what to give you.
So without further ado
and in no particular order—wait for it… can you hear the musical cue?—these are
a few of my favorite, practical and very specific writer things:
1.
Adjustable mobile rolling laptop desk:
My dad gave me one of these a few years
ago. He said I needed more time away from the "big" desk. This multifunctional
laptop desk can be rolled around the house and the office and is perfect for
the writer who needs a flexible work space or for those of us who like to
change scenery through the day. Best news? You can find versions of it in all
price ranges! Available pretty much everywhere: Amazon.com, Overstock.com,
Staples, Office Depot, Target, WalMart. I even saw one version of it for $15.99
at CVS last week. The model below is from Amazon.com and can be purchased for
$58.94.
2.
Library Cart. My husband—handsome devil that he
is—sneaked one of these under the Christmas tree a few holiday seasons
ago. Okay, I'll admit it. I'm a geek. I
was so excited about my brand new library cart! This
Wood Book Cart is ideal to hold conceptual, quick reference and research
materials. I use mine to collect the basic, go-to resources that I'm currently
using in a project. Whether I'm working at my desk or on the terrace, I can
have everything I need at my fingertips. Spoiler alert. At $244, this
particular model can be pricy. But I did find a laminate version on Amazon.com
for $59.
3.
Any author in the midst of a new release
will love a book publicity package. There are some
excellent ones out there, and they can range widely in prices, including the
ones by the very talented Mayra Calvani, who offers a combo
package that includes interviews, guest posts, spotlights, and profiles posted
on sites such as Blogcritics Magazine, Seattle Post Intelligencer, The
Examiner, Open Salon, The Writer's Life eMagazine, The Dark Phantom Review, Red
Room, Goodreads, and about 14 other blogs for only $199. Contact: mayra.calvani@gmail.com.
4.
For the busy author seeking to augment his/her social media presence, a subscription to a social media promotion
service might be just the thing. There are many good ones, all of which
work to promote your work, posts and reviews. Aileen Aroma offers a customize
range of services starting at very reasonable prices. Contact her at aileenaroma@aol.com for additional information.
5.
Another great gift for an author promoting
a release is a Virtual Book Tour
(VBT). VBTs come in all types and sizes, and can provide inexpensive and simple
services, such as a one-week Twitter book blast, or complex packages that
include anywhere from a week's tour to a sixty-day tour and range from ten
stops to more than fifty stops.
Bewitching
Book Tours offers several different packages, ranging from $40 for a one-day blitz to $125 for a one-month
tour and $175 for a tour with all the bells and whistles. In addition,
Bewitching offers gift certificates in digital or paper format that can be
applied towards any of their tour packages. For more information, contact roxannerhoads@bewitchingbooktours.com.
I.O. Virtual Book Tours
also offers Virtual Book Tour packages widely ranging in prices and services,
which can be previewed here.
6.
A gift certificate to http://www.vistaprint.com
can gift the author in your life with some very reasonable, quality business
cards that will guarantee a great first impression for agents, publishers,
colleagues and readers. The gift
certificate can easily be put to good use to design and print some very
necessary marketing props. From personal author cards to bookmarks, Vistaprint
offers some very reasonable deals on promotional materials beginning as low as
$10.99.
And here's a neat tip,
courtesy of my colleague at TTB, Knight
of Flame author, Scott Eder: Vistaprint offers an option to add a QR code
to the back of a business or promo card. A smartphone can scan the QR and
connect directly to an author's website, book or even a sample chapter. Take a look at my business card and post card below. How
cool is that?
7.
This wonderful book bag was a special
gift from a dear girlfriend. Boy, did she hit the nail in the head. The Bloomsbury Bookbag from Levenger's is a leather and canvas tote
bag with a generous capacity for books, tablets, files and more, and comes
stocked with 8 useful tools for reading and note-taking, including stiff file
folders that protect your notes and loose pages. It's perfect for those writers’
conferences and it fits everything that you might need during your speaking
engagement, book signing or critic club meeting. It's lightweight, which I
love, and very sturdy. It's priced at $69 and it comes in three different
colors.
8.
Even for the practical-minded writer, a custom
piece of jewelry might be just the thing. My girlfriend Y—mistress of
gift-giving—presented me with a very special, incredibly thoughtful gift for The Curse Giver's release. She had this beautiful custom pendant
designed especially for the occasion. She told me that she selected the green
stones to evoke my heroine's connection with the earth and her love for the
herbs and ingredients she used to mix her potions. She said that the pendant's custom design evoked
the magical ring depicted on my heroine's back in The Curse Giver's cover. Take a look below. What do you think?
The pendant is gorgeous as is, but it was the thought and care that Y put into her gift that touched me so deeply.So perhaps you might
want to consider the option of ordering a custom jewelry piece, a bracelet,
charm, pendant, necklace, something unique that somehow reflects a special connection
to the person, his book or her stories.
There are many custom jewelry designers
around. I'm fond of http://www.etsy.com/,
a website that houses a host of talented artists who specialize in handmade or vintage items, art and supplies. Etsy describes
itself as "the most vibrant handmade marketplace." They offer an
astounding variety of options, styles and prices. Whether you want to spend a
few dollars or more, you can personalize almost anything at Etsy. At the end of
the day, it's the thought and care you put into a gift that matters. Thanks
again, Y!
9.
My little sister was barely out of college when she splurged to buy me this
phenomenal Mont Blanc pen. She was thinking ahead. She
anticipated that one day, I would be autographing my own books. She predicted
that I would need a reliable, well-engineered, lasting pen with just the right
thickness point. The best part about her gift? Every time I sign one of my
books, I feel her love and presence.
.JPG)
This
is an expensive gift by all standards, but Montblanc is supporting UNICEF’s
global initiatives to enable more children to learn how to read and write. For
every piece in the Signature for Good collection sold, Montblanc will donate
part of its proceeds to UNICEF’s education programs.
10.
And of course, any reasonable gift list for writers must include—what else?—some awesome books about writing.
Whether you are buying for the newbie writer or the veteran author, these books—some
old, some new—are bound to please.
From Sol Stein, On
Writing and How to Grow a Novel are
two of my all-time favorites. Times may be changing, but the principles of good
writing and great storytelling remain the same. These awesome books start at
$12.99 new for the paperback editions, and are available also in hard cover and
Audible editions at Amazon.com.
From Orson Scott Card, How
to Write Science Fiction & Fantasy is a must read. My
yellowing 1990 paperback edition is highlighted from top to bottom. I loved every page of this concise,
well-written treasure, especially the last three pages, which talk about a
writer's life at home with heartfelt honesty. Available in paperback edition
new for as little as $9.99 on Amazon.com.
Another favorite of
mine is Writing the Breakout Novel by Donald Maas. It might be because
I got it when I first took Mr. Maas's seminar many years ago, but I found this
book as helpful as the seminar. The version that
I have is available in paperback and Kindle versions, starting at $9.34. I
haven't read Mr. Maas's updated book, The Breakout Novelist, but I include
it here with great hopes. It's also available in paperback and Kindle versions,
starting at $11.99.
And then there is Write
Like the Wind, from MB4's very own Aaron Lazar, a three-book deeply
personal series on writing that manages to teach, comfort and inspire at the
same time. This honest, vivid look at
the writer's life offers plenty of wisdom to all writers, including the
aspiring writer. The series’ three books are available in e-book format, on sale
for a price that can't be beat—all three books for under $5. My favorite format
is the Audible version at only $6.95.
What do you think?
Anything here that catches your fancy? Do you have a fantastic gift idea for writers that you
want to share with the rest of us?
****
Dora Machado is the award-winning author of the epic
fantasy Stonewiser series and her newest novel, The Curse Giver, available from Twilight Times Books. She grew up
in the Dominican Republic, where she developed a fascination for writing and a
taste for Merengue. After a lifetime of straddling such compelling but
different worlds, fantasy is a natural fit to her stories. She lives in Florida
with her husband and three very opinionated cats.
To learn more about Dora
Machado and her novels, visit her website at www.doramachado.com or contact her at Dora@doramachado.com.
For a free excerpt of The Curse Giver, visit: http://twilighttimesbooks.comthingsTheCurseGiver_ch1.html.
Tuesday, November 19, 2013
LOVE IS A VERB: Christine Amdsden's Book Blast for her new book, SECRETS and LIES.
Hello, MB4 fans!
Please help me boost Christine Amsden's new fantasy love story, SECRETS and LIES, to number one! This is the day of her official "book blast," and we'd love to see her zoom to the top of the Amazon Kindle list. (Below you can read about both books in the series.)
Check out her wonderful article, below, and click here to see her new book, the second in her Cassie Scot series. ;o)
- Aaron Lazar
www.lazarbooks.com
Love is a Verb
by Christine Amsden
copyright 2013
From our earliest pre-teen days, chatting about boys and
wondering over the mystery that is romance, we've tried to define love. We've
asked our girlfriends (who didn't know any better than we did), and our parents
(who may also not have known). We watched TV and we read books. But it seems to
mean something a little different to everyone, so what exactly is it?
I won't pretend like I know the answer better than the rest
of you, but I've spent the past few years of my life writing a romantic series
with one idea in mind: Love is a verb. I know – it's not a definition, it's a
part of speech – but that's the best I've got.
Love is something you do. It's the act of loving, and it's a
little different for everyone because we're all a little different. We want and
need different things.
Love is a choice you make, every day. It's thinking of
someone else's needs before your own, and considering their feelings as at
least as important as yours. It's making a big sacrifice because what he needs
is more important than what you want. It's about making little sacrifices just
because, well, you may not like kale but he does so every once in a while you
make it for dinner.
Chemistry is great. Aside from feeling good, it makes the
choice to love someone a little bit easier. Good thing, too, because loving can
be a difficult thing to do.
A lot of people say the words, but actions speak louder.
That's why I get frustrated with romance novels that hinge on the utterance of
those three magic words – you know which ones I mean. :)
Cassie Scot: ParaNormal Detective is the first
book in a four-part fantasy series. Cassie is the only ungifted member of a
magical family, trying to earn a living as a “normal” detective in a town where
everyone knows her family's reputation. So of course, she's going to get pulled
into a paranormal investigation.
Cassie is
extremely attracted to powerful, sexy, and dangerous Evan Blackwood. Who
wouldn't be? But will she choose to love him? After all, love is a verb.
***
Cassie Scot
is the ungifted daughter of powerful sorcerers, born between worlds but
belonging to neither. At 21, all she wants is to find a place for herself, but
earning a living as a private investigator in the shadow of her family’s
reputation isn’t easy. When she is pulled into a paranormal investigation, and
tempted by a powerful and handsome sorcerer, she will have to decide where she
truly belongs.
Secrets and
Lies (Cassie Scot #2)
Cassie Scot,
still stinging from her parents’ betrayal, wants out of the magical world. But
it isn’t letting her go. Her family is falling apart and despite everything, it
looks like she may be the only one who can save them.
To complicate
matters, Cassie owes Evan her life, making it difficult for her to deny him
anything he really wants. And he wants her. Sparks fly when they team up to
find two girls missing from summer camp, but long-buried secrets may ruin their
hopes for happiness.
Reviews
From
Publisher’s Weekly:
“In this
entertaining series opener, Amsden (The Immortality Virus) introduces readers
to the eponymous Cassie, a decidedly mundane member of a magical family.
…Readers will enjoy Cassie’s fish-out-of-water struggles as she fights magical
threats with little more than experience and bravado.”
Kim Falconer,
bestselling author of The Spell of Rosette, Quantum Enchantment Series, had
this to say:
“When
sorcerers call the shots, what’s a girl without powers to do? Get ready for a
ripper of a murder mystery full of romance and intrigue, where magic potions
bubble, passions spark and vampires are definitely not your friend. Cassie
Scot: ParaNormal Detective grabs you by the heart and won’t let go until the
very last page. Well written, immersive and unputdownable. This is urban
fantasy at its best. More please!”
"Christine
Amsden unleashes her brilliant storytelling magic as the adventures of Cassie
Scot
escalate to
the extreme. Rife with betrayal and a debt too deep for money to clear, Secrets
and Lies plunges the reader into an utterly believable world where villains and
heroes spring lifelike from the pages. Brace for a whirlwind ride of sorcery,
romance and knife-edge peril. A truly original urban fantasy. Not to be missed!”
Buy Links for
Cassie Scot: ParaNormal Detective:
Buy Links for
Secrets and Lies (Cassie Scot #2)
Social Media
Links:
·
Website
·
Blog
·
Facebook
·
Twitter
·
Google+
Author Bio
Christine
Amsden has been writing fantasy and science fiction for as long as she can
remember. She loves to write and it is her dream that others will be inspired
by this love and by her stories. Speculative fiction is fun, magical, and
imaginative but great speculative fiction is about real people defining
themselves through extraordinary situations. Christine writes primarily about
people and relationships, and it is in this way that she strives to make
science fiction and fantasy meaningful for everyone.
At the age of
16, Christine was diagnosed with Stargardt’s Disease, a condition that effects
the retina and causes a loss of central vision. She is now legally blind, but
has not let this slow her down or get in the way of her dreams.
In addition
to writing, Christine teaches workshops on writing at Savvy Authors. She also
does some freelance editing work.
Christine
currently lives in the Kansas City area with her husband, Austin, who has been
her biggest fan and the key to her success. They have two beautiful children.
Monday, November 18, 2013
The Jewels of Critique (how to handle negative criticism) by Christine Amsden
Hi, all!
The truth is, everyone has room for improvement, but even after you realize this you may not know what to do with those red marks. Do you always make changes where suggested? What if two people contradict one another? What if someone clearly did not “get it?” Do you compromise integrity to make others happy? This workshop addresses all these questions and more as we seek to make sense of constructive (and even destructive) criticism.
Before I get into how to interpret other’s critique, I wanted to briefly discuss good criticism. While you will not always receive great criticism, you should always give it. Also, understanding what makes criticism good will help you to interpret it.
Whether you receive good criticism or not, you need to attempt to understand what the reader felt was the problem with the story. If your car engine stalled you would not start randomly replacing parts before you understood what was wrong. The same thing is true with writing.
When is it done? At some point, you have to decide to stop. It will never be done, but you can stop writing and send it to a publisher. Don’t forget that there will always be other stories, other articles, and even other novels. Growing as a writer happens over multiple pieces, not just multiple rewrites of the same piece. Try new things. Be adventurous. Be done.
Christine currently
lives in the Kansas City area with her husband, Austin, who has been her
biggest fan and the
-->
Today is the start of Christine Amsden's BOOK BLAST for SECRETS and LIES, the second in the Cassie Scot series. We are posting two of her articles back-to-back. Please check out the new book in her series below! When you buy your copies of her books, you will not only get a very entertaining book(s), but you'll help move the book up the charts. ;o) Thanks!
- Aaron Lazar
The Jewels of Critique by Christine Amsden
copyright 2013
If you are serious about becoming a
writer then at some point you will need to show others your work and ask them
what they think. When your pet project comes back, scarred beyond recognition
in red ink, you have three choices: You can quit writing. You can decide to be
a poor, misunderstood artist and never learn or grow. Finally, you can use the
feedback to become an even better writer.
The truth is, everyone has room for improvement, but even after you realize this you may not know what to do with those red marks. Do you always make changes where suggested? What if two people contradict one another? What if someone clearly did not “get it?” Do you compromise integrity to make others happy? This workshop addresses all these questions and more as we seek to make sense of constructive (and even destructive) criticism.
I.
Good Critique
Before I get into how to interpret other’s critique, I wanted to briefly discuss good criticism. While you will not always receive great criticism, you should always give it. Also, understanding what makes criticism good will help you to interpret it.
A.
Critique the story, not the author: This should be self
explanatory but basically, never make any assumptions about what the author
thinks, feels, or is trying to do. You are reporting your feelings about a
piece of literature, not performing psychoanalysis.
B.
Make it an opinion: “I thought Frank was a jerk.” is an
absolutely true statement. “Frank is a jerk.” is up for debate. Authors tend to
receive criticism better when it is written as an opinion rather than as fact,
because it is less confrontational and controversial. If you are the author
receiving the feedback, you should always interpret comments as an opinion even
if the person giving the feedback was less than sensitive.
C.
Look for problems, not solutions: It is usually more useful for an
author to gauge your reaction to a piece rather than to hear how you would
rewrite it. When you start prescribing solutions rather than diagnosing
problems, you may not be in tune with the author’s vision and therefore may not
be giving useful information. If you do decide to give suggestions for
rewriting, you should always pinpoint the problem (as you see it) first. That
way, the author can take the information and use it in a way that best serves
the story.
D.
Be a wise reader: A strategy I picked up from Orson Scott Card
(see his books on writing) that works very well for me is the wise reader
critique. Anyone who reads can be trained to be a wise reader, and the
information they give is golden. When you read a book, you naturally ask
certain questions about it. A wise reader notices when they ask the questions
and they write it down for the benefit of the author.
i. Oh Yeah? (I don’t believe
this.)
ii. So What? (I don’t care.)
iii. Huh? (I don’t get it.)
II.
Getting to the heart of the problem
Whether you receive good criticism or not, you need to attempt to understand what the reader felt was the problem with the story. If your car engine stalled you would not start randomly replacing parts before you understood what was wrong. The same thing is true with writing.
A.
Diagnosis: If your reader gave you diagnostic information such as
a wise reader critique, then your task is much easier. You know the problem and
can move on to what (if anything) to do about it.
B.
Prescription: If someone gave you suggestions for change without
telling you the problem, you are going to have to work backwards. Ask yourself
why they would think the change was necessary. Try to look at it through a
reader’s eyes and realize that they may not have been reading the story you
thought you wrote. (See ‘C’ below)
C.
They didn’t seem to “get it”: They very well may not have. I am
often amazed to find out what story people actually read when I send something
out for feedback. They aren’t wrong. Keep in mind that the story in your head
is a separate entity from the story on the paper. Likewise, the story on the
paper takes on a life of its own when read by someone else. They bring into it
their own biases and personal experiences. They may think Frank is a jerk
because they dated this guy in college named Frank who really hurt them. You
cannot always control for that but you need to be prepared for it.
III.
Should I make a change?
A.
There are exactly two times when you should consider making a
change.
i. Resonance: If a comment
resonates with you, if it just makes sense based on what you are trying to
accomplish with your work (be it a short story, novel, or article) then you
should, of course, make a change.
ii. Agreement: If many people
agree on a problem or weak spot, you should also seriously consider making a
change. You may not agree on the solution that any or all of them offered, but
it is typically no coincidence when several people all spot the same issue. It
can be hard to decide to make a change in this case, if there is no resonance
to go along with it, but here are some things you can do.
1.
Put it aside for a period of time and re-read it with a fresh eye.
2.
Look for creative solutions to a problem. For example, if many
people tell you a section is too long you may decide, instead, to make it
longer. I often find that the boredom that causes people to suggest cutting can
also be remedied by going into more depth, drawing the reader in further, and
really highlighting the importance of a certain portion of a story or novel.
B.
Contradictions: It can be frustrating when people disagree on an
aspect of a story. When one person loves Frank and another thinks he is a jerk,
you may find yourself unsure what to do. Let me start by making some
observations that may help you put this into perspective.
i. No one’s work will be
universally loved.
ii. The very things that make one
person fall in love with your work will make someone else hate it. This is true
in all aspects of life. I don’t like raspberries, but I bet most of you do. If
you were hosting a large dinner party, would you choose a different dessert to
accommodate my dislike of raspberries? Perhaps a yummy apple crumble or a
turtle cheesecake? Now I like your dessert option but Brian hates
cheesecake and Beth isn’t into apples.
In the end, whether the feedback is contradictory or not, you need
to consider the same two questions: “Did it resonate? Do many people agree?” If
one naysayer contradicts a group, it is probably safe to listen to the majority
opinion. If a group seems split down the middle you will simply have to be the
tiebreaker.
C.
Compromising Integrity: I bring this up only because many
beginning writers ask this question. Should I compromise my integrity to please
others? Well, that depends upon what you mean by integrity. Obviously, it is
your story to tell and in the end you are the person who will tell it. If
making a change to please people will make you hate the story or in some way go
against your values, then of course you should not make the change. But don’t
be the poor, misunderstood artist, either. If you want to be a great writer
then you need to understand that the creative process is fluid and that
sometimes you need to let the story decide what it wants to be, rather than
forcing it to be what you want it to be.
IV.
Responding to Feedback
A.
Thank you: This is the only appropriate response to someone who
has offered to help you by reading your work. Even if you disagree with
everything they wrote, even if they were downright mean in their comments, you
thank them and do not argue. Your story has to stand alone when it goes out
into the world – you won’t be there to hold its hand and back it up with your
own answers to people’s comments. If someone asks a question in their feedback,
it is rhetorical. You answer it in the rewrite, if at all.
B.
Destructive criticism: It happens. Someone may give you back some
feedback that says, “You suck as a writer. Don’t quit your day job.” If a
person gives you criticism that is downright mean, you simply ignore it and do
not ask for their help again. Throw it away.
C.
The follow-up question: While it is not okay to try to explain
yourself, your story, or argue with someone who has given you advice, it may be
acceptable to ask an occasional follow-up question for the sake of clarity.
When I sent an early chapter of Touch of Fate out for criticism, I
learned that someone felt Marianne, the protagonist, was unsympathetic. I wrote
back to him and asked if he could tell me what had given him that impression.
He was kind enough to highlight some careless turns of phrase that made her
seem uncaring towards her daughter. I was then able to make the changes that
helped me sell the book.
V.
Re-critique
A.
From the same group: This is usually a bad idea, in my opinion.
Personally, I usually refuse to look at the same story or part of a novel more
than one time. Either you followed my advice in the first place or you did not.
If you did take my advice, I will be inclined to like it whether or not it
works and if you did not take my advice I will be disinclined to like it
whether or not your chosen solution was appropriate. Moreover, I know how it
ends – or ended, which might even be worse. I cannot give you a fresh, unbiased
opinion on a second read-through.
B.
From a different person/people: This can work, but I caution you
to remember that your story will never be perfect. As many times as you send
your work out, you will receive that many suggestions. You cannot please
everyone and that is not your goal – it may be your dream but it is not your
goal. So go ahead and get a few different opinions, but try not to lose sight
of your own intentions as you make change after change and at some point,
decide that you are done.
When is it done? At some point, you have to decide to stop. It will never be done, but you can stop writing and send it to a publisher. Don’t forget that there will always be other stories, other articles, and even other novels. Growing as a writer happens over multiple pieces, not just multiple rewrites of the same piece. Try new things. Be adventurous. Be done.
***
Christine's Amsden's Books:
Cassie Scot: ParaNormal
Detective
Cassie Scot
is the ungifted daughter of powerful sorcerers, born between worlds but
belonging to neither. At 21, all she wants is to find a place for herself, but
earning a living as a private investigator in the shadow of her family’s
reputation isn’t easy. When she is pulled into a paranormal investigation, and
tempted by a powerful and handsome sorcerer, she will have to decide where she
truly belongs.
Secrets and
Lies (Cassie Scot #2)
Cassie Scot,
still stinging from her parents’ betrayal, wants out of the magical world. But
it isn’t letting her go. Her family is falling apart and despite everything, it
looks like she may be the only one who can save them.
To complicate
matters, Cassie owes Evan her life, making it difficult for her to deny him
anything he really wants. And he wants her. Sparks fly when they team up to
find two girls missing from summer camp, but long-buried secrets may ruin their
hopes for happiness.
Reviews
From
Publisher’s Weekly:
“In this
entertaining series opener, Amsden (The Immortality Virus) introduces readers
to the eponymous Cassie, a decidedly mundane member of a magical family.
…Readers will enjoy Cassie’s fish-out-of-water struggles as she fights magical
threats with little more than experience and bravado.”
Kim Falconer,
bestselling author of The Spell of Rosette, Quantum Enchantment Series, had
this to say:
“When
sorcerers call the shots, what’s a girl without powers to do? Get ready for a
ripper of a murder mystery full of romance and intrigue, where magic potions
bubble, passions spark and vampires are definitely not your friend. Cassie
Scot: ParaNormal Detective grabs you by the heart and won’t let go until the
very last page. Well written, immersive and unputdownable. This is urban
fantasy at its best. More please!”
"Christine
Amsden unleashes her brilliant storytelling magic as the adventures of Cassie
Scot
escalate to
the extreme. Rife with betrayal and a debt too deep for money to clear, Secrets
and Lies plunges the reader into an utterly believable world where villains and
heroes spring lifelike from the pages. Brace for a whirlwind ride of sorcery,
romance and knife-edge peril. A truly original urban fantasy. Not to be missed!”
Buy Links for
Cassie Scot: ParaNormal Detective:
Buy Links for
Secrets and Lies (Cassie Scot #2)
Social Media
Links:
·
Website
·
Blog
·
Facebook
·
Twitter
·
Google+
Author Bio
Christine
Amsden has been writing fantasy and science fiction for as long as she can
remember. She loves to write and it is her dream that others will be inspired
by this love and by her stories. Speculative fiction is fun, magical, and
imaginative but great speculative fiction is about real people defining
themselves through extraordinary situations. Christine writes primarily about
people and relationships, and it is in this way that she strives to make
science fiction and fantasy meaningful for everyone.
At the age of
16, Christine was diagnosed with Stargardt’s Disease, a condition that effects
the retina and causes a loss of central vision. She is now legally blind, but
has not let this slow her down or get in the way of her dreams.
In addition
to writing, Christine teaches workshops on writing at Savvy Authors. She also
does some freelance editing work.
-->